Nick Sousanis - Unflattening-Harvard University Press (2015)

Saint-Exupéry, Antoine de. The Little Prince. 1943. New York: Harcourt, Brace
and World, 1971.
Saliba, George. "Rethinking the Roots o f Modem Science: Arabic Scientific
Manuscripts in European Libraries." Occasional paper, Center for
Contemporary Arab Studies, Edmund A. Walsh School of Foreign
Service, Georgetown University, Washington, DC, 1999.
Satrapi, Marjane. The Complete Persepolis. New York: Pantheon Books, 2007.
Sattler, Peter R. "Past Imperfect: 'Building Stories' and the Art of Memory." In
Ball and Kuhlman, The Comics of Chris Ware.
Schumpeter,Joseph Alois. Capitalism, Socialism and Democracy. 1942. Reprint,
New York: Harper Perennial, 1976.
Shlain, Leonard. Art and Physics: Parallel Visions in Space, Time, and Light. New
York: Morrow, 1991.
Simmel, Georg. The Conflict in Modern Culture, and Other Essays. Translated by
K. P. Etzkorn. New York: Teachers College Press, 1968.
Snow, C. P. The Two Cultures. 1964. Cambridge: Cambridge University Press,
1993 .
Solnit, Rebecca. A Field Guide to Getting Lost. New York: Viking, 2005.
Sousanis, Anne. "We All Live in an Open House," Kingsbury School Newsletter.
Oxford, MI: Kingsbury School, Spring 1987.
Sousanis, Nick. "Mind the Gaps." In Vinz and Schaafsma, On Narrative Inquiry.
--~. "The Shape of Our Thoughts: A Meditation On and In Comics."
Visual Arts Research 38, no. 1 (2012): 1- 10.
Spennemann, Dirk H. R. "Traditional and Nineteenth Century
Communication Patterns in the Marshall Islands." Micronesian
journal of the Humanities and Social Sciences 4, no. 1 (2005): 25-52.
Spiegelman, Art. Maus: A Survivor's Tale. New York: Pantheon Books, 1997.
--~. Metamaus. N ew York: Pantheon Books, 2011.
Stafford, Barbara Maria. Visual Analogy: Consciousness as the Art of Connecting.
Cambridge, MA: MIT Press, 1999.
186