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36 Chapter 5 - String Four

The following exercise subdivides the measure into accents in a pattern sometimes called

3-3-2 (with regard to eighth notes). The downstem notes are to be played with the thumb.

In measure one, the duration of the E and G is equal to 3 eighth notes and the B is equal to

2 eighth notes. Note the key signature of 2 sharps.

Ex. 5-7 p m i p m i p m

2

0 0

0

0 0 0

0

0 0

2 0

0 0

0

4 2

0 0

0

0 0 0

3 0 0 0 0

2

2 0

0

2

0 0

0

0 0

0

0

2

0 0

0 0 0 0 0 0 0 0

4 0 2 2 2 2

The next exercise uses an arpeggio pattern p-i-m-i throughout. The melody in the bass is played by

the thumb. It should be played with enough force so that it heard above the rest of the arpeggio.

The key signature of one flat will change the notes B to Bb

Ex. 5-8

p i m i

0

3 0 0

3 3 3 3 0 3 3 0 3

2 3 0 3 0 3

2

3

3

0 2 0

3

0

3 2

2

0

2

3 0 0 2 3

3 0 2 3 0 3 3 0 3

3 0 3 3 3 3

2 0

3 0 2

3 0 3

0

2 0 2

3

2

3

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