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EmpoWord - A Student-Centered Anthology & Handbook for College Writers, 2018a

EmpoWord - A Student-Centered Anthology & Handbook for College Writers, 2018a

EmpoWord - A Student-Centered Anthology & Handbook for College Writers, 2018a

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How to Use This Book<br />

xii<br />

Table of Contents – Readings (continued)<br />

Skills or Rhetorical<br />

Modes Showcased<br />

“Blood & Chocolate Milk”<br />

by Maia Wiseman<br />

“It’s time <strong>for</strong> some more medicine, does your mouth hurt?”<br />

“A little bit,” I said as best as I could with numb lips. The words<br />

came out muffled and strange. Gauze thick with blood and<br />

saliva was tucked over the wounds from the excavation. My<br />

mouth had become a <strong>for</strong>eign landscape with mountains of<br />

gauze and slippery rivers of blood. My tongue tried to ignore the<br />

upset.<br />

Description<br />

Thick description<br />

Imagery<br />

Figurative language<br />

Narration<br />

Narrative scope<br />

Narrative sequence<br />

Characterization<br />

Reflection<br />

Weave<br />

143<br />

Chapter Four<br />

“Drag the River”<br />

by Ryan Mills<br />

Parked at milepost 6, the grease fire night<br />

pulled the river toward the delta.<br />

The water ran low;<br />

the trees per<strong>for</strong>med their shakes.<br />

— 165<br />

“Richard Cory”<br />

by Edwin Arlington Robinson<br />

And he was rich—yes, richer than a king—<br />

And admirably schooled in every grace:<br />

In fine, we thought that he was everything<br />

To make us wish that we were in his place.<br />

— 166<br />

“A Valediction: Forbidding Mourning”<br />

by John Donne<br />

So let us melt, and make no noise,<br />

No tear-floods, nor sigh-tempests move;<br />

‘Twere profanation of our joys<br />

To tell the laity our love.<br />

— 167

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