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AphroChic Magazine: Issue No. 8

This issue is about revolution, remembrance, and rebirth. In Dubai, Chef Alexander Smalls is launching a first-of-its-kind food experience celebrating the culinary revolution taking place in Africa. In New York, as fashion week returned, House of Aama launched a collection remembering the elegance of 20th century Black resort towns. In Philadelphia, Chanae Richards is carving out space for rest, relaxation and meditation. And in Los Angeles, our cover star, Jennah Bell, is part of a renaissance of music that is indie, soulful and written from the heart. In this issue we take you to The Deacon hotel designed by Shannon Maldonado. And in our Wellness section, we let you in our own road to rebirth, through the journey with long-haul COVID that has defined our life this past year. In our Reference section we explore new thoughts on the African Diaspora. Looking beyond the history behind the word to explore the idea itself, opening new worlds of possibility as we begin working to understand what the African Diaspora actually is. And we take you inside the importance of the emerging Black art scene heralded by the Obama portraits which, now well into their national tour, made a memorable stop at the Brooklyn Museum.

This issue is about revolution, remembrance, and rebirth. In Dubai, Chef Alexander Smalls is launching a first-of-its-kind food experience celebrating the culinary revolution taking place in Africa. In New York, as fashion week returned, House of Aama launched a collection remembering the elegance of 20th century Black resort towns. In Philadelphia, Chanae Richards is carving out space for rest, relaxation and meditation. And in Los Angeles, our cover star, Jennah Bell, is part of a renaissance of music that is indie, soulful and written from the heart.

In this issue we take you to The Deacon hotel designed by Shannon Maldonado. And in our Wellness section, we let you in our own road to rebirth, through the journey with long-haul COVID that has defined our life this past year.

In our Reference section we explore new thoughts on the African Diaspora. Looking beyond the history behind the word to explore the idea itself, opening new worlds of possibility as we begin working to understand what the African Diaspora actually is. And we take you inside the importance of the emerging Black art scene heralded by the Obama portraits which, now well into their national tour, made a memorable stop at the Brooklyn Museum.

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Food<br />

The culinary mind behind<br />

some of New York’s most celebrated<br />

restaurants including<br />

its first Afro-Asian fusion<br />

spot, The Cecil, Chef Smalls<br />

is the author of several books<br />

exploring the history hidden in<br />

the food of the African Diaspora.<br />

This year he’s breaking new<br />

ground again as the curator of<br />

the first ever African Dining<br />

Hall fittingly titled, Alkebulan,<br />

being presented as part of Expo<br />

2020 Dubai. This 6-month-long<br />

world’s fair-style exhibition,<br />

which began in October and will<br />

run until March 2022, brings<br />

together the best the world has to<br />

offer in business, science, technology,<br />

art, and food with the<br />

concept of Connecting Minds,<br />

Creating the Future, and built<br />

around the mantra Opportunity,<br />

Mobility and Sustainability.<br />

Alkebulan is one of the<br />

ancient names of the African<br />

continent, perhaps the only<br />

surviving term to be indigenous<br />

to the land and its people. Alternately<br />

translated as “Mother of<br />

Mankind” or “Garden of Eden,”<br />

it’s unclear if other terms may<br />

have existed among the continent’s<br />

many languages. However,<br />

Alkebulan was widely used in the<br />

north and has been connected to<br />

the Ethiopians, Moors (Almoravids<br />

/ Almohades) Nubians and<br />

Carthaginians, among others. In<br />

its current iteration, Alkebulan<br />

is a dining hall the likes of which<br />

has never been seen, pulling<br />

from many of the continent’s<br />

major food traditions as seen<br />

through the eyes of those who<br />

are leading its culinary renaissance.<br />

“It’s really about raising<br />

the profile, and bringing into<br />

the light of day, the gifts of<br />

African food,” Smalls says of the<br />

endeavor. “I brought in some<br />

of the top chefs who are really<br />

making a name for themselves,<br />

but also leading the conversation<br />

around the evolution / revolution<br />

of the new Africa table.”<br />

The result is 22,000 square<br />

feet of unimaginable culinary<br />

delights. Among the leaders<br />

of this exciting new school are<br />

Joburg-based Congolese chef,<br />

Coco Reinartz, Senegalese<br />

pastry chef Mame Sow, Kenyan<br />

celebrity chef, Kiran Jethwa and<br />

French-Congolese, Afro-Vegan<br />

chef Glory Kabe. The complete<br />

hall boasts 10 original concepts,<br />

3 of which were created by Chef<br />

Smalls himself. The fortuitous<br />

outcome of some skillful pivoting<br />

after a collection of misfortunes<br />

brought on by the COVID-19<br />

pandemic, the Alkebulan dining<br />

hall is that rarest of happenings:<br />

the right thing in the right place<br />

at the right time — an unprecedented<br />

opportunity to showcase<br />

Africa’s culinary culture on a<br />

world stage. For Chef Smalls, it’s<br />

the next step in a journey that he<br />

started a long time ago.<br />

“After my first restaurant<br />

I understood that, more<br />

than a chef / restaurateur, I<br />

was an activist,” he reflects.<br />

“The point was elevating and<br />

expanding the narrative of<br />

the art and food of the African<br />

Diaspora.” In bringing together<br />

so many parts of the continent<br />

and the new visions that are<br />

putting them back in conversation<br />

with food culture in the<br />

rest of the world, Chef Smalls is<br />

continuing the story he began<br />

with his book, Between Harlem<br />

and Heaven — that not only did<br />

Africa never leave these conversations,<br />

it’s been there from<br />

the start. “Through slavery,”<br />

he says. “Africa is the foundation<br />

of cooking and hospitality<br />

on five continents. Since then,<br />

institutional racism has really<br />

oppressed us, our products and<br />

our value.” The stories told in the<br />

concept and menus of Alkebulan<br />

are an important step towards<br />

correcting that narrative.<br />

Food isn’t the only way to<br />

tell our story, so the experience of<br />

Alkebulan doesn’t stop at the table.<br />

Accompanying it’s food offerings<br />

are the art of Nigerian textile<br />

designer Nike Davies-Okundaye,<br />

Ghanaian sculptor and<br />

66 aphrochic issue eight 67

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