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AWNINGS<br />
Design should be fun<br />
markilux products<br />
speak a clear,<br />
modern design<br />
language<br />
It used to be that awnings were primarily a<br />
technical product that had a specific purpose to<br />
fulfil: they had to protect users from the sun.<br />
But over time, attraction, value and identification<br />
with form and colours also became increasingly<br />
important to those in search of an awning. This is<br />
why markilux awnings therefore have to<br />
correspond to the aesthetics of contemporary<br />
architecture and, in the best scenario, become the<br />
highlight on a building.<br />
50 years ago, awning specialist markilux<br />
embarked on a voyage of discovery to get to<br />
where it is today. From the very beginning, the<br />
company set great store by striving for both<br />
quality and appearance in its products. “Quality is<br />
a way of differentiating yourself in the market. This<br />
must be reflected not only in the functionality but<br />
also in the appearance,” explains Michael Gerling,<br />
Director of R&D and Production.<br />
Specialist for designer<br />
awnings<br />
Over the course of time, the company has<br />
increasingly honed the interplay between technical<br />
sophistication and beautiful appearance. The aim<br />
was to give the brand an aesthetic expression. This<br />
is an essential part of the creative process from<br />
the very first idea to the finished product. For this,<br />
markilux is guided by modern architecture,<br />
contemporary product design and current colour<br />
trends. “After so many years of product<br />
development, we now see ourselves as a specialist<br />
for designer awnings,” says Mr Gerling.<br />
Appearance reflects quality<br />
Particularly the markilux 970, but also all<br />
models of the MX series, such as the MX-1<br />
compact, the MX-3 and the new MX-2, represent<br />
today’s typical markilux look. This includes the<br />
interplay between curves and simple straight or<br />
cubic shapes, accentuating features of the awning<br />
by using attractive colours and special material<br />
surfaces, reflecting the high quality and<br />
emphasising the exclusive, individual nature of the<br />
products. Mr Gerling believes that this is<br />
instrumental in the brand’s success: “When it<br />
comes to the end consumer, you score points<br />
above all with the appearance of a product and<br />
also with the option of being able to adapt it to<br />
meet your own requirements to a certain extent.<br />
And that’s exactly what we offer,” he explains.<br />
Rethinking form and<br />
expression<br />
Developing a design with a company’s special<br />
signature as part of the brand message is a long<br />
process, which entails constant observation of the<br />
market, a creative development team and<br />
experimentation with exciting materials and<br />
surfaces, as well as a comparison with what is<br />
technically possible and the motivation to<br />
constantly reinterpret the shape of an awning.<br />
Special touch thanks to good<br />
design<br />
This design style also includes modern awning<br />
covers, which as conspicuous and effective textile<br />
colour surfaces help shape the overall appearance<br />
of an awning. Here, the company places great<br />
emphasis on patterns that are both timeless and<br />
trendy. “Our awnings have a consistent look. They<br />
are matched to furniture, garden features and<br />
various styles of building. Because that is what end<br />
consumers are looking for,” says Michael Gerling.<br />
Design should be fun, give every house that<br />
certain something special and do so for many<br />
years with intelligent, safe technology.<br />
44 <strong>Blinds</strong> & <strong>Shutters</strong> • ISSUE THREE <strong>2022</strong>