Nick Sousanis - Unflattening-Harvard University Press (2015)

draws on Burton, Horowitz, and Abeles's (1999) work on
the importance of the arts in curriculum.
CHAPTER 5: THE FIFTH DIMENSION
Page 85: The title references Rod Serling from the Twilight Zone equating
imagination with the fifth dimension. I picked it up from a Grant
Morrison-written Batman cornic.
Page 87: As with prior instances, the text here hews closely to Abbott's
original.
Page 89: Greene (1995, p. 37).
Page 90: Pelaprat and Cole (2011); the diagram
of eye movement (saccadic motion) is
based on Yarbus (1967) mapped onto da Vinci's
Mona Lisa.
Page 91: The reference to gap-spanning is drawn partially fromJohnson
(1987). For more on "conceptual blending," see Fauconnier and Turner
(1998, 2002).
Page 92: Lockerman first appeared in print in 1986 and was distributed
courtesy of the Almont High School copy machines.
Page 93: My brother takes issue with my use of "tall tales" here.
Page 95: The opening depicts scenes from The 1001 Arabian Nights. The
turn to science here draws on Saliba's (1999) description of the works
of Nasir al-Din al-Tusi, whose works aided Copernicus's discoveries.
Goodman (1978, p. 2).
Page 96: After Bill Watterson's Calvin and Hobbes, Superman changing
in a phone booth, and the Tardis from Dr. Who. Bachelard (1964/ 1994,
p. 134). String theorists surmise that dimensions we can't experience are
curled up tightly within those we can.