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The Star: September 23, 2021

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Sa<br />

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Latest Canterbury news at starnews.co.nz<br />

NEWS 15<br />

Covid survivors how to breathe again<br />

Thankfully the Dame Malvina<br />

Foundation, the Hunn Family<br />

Trust, New Zealand Opera Foundation,<br />

an anonymous donor and<br />

a givealittle appeal enabled her to<br />

join the MSM in August, 2017 –<br />

with a sense of trepidation.<br />

“<strong>The</strong> slightly scary thing was I<br />

was never guaranteed to receive<br />

a role in any of the operas. Auditioning<br />

for opera studies and the<br />

scenes program was an entirely<br />

separate deal, and something we<br />

had to do every semester,” she<br />

said.<br />

“I was so fortunate to receive<br />

a role in the scenes program to<br />

begin with – Meg Page in Verdi’s<br />

Falstaff. From there I was Tisbe<br />

in Rossini’s Cenerentola, Aunt<br />

Zita (Puccini’s Gianni Schicchi)<br />

and Aunt Hannah in Tobias<br />

Picker’s Emmeline.”<br />

Harris was also grateful to<br />

portray Orlofsky (in Die Fledermaus)<br />

with Ohio’s Opera Project<br />

Columbus in January last year,<br />

before Covid-19 intensified.<br />

“It’s so strange thinking back<br />

to that time and being aware<br />

there was this disease out there,<br />

but having zero idea that it would<br />

be about to change everything,”<br />

she said.<br />

“I came back to NYC and had<br />

two rehearsals for the Bartered<br />

Bride with the Bronx Opera<br />

Company when the city shut<br />

down and everything had to be<br />

put on hold.”<br />

CURTAIN DOWN: <strong>The</strong> show must not go on – Broadway during the<br />

Covid-19 lockdown in New York City, and Harris on stage prior, as Prince<br />

Orlosky in Die Fledermaus (top right) and as Aunt Zita in Gianni Schicchi.<br />

PHOTOS: GETTY, MANHATTAN SCHOOL OF MUSIC/CAROL ROSSEG,<br />

OPERA PROJECT COLUMBUS<br />

When New York was locked<br />

down, Harris and Giles still<br />

enjoyed an element of freedom by<br />

picnicking down by the Hudson<br />

River, overlooking the George<br />

Washington Bridge.<br />

And in a working sense Harris<br />

joined the Pathways organisation<br />

in her neighbourhood, an initiative<br />

that focuses on underprivileged<br />

Hispanic youth.<br />

She also started teaching piano<br />

– and singing – via Zoom then<br />

later in person and also took part<br />

in some virtual signing performances,<br />

including a Black Lives<br />

Matter fundraiser for the MSM.<br />

If and when life during Covid-19<br />

returns to normality Harris<br />

– who was granted a green card<br />

last year – aims to develop her<br />

career with teacher, Dr Shirley<br />

Close.<br />

“I want to audition for various<br />

opera houses throughout the<br />

States, marketing myself as a<br />

trouser role performing mezzosoprano.<br />

<strong>The</strong>n I can move into<br />

the more womanly roles like Carmen,”<br />

she said.<br />

Harris made her most recent<br />

trip home in late 2019, where she<br />

performed in the Christchurch<br />

City Choir’s Messiah and also<br />

a Dame Malvina Major Gala<br />

concert with the Christchurch<br />

Thursday <strong>September</strong> <strong>23</strong> <strong>2021</strong> <strong>The</strong> <strong>Star</strong><br />

Symphony Orchestra.<br />

Appropriately, both productions<br />

were at the Christchurch<br />

Town Hall, the setting where<br />

Harris became enchanted by<br />

singing as an eight-year-old.<br />

“I remember going to a<br />

performance of <strong>The</strong> King and<br />

I at the old James Hay <strong>The</strong>atre,<br />

turning to my mother (Margaret)<br />

mid-performance and saying:<br />

“This is what I have to do.”<br />

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