Nick Sousanis - Unflattening-Harvard University Press (2015)

BIBLIOGRAPHY
In the process of making this book I read and was influenced by many books
and images. Some of them are named in the preceding pages; others have
left an invisible, yet no less important, imprint on my words and drawings.
Traditional bibliographies are partia! to the written word and list mostly books
and articles. Images of ali sorts have been just as important to me as I made
this book. If you wish to learn more about these images and their influence on
Unjlattening, please turn to the section titled Notes.
Abbott, Edwin Abbott. Flatland: A Romance in Many Dimensions. London:
Seeley, 1884. Reprint, New York: Dover, 1952.
Flatland: An Edition with Notes and Commentary. Notes and
commentary by William F. Lindgren and Thomas F. Banchoff.
New York: Cambridge University Press, 2010.
Abel, Jessica, and Matt Madden. Drm'lling Words and Writing Pictures: Making
Comics. New York: First Second, 2008.
Aiken, Nancy E. The Biological Origins of Art. Westport, CT: Praeger, 1998.
Alaniz,José. "Into Her Dead Body: Moore & Campbell's 'From Hei!. "' In
Alan Moore: Portrait of an Extraordinary Gentleman, edited by Gary
Spencer Millidge. Leigh-On-Sea, England: Abiogenesis Press, 2003.
Allen, P. Lawrence. '1\rn I Relevant to History? The Environment." In
Teaching American History: The Quest for Relevancy, edited by Allan
O. Kownslar. National Council for the Social Studies Yearbook 44.
Washington, DC: National Council for the Social Studies, 1974.
Ananthaswamy, Anil. "Mind over Matter? How Your Body Does Your
Thinking." New Scientist 205, no. 2753 (2010): 8-9.
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye.
Berkeley: University of California Press, 1965.
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