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94 Chapter 11 - Ligado and HarmonicsThe below exercise combines the hammer-on followed by the pull-off technique to make a three notefigure.11-31 2 1 1 2 1 1 2 1 1 2 1 1 3 1 1 3 1 1 3 1 1 3 1 1 4 1 1 4 1 1 4 1 1 4 12 3 2 2 3 2 2 3 2 2 3 2 2 4 2 2 4 2 2 4 2 2 4 2 3 4 3 3 4 3 3 4 3 3 4 3This exercise combines the pull-off followed by the hammer-on.11-44 3 4 4 3 4 4 3 4 4 3 4 4 2 4 4 2 4 4 2 4 4 2 4 4 1 4 4 1 4 4 1 4 4 1 43 2 3 3 2 3 3 2 3 3 2 3 3 1 3 3 1 3 3 1 3 3 1 3 2 1 2 2 1 2 2 1 2 2 1 2
Chapter 11 - Ligado and Harmonics 95Both the hammer-on and pull-off technique are used in this exercise. Most of the ligados begin onthe beat, however, the last three ligados begin on the "and" of a beat to the next beat. Be sure tohammer-on strongly in order for the last note to create a convincing ending.11-51 30 1 3 1 03 1 00 20012 32 0302 3This exercise uses pull-offs in the first four measures and hammer-ons in the last four measures.Notice that the note G in measures 3 and 6 is played on string 4. Also, in measure 7, the note E isplayed on string 2.11-632 03 2 02 04 022 025 4 2 04 00 20 2 304 52 430 2 40 20 2 3 52 03
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Guitar SeminarVolume 1Mike Sult
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PrefaceThis book is designed for th
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1Chapter 1 - Technique, Tuning and
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3On occasion it is OK to let the fi
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5the person who plays the instrumen
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7When using the relative tuning met
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Standard Notation9Standard notation
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11MeasuresVertical lines divide the
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13This chapter covers a large amoun
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Chapter 2 - String One15In this les
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Sometimes a short melody uses only
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Chapter 3 - String Two19In this les
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Chapter 3 - String Two 21In this ne
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Chapter 3 - String Two 23The next t
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Chapter 4 - String Three25In this l
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Chapter 4 - String Three 27The next
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Chapter 4 - String Three 29The next
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Chapter 4 - String Three 31This nex
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Chapter 5 - String Four33This lesso
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Chapter 5 - String Four 35Use alter
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The next exercise is a chromatic sc
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Chapter 5 - String Four 39In the fo
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Chapter 6 - String Five41In this le
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Page 55 and 56: Chapter 6 - String Five 49The Wild
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Page 61 and 62: Chapter 7 - String Six 55Blues Bass
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Page 73 and 74: 02 3 0 23 0 2 3Chapter 8 - Arpeggio
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Page 89 and 90: Chapter 10 - Chords83The playing of
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Page 93 and 94: Chapter 10 - Chords 87This exercise
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Page 97 and 98: Chapter 10 - Chords 91This exercise
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Page 109 and 110: Natural Harmonics103The following i
Page 111 and 112: 105Using Natural HarmonicsThe first
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Chapter 14 - 4th and 5th position14
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Chapter 14 - 4th and 5th position 1
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Chapter 14 - 4th and 5th position 1
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Chapter 15 - 6th and 7th Positions1
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Chapter 15 - 6th and 7th Positions
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Chapter 16 - 8th and 9th Position15
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Chapter 16 - 8th and 9th Position 1
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TAB5 7 4 5 7 4 6 7 9 7 8 10 7 9 10
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Chapter 17 - Shifting Positions 165
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Chapter 18 - Guitar CalisthenicsPla
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Chapter 18 - Guitar Calisthenics 17
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Repertoire185The following pages co
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Spring Dance18 92002202 222 0232 3
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Matteo CarcassiPrelude203Matteo Car
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pi i im m maa a00010010010022022022
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MaestosoMauro GiulianiOp. 1 No. 120
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Mauro Giuliani 209PrestissimoOp. 48
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Mauro Giuliani 2111604 0 02 2 30 0
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T3 3 3 3A 4 4 4 40B 2917253 3 3 34
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Fernando Sor 21526432343030 3 03430
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Francisco TarregaPreludio No. 9217F
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Francisco Tarrega 219134565777990 0
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Francisco Tarrega 2212510 10 10 12
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Pavane2231700002 35435 33202 3 0 23
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On the Beautiful Blue Danube225333
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30Bourree II2271 3 4 3 1 0 1 3 1 02
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Duets 229Lesson for Two Lutes5913
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Duets 23117232732
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Duets 23324293641
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Bach Minuets235J. S. Bach7 313 319
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Bach Minuets 237815322329353
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Bach Inventions 2391113151820
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Duets245Andante7333333 333 3 33333
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AndanteDuets247
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Concerto Grosso Op. 6, no. 12, III2
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Goldberg Variation no. 18251172227
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Beethoven's 7th, 2nd Mvt253303948
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St. Louis Blues255ad lib fill -----
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London Trio25718222530
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London Trio25955606570
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Menuetto261W.A. Mozart7713131919
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Menuetto 2634949565663Trio637070
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Menuetto 265102102108108
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Prelude267Chopin59
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Home From France 269172328( )33Fine
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String Quartet Op. 76, no. 3, 2nd m
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273AppendixBasic ChordsIt is import
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Basic Chords 275E E m E m a7 E 7 E
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277GlossaryAlternation - a right ha
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279Space - part of the staff, used
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