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Be Magazine 2021 EN

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BE#16<br />

Tailor-made<br />

BRUSSELS FURNITURE FAIR<br />

Odysseedesign transforms every table into<br />

an artwork. On some occasions the design is<br />

subdued, on others exuberantly colourful. One<br />

tabletop is solid epoxy, another is combined<br />

with natural materials and objects. “The reaction<br />

of epoxy to colour and other materials can<br />

result in some fascinating side-effects.” Would<br />

you like to incorporate the inner mechanism of<br />

a clock, the seeds from your loaves, the components<br />

of a mattress or armchair? Anything<br />

is an art object<br />

72 73<br />

Out of Love: forMY HOUSE<br />

Out of Love: for MY HOUSE<br />

is possible. This process lends itself to implementing<br />

projects by interior architects. For<br />

every table is made piece by piece using traditional<br />

methods. 3D printing might be an option<br />

in future, but this is some way off yet.<br />

“An epoxy table<br />

like this is more<br />

than just a piece<br />

of furniture, it<br />

that can define<br />

the space.”<br />

ODYSSEEDESIGN – HOUSE-JEWEL<br />

ODYSSEEDESIGN<br />

Odysseedesign: artful epoxy tables<br />

A start-up is premiering now: Odysseedesign<br />

has existed since August <strong>2021</strong>. In the workshop<br />

you can see epoxy tables being created.<br />

Each tabletop is unique: the product of traditional<br />

craftsmanship, weeks of superhuman<br />

patience, the creative spirit and the meticulous<br />

eye of a former optician.<br />

The name ‘Odysseedesign’ alludes to the long,<br />

hard road that must be travelled in order to realise<br />

a dream. It is unsurprising that the switch from<br />

spectacle frames to epoxy tabletops would have<br />

its ups-and-downs. Wouter Schmitz witnessed<br />

the disappearance of craftsmanship from the<br />

optician’s field, and with it the challenge of working<br />

on frames. The time to make a change was<br />

now or never. During this period of reflection, he<br />

discovered epoxy. The tradition and authenticity<br />

of the process proved to be decisive. He began<br />

experimenting to his heart’s content with the<br />

artificial resin, the chemical reactions, the environmental<br />

factors, the curing temperatures and<br />

times, dyes, and so on. He has now developed<br />

into a self-made epoxy artist.<br />

Every tabletop is carefully built up layer by layer,<br />

with the necessary hardening time in between.<br />

This can often take from between 7 to 10 days<br />

per layer. Although the high pressure chamber<br />

is incredibly sterile, Wouter still spends between<br />

3 and 4 hours with a magnifying glass and toothpick<br />

removing tiny pieces of dust that have settled.<br />

In this you recognise the eye of the skilled<br />

optician, the precision work down to one hundredth<br />

of a millimetre. This means that casting<br />

an epoxy tabletop is a process that takes weeks!

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