The Star: September 23, 2021
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Latest Canterbury news at starnews.co.nz<br />
NEWS 15<br />
Covid survivors how to breathe again<br />
Thankfully the Dame Malvina<br />
Foundation, the Hunn Family<br />
Trust, New Zealand Opera Foundation,<br />
an anonymous donor and<br />
a givealittle appeal enabled her to<br />
join the MSM in August, 2017 –<br />
with a sense of trepidation.<br />
“<strong>The</strong> slightly scary thing was I<br />
was never guaranteed to receive<br />
a role in any of the operas. Auditioning<br />
for opera studies and the<br />
scenes program was an entirely<br />
separate deal, and something we<br />
had to do every semester,” she<br />
said.<br />
“I was so fortunate to receive<br />
a role in the scenes program to<br />
begin with – Meg Page in Verdi’s<br />
Falstaff. From there I was Tisbe<br />
in Rossini’s Cenerentola, Aunt<br />
Zita (Puccini’s Gianni Schicchi)<br />
and Aunt Hannah in Tobias<br />
Picker’s Emmeline.”<br />
Harris was also grateful to<br />
portray Orlofsky (in Die Fledermaus)<br />
with Ohio’s Opera Project<br />
Columbus in January last year,<br />
before Covid-19 intensified.<br />
“It’s so strange thinking back<br />
to that time and being aware<br />
there was this disease out there,<br />
but having zero idea that it would<br />
be about to change everything,”<br />
she said.<br />
“I came back to NYC and had<br />
two rehearsals for the Bartered<br />
Bride with the Bronx Opera<br />
Company when the city shut<br />
down and everything had to be<br />
put on hold.”<br />
CURTAIN DOWN: <strong>The</strong> show must not go on – Broadway during the<br />
Covid-19 lockdown in New York City, and Harris on stage prior, as Prince<br />
Orlosky in Die Fledermaus (top right) and as Aunt Zita in Gianni Schicchi.<br />
PHOTOS: GETTY, MANHATTAN SCHOOL OF MUSIC/CAROL ROSSEG,<br />
OPERA PROJECT COLUMBUS<br />
When New York was locked<br />
down, Harris and Giles still<br />
enjoyed an element of freedom by<br />
picnicking down by the Hudson<br />
River, overlooking the George<br />
Washington Bridge.<br />
And in a working sense Harris<br />
joined the Pathways organisation<br />
in her neighbourhood, an initiative<br />
that focuses on underprivileged<br />
Hispanic youth.<br />
She also started teaching piano<br />
– and singing – via Zoom then<br />
later in person and also took part<br />
in some virtual signing performances,<br />
including a Black Lives<br />
Matter fundraiser for the MSM.<br />
If and when life during Covid-19<br />
returns to normality Harris<br />
– who was granted a green card<br />
last year – aims to develop her<br />
career with teacher, Dr Shirley<br />
Close.<br />
“I want to audition for various<br />
opera houses throughout the<br />
States, marketing myself as a<br />
trouser role performing mezzosoprano.<br />
<strong>The</strong>n I can move into<br />
the more womanly roles like Carmen,”<br />
she said.<br />
Harris made her most recent<br />
trip home in late 2019, where she<br />
performed in the Christchurch<br />
City Choir’s Messiah and also<br />
a Dame Malvina Major Gala<br />
concert with the Christchurch<br />
Thursday <strong>September</strong> <strong>23</strong> <strong>2021</strong> <strong>The</strong> <strong>Star</strong><br />
Symphony Orchestra.<br />
Appropriately, both productions<br />
were at the Christchurch<br />
Town Hall, the setting where<br />
Harris became enchanted by<br />
singing as an eight-year-old.<br />
“I remember going to a<br />
performance of <strong>The</strong> King and<br />
I at the old James Hay <strong>The</strong>atre,<br />
turning to my mother (Margaret)<br />
mid-performance and saying:<br />
“This is what I have to do.”<br />
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