Nick Sousanis - Unflattening-Harvard University Press (2015)

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IMPORTANCE15BIG.' ' ' ' 'UNDER5TANDING15 GRA5PING.WE GRAS HOL.D OF ANIDEA AND ENCL.05E ITWITHIN A FIRM GRIP.NOW WITHIN OUR REACH, WE CANMANIPUL.ATE AND TURN IT OVERTO GET AT AL.L. IT5 A5PECT5.DRAWING 15 A WAY OF 5EEINGAND THU5, A WAY OF KNOWING,IN WHICH WE TOUCH MORE DIRECTL. YTHE PERCEPTUAL. AND EMBODIEDPROCE5'5E5 UNDERL.YING THINKING.78
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Nick SousanisUNFLATTENING111111Harv
Page 5:
CONTENTSflatness ... 1flatland .. .
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10
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12
Page 19 and 20:
15
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1iE POTENTIAL~I<.GYIN THI~~ IC CI<.
Page 24 and 25: HAVING BE?S'N, A5 MARCU5E?PUT IT, "
Page 26 and 27: Hl€õ WORD€õIN€õUFFICIE:NT,
Page 28 and 29: ~IWPTING THe5e DeePL.Y INGRAINeD PA
Page 30: ... · .. . . ·....... . . . .· .
Page 33 and 34: :."< ~E:E:KING NE:W APPI<!OACHE:~ F
Page 35 and 36: IN AN E:FFORT TO MAKE THE:OB5E:I<.V
Page 37 and 38: 35
Page 39 and 40: IN THI5 NE:W INTE:Gf'ATE:D LAND5CAP
Page 41 and 42: WHE:N TAKEN TOGE:THE:R,AOS BAKHTIN
Page 43 and 44: IN PI'E:PAI'ATION FOR THe JOURNE:Y
Page 45 and 46: PIVOTINC.S FWMTHE:' CYCLOPTICTO 5e'
Page 47 and 48: .). FURTHE:I<. CI<.E:NULATION: IN.J
Page 51 and 52: 52
Page 53 and 54: Traditionally, words have been priv
Page 55 and 56: Y!rr DESCARTES WA-5 AT000'5 WITH Hl
Page 57 and 58: WE'RE CONCE'RNE'D WITH THE'WAYS IN
Page 59 and 60: 60A MEAN-6 OF 6RAPP1-IN6WITH EXPERI
Page 61 and 62: 62
Page 63 and 64: f'MBSDDSD WITHIN THS ~cQUcNTIAL~I
Page 65 and 66: OVSI<. THS COUI<.5SOF THI5 CHAPTEI<
Page 68 and 69: THc IMAGc-TCXT DIVIDe .••BIC:cA
Page 70 and 71: AND WE1 DO THI6E1VE1f<.Y IN6TANT.73
Page 72 and 73: ::;wM CALM TO HeiSHTeNeD,' D~WN LIN
Page 76 and 77: oFOI<. ALL OUI<.MS:NTAL PI<.OWe~~'O
Page 78 and 79: 81
Page 80 and 81: THE FIFTH DIMENSION
Page 82 and 83: 88
Page 84 and 85: -;-; ~· ·DANCING AND DARTING, OUR
Page 86 and 87: 92
Page 88 and 89: !4eFLeCTING UPON THI5 NOWBRING5 TO
Page 90 and 91: 96
Page 93 and 94: 101
Page 95 and 96: 103
Page 97 and 98: 105
Page 99: 107
Page 102 and 103: WHEN IDEA5 AI<.E WI<.ITTEN IN5TONE
Page 104 and 105: 112
Page 107 and 108: As you wi11 reca11, throughthe acti
Page 109 and 110: 119
Page 111 and 112: 121
Page 113: 123
Page 118 and 119: ~S:PARATS: '/S:TCONNS:CTS:D.AND 50
Page 120: Qou rnn> ___ _~· ~.132.r.. .~;.
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'' \\'\ '" \\,\ \ \' \ ,,' r,,',-._
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I.E:T ME: OFFE:I<. A-; E:XAMPLE:, M
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147
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149
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We ReMIND OUR~eLVS OF WHATIT I~ TO
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The motorist's own movement brought
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gave the winged sandals to Perseus.
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Page 44: The explanation of fractal
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respectively McCloud (1993) and Hog
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draws on Burton, Horowitz, and Abel
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Page 132: Elements on this page are
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BIBLIOGRAPHYIn the process of makin
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--------------------------- - -----
Page 159 and 160:
Csikszentmihalyi, Mihaly. Flow: The
Page 161 and 162:
Fracasso, Alessio, Alfonso Caramazz
Page 163 and 164:
Hatfield, Charles. 'M Art of Tensio
Page 165 and 166:
Kosslyn, Stephen M. , William L. Th
Page 167 and 168:
McCloud, Scott. Making Comics: Stor
Page 169 and 170:
Pilcher, Helen. "How Flower Power P
Page 171 and 172:
Steinhart, Peter. The Undressed Art
Page 173 and 174:
Yarbus, Alfred L. Eye Movements and
Page 175 and 176:
* . :i' .Wales, Paul Thomas, Susann
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First ide a map for Unflattening, A
Page 179 and 180:
lnitial working roadmap (pari 2), J
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Roadmap (ch apter 6), January 21 ,
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Nick Sousanis - Unflattening-Harvard University Press (2015)

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