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BE#16<br />
Tailor-made<br />
BRUSSELS FURNITURE FAIR<br />
Odysseedesign transforms every table into<br />
an artwork. On some occasions the design is<br />
subdued, on others exuberantly colourful. One<br />
tabletop is solid epoxy, another is combined<br />
with natural materials and objects. “The reaction<br />
of epoxy to colour and other materials can<br />
result in some fascinating side-effects.” Would<br />
you like to incorporate the inner mechanism of<br />
a clock, the seeds from your loaves, the components<br />
of a mattress or armchair? Anything<br />
is an art object<br />
72 73<br />
Out of Love: forMY HOUSE<br />
Out of Love: for MY HOUSE<br />
is possible. This process lends itself to implementing<br />
projects by interior architects. For<br />
every table is made piece by piece using traditional<br />
methods. 3D printing might be an option<br />
in future, but this is some way off yet.<br />
“An epoxy table<br />
like this is more<br />
than just a piece<br />
of furniture, it<br />
that can define<br />
the space.”<br />
ODYSSEEDESIGN – HOUSE-JEWEL<br />
ODYSSEEDESIGN<br />
Odysseedesign: artful epoxy tables<br />
A start-up is premiering now: Odysseedesign<br />
has existed since August <strong>2021</strong>. In the workshop<br />
you can see epoxy tables being created.<br />
Each tabletop is unique: the product of traditional<br />
craftsmanship, weeks of superhuman<br />
patience, the creative spirit and the meticulous<br />
eye of a former optician.<br />
The name ‘Odysseedesign’ alludes to the long,<br />
hard road that must be travelled in order to realise<br />
a dream. It is unsurprising that the switch from<br />
spectacle frames to epoxy tabletops would have<br />
its ups-and-downs. Wouter Schmitz witnessed<br />
the disappearance of craftsmanship from the<br />
optician’s field, and with it the challenge of working<br />
on frames. The time to make a change was<br />
now or never. During this period of reflection, he<br />
discovered epoxy. The tradition and authenticity<br />
of the process proved to be decisive. He began<br />
experimenting to his heart’s content with the<br />
artificial resin, the chemical reactions, the environmental<br />
factors, the curing temperatures and<br />
times, dyes, and so on. He has now developed<br />
into a self-made epoxy artist.<br />
Every tabletop is carefully built up layer by layer,<br />
with the necessary hardening time in between.<br />
This can often take from between 7 to 10 days<br />
per layer. Although the high pressure chamber<br />
is incredibly sterile, Wouter still spends between<br />
3 and 4 hours with a magnifying glass and toothpick<br />
removing tiny pieces of dust that have settled.<br />
In this you recognise the eye of the skilled<br />
optician, the precision work down to one hundredth<br />
of a millimetre. This means that casting<br />
an epoxy tabletop is a process that takes weeks!