Nick Sousanis - Unflattening-Harvard University Press (2015)

Recommendations

Info

oFOI<. ALL OUI<.MS:NTAL PI<.OWe~~'OUI<. MIND~ Al<.eNOT L I MITLS:~~.DI<.AWING, A~ MA~AKI ~UWA AND BAI<.BAI<.A TVS:I<.~KY~UGGS:~T, I~ A MS:AN~ OF OI<.CHS:~TI<.ATING ACONVS:I<.~ATION WITH YOUI<.~S:LF.PUTTING THOUGHT~ DOWNALLOW~ U~ TO ~ePOUT~IDS: OUI<.~S:LVS:~,AND TAP INTO OUI<.VI~UAL ~Y~TeM ANDOUI<. ABILITY TO ~eeIN I<.S:LATION .. ·,:; TH U~ S:XTS:ND.:-... R THINKINGwe DI<.AW NOT TO TI<.AN~CI<.IBS:IDS:A~ FI<.OM OUI<. HS:AD~ BUTTO GS:NS:I<.ATS: THS:M IN ~eAI<.CHOF GI<.S:ATS:I<. UNDS:I<.~TANDING.79
CHIZI$ MOFFeTT WRITE$ THAT MOVING 1$ TH!: P!WPE:R MOD!:OF THOUGHT: "TH!: WAY W!: FIND OUIZ WAY." TH!: PHY$1CALACTIVITY OF D!ZAWING OCCUIZ$ IN DYNAMIC R!:LATION$HIPWITH TH!: ARTI$T'$ VI$UAL IZ!:$PON$!: TO WHAT'$ PUT DOWN.DRAW!:R AND D!ZAWING JOURN!:YFORTH INTO TH!: UNKNOWN TOGeTH!:R.
Page 2 and 3:
Nick SousanisUNFLATTENING111111Harv
Page 5:
CONTENTSflatness ... 1flatland .. .
Page 14 and 15:
10
Page 16:
12
Page 19 and 20:
15
Page 21 and 22:
1iE POTENTIAL~I<.GYIN THI~~ IC CI<.
Page 24 and 25:
HAVING BE?S'N, A5 MARCU5E?PUT IT, "
Page 26 and 27: Hl€õ WORD€õIN€õUFFICIE:NT,
Page 28 and 29: ~IWPTING THe5e DeePL.Y INGRAINeD PA
Page 30: ... · .. . . ·....... . . . .· .
Page 33 and 34: :."< ~E:E:KING NE:W APPI<!OACHE:~ F
Page 35 and 36: IN AN E:FFORT TO MAKE THE:OB5E:I<.V
Page 37 and 38: 35
Page 39 and 40: IN THI5 NE:W INTE:Gf'ATE:D LAND5CAP
Page 41 and 42: WHE:N TAKEN TOGE:THE:R,AOS BAKHTIN
Page 43 and 44: IN PI'E:PAI'ATION FOR THe JOURNE:Y
Page 45 and 46: PIVOTINC.S FWMTHE:' CYCLOPTICTO 5e'
Page 47 and 48: .). FURTHE:I<. CI<.E:NULATION: IN.J
Page 51 and 52: 52
Page 53 and 54: Traditionally, words have been priv
Page 55 and 56: Y!rr DESCARTES WA-5 AT000'5 WITH Hl
Page 57 and 58: WE'RE CONCE'RNE'D WITH THE'WAYS IN
Page 59 and 60: 60A MEAN-6 OF 6RAPP1-IN6WITH EXPERI
Page 61 and 62: 62
Page 63 and 64: f'MBSDDSD WITHIN THS ~cQUcNTIAL~I
Page 65 and 66: OVSI<. THS COUI<.5SOF THI5 CHAPTEI<
Page 68 and 69: THc IMAGc-TCXT DIVIDe .••BIC:cA
Page 70 and 71: AND WE1 DO THI6E1VE1f<.Y IN6TANT.73
Page 72 and 73: ::;wM CALM TO HeiSHTeNeD,' D~WN LIN
Page 74 and 75: 77
Page 78 and 79: 81
Page 80 and 81: THE FIFTH DIMENSION
Page 82 and 83: 88
Page 84 and 85: -;-; ~· ·DANCING AND DARTING, OUR
Page 86 and 87: 92
Page 88 and 89: !4eFLeCTING UPON THI5 NOWBRING5 TO
Page 90 and 91: 96
Page 93 and 94: 101
Page 95 and 96: 103
Page 97 and 98: 105
Page 99: 107
Page 102 and 103: WHEN IDEA5 AI<.E WI<.ITTEN IN5TONE
Page 104 and 105: 112
Page 107 and 108: As you wi11 reca11, throughthe acti
Page 109 and 110: 119
Page 111 and 112: 121
Page 113: 123
Page 118 and 119: ~S:PARATS: '/S:TCONNS:CTS:D.AND 50
Page 120: Qou rnn> ___ _~· ~.132.r.. .~;.
Page 123 and 124: 135
Page 126:
'' \\'\ '" \\,\ \ \' \ ,,' r,,',-._
Page 132 and 133:
I.E:T ME: OFFE:I<. A-; E:XAMPLE:, M
Page 134 and 135:
147
Page 136 and 137:
149
Page 139:
We ReMIND OUR~eLVS OF WHATIT I~ TO
Page 142 and 143:
The motorist's own movement brought
Page 144 and 145:
gave the winged sandals to Perseus.
Page 146 and 147:
Page 44: The explanation of fractal
Page 148 and 149:
respectively McCloud (1993) and Hog
Page 150 and 151:
draws on Burton, Horowitz, and Abel
Page 152 and 153:
Page 132: Elements on this page are
Page 155 and 156:
BIBLIOGRAPHYIn the process of makin
Page 157 and 158:
--------------------------- - -----
Page 159 and 160:
Csikszentmihalyi, Mihaly. Flow: The
Page 161 and 162:
Fracasso, Alessio, Alfonso Caramazz
Page 163 and 164:
Hatfield, Charles. 'M Art of Tensio
Page 165 and 166:
Kosslyn, Stephen M. , William L. Th
Page 167 and 168:
McCloud, Scott. Making Comics: Stor
Page 169 and 170:
Pilcher, Helen. "How Flower Power P
Page 171 and 172:
Steinhart, Peter. The Undressed Art
Page 173 and 174:
Yarbus, Alfred L. Eye Movements and
Page 175 and 176:
* . :i' .Wales, Paul Thomas, Susann
Page 177 and 178:
First ide a map for Unflattening, A
Page 179 and 180:
lnitial working roadmap (pari 2), J
Page 181:
Roadmap (ch apter 6), January 21 ,
show all

Nick Sousanis - Unflattening-Harvard University Press (2015)

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?