- Page 1 and 2:
Guitar SeminarVolume 1Mike Sult
- Page 3:
PrefaceThis book is designed for th
- Page 7 and 8:
1Chapter 1 - Technique, Tuning and
- Page 9 and 10:
3On occasion it is OK to let the fi
- Page 11 and 12:
5the person who plays the instrumen
- Page 13 and 14:
7When using the relative tuning met
- Page 15 and 16:
Standard Notation9Standard notation
- Page 17 and 18:
11MeasuresVertical lines divide the
- Page 19 and 20:
13This chapter covers a large amoun
- Page 21 and 22:
Chapter 2 - String One15In this les
- Page 23 and 24:
Sometimes a short melody uses only
- Page 25 and 26:
Chapter 3 - String Two19In this les
- Page 27 and 28:
Chapter 3 - String Two 21In this ne
- Page 29 and 30:
Chapter 3 - String Two 23The next t
- Page 31 and 32:
Chapter 4 - String Three25In this l
- Page 33 and 34:
Chapter 4 - String Three 27The next
- Page 35 and 36:
Chapter 4 - String Three 29The next
- Page 37 and 38:
Chapter 4 - String Three 31This nex
- Page 39 and 40:
Chapter 5 - String Four33This lesso
- Page 41 and 42:
Chapter 5 - String Four 35Use alter
- Page 43 and 44:
The next exercise is a chromatic sc
- Page 45 and 46:
Chapter 5 - String Four 39In the fo
- Page 47 and 48:
Chapter 6 - String Five41In this le
- Page 49 and 50:
Chapter 6 - String Five 43In the fo
- Page 51 and 52:
Chapter 6 - String Five 45The next
- Page 53 and 54:
Chapter 6 - String Five 47The next
- Page 55 and 56:
Chapter 6 - String Five 49The Wild
- Page 57 and 58:
51Chapter 7 - String Six0 1 30 1 30
- Page 59 and 60:
Chapter 7 - String Six 53The next e
- Page 61 and 62:
Chapter 7 - String Six 55Blues Bass
- Page 63 and 64:
Chapter 7 - String Six 571 4 2 4 32
- Page 65 and 66:
Chapter 7 - String Six 5942240 320
- Page 67 and 68:
Chapter 8 - Arpeggio and Scale Exer
- Page 69 and 70:
Chapter 8 - Arpeggio and Scale Exer
- Page 71 and 72:
Chapter 8 - Arpeggio and Scale Exer
- Page 73 and 74:
02 3 0 23 0 2 3Chapter 8 - Arpeggio
- Page 75 and 76:
Chapter 8 - Arpeggio and Scale Exer
- Page 77 and 78:
Chapter 8 - Arpeggio and Scale Exer
- Page 79 and 80:
Chapter 8 - Arpeggio and Scale Exer
- Page 81 and 82:
Chapter 9 - Polyphonic Exercises75T
- Page 83 and 84:
Chapter 9 - Polyphonic exercises 77
- Page 85 and 86:
Chapter 9 - Polyphonic exercises 79
- Page 87 and 88:
9-12Chapter 9 - Polyphonic exercise
- Page 89 and 90:
Chapter 10 - Chords83The playing of
- Page 91 and 92:
30032110210001300310210001320203010
- Page 93 and 94:
Chapter 10 - Chords 87This exercise
- Page 95 and 96:
10311023001210230012032310122001220
- Page 97 and 98:
Chapter 10 - Chords 91This exercise
- Page 99 and 100:
93Chapter 11 - Ligado and Harmonics
- Page 101 and 102:
Chapter 11 - Ligado and Harmonics 9
- Page 103 and 104:
Chapter 11 - Ligado and Harmonics 9
- Page 105 and 106:
Chapter 11 - Ligado and Harmonics 9
- Page 107 and 108:
Chapter 11 - Ligado and Harmonics 1
- Page 109 and 110:
Natural Harmonics103The following i
- Page 111 and 112:
105Using Natural HarmonicsThe first
- Page 113 and 114:
Chapter 11 - Ligado and Harmonics 1
- Page 115 and 116:
Chapter 11 - Ligado and Harmonics 1
- Page 117 and 118:
Chapter 12 - Position Playing Conce
- Page 119 and 120:
Chapter 12 - Position Playing Conce
- Page 121 and 122:
Chapter 12 - Position Playing Conce
- Page 123 and 124:
Chapter 12 - Position Playing Conce
- Page 125 and 126:
Chapter 12 - Position Playing Conce
- Page 127 and 128:
Chapter 12 - Position Playing Conce
- Page 129 and 130:
Chapter 12 - Position Playing Conce
- Page 131 and 132:
Chapter 12 - Position Playing Conce
- Page 133 and 134:
Chapter 12 - Position Playing Conce
- Page 135 and 136:
Chapter 12 - Position Playing Conce
- Page 137 and 138:
Chapter 12 - Position Playing Conce
- Page 139 and 140:
Chapter 12 - Position Playing Conce
- Page 141 and 142:
Chapter 12 - Position Playing Conce
- Page 143 and 144:
13-1T2A BChapter 13 - 2nd and 3rd P
- Page 145 and 146:
Chapter 13 - 2nd and 3rd Position 1
- Page 147 and 148:
Chapter 13 - 2nd and 3rd Position 1
- Page 149 and 150:
Chapter 13 - 2nd and 3rd Position 1
- Page 151 and 152:
Chapter 14 - 4th and 5th position14
- Page 153 and 154:
Chapter 14 - 4th and 5th position 1
- Page 155 and 156:
Chapter 14 - 4th and 5th position 1
- Page 157 and 158:
Chapter 15 - 6th and 7th Positions1
- Page 159 and 160: Chapter 15 - 6th and 7th Positions
- Page 161 and 162: Chapter 15 - 6th and 7th Positions
- Page 163 and 164: Chapter 15 - 6th and 7th Positions
- Page 165 and 166: Chapter 16 - 8th and 9th Position15
- Page 167 and 168: Chapter 16 - 8th and 9th Position 1
- Page 169 and 170: TAB5 7 4 5 7 4 6 7 9 7 8 10 7 9 10
- Page 171 and 172: Chapter 17 - Shifting Positions 165
- Page 173 and 174: Chapter 17 - Shifting Positions 167
- Page 175 and 176: Chapter 17 - Shifting Positions 169
- Page 177 and 178: Chapter 17 - Shifting Positions 171
- Page 179 and 180: Chapter 17 - Shifting Positions 173
- Page 181 and 182: Chapter 17 - Shifting Positions 175
- Page 183 and 184: Chapter 18 - Guitar CalisthenicsPla
- Page 185 and 186: Chapter 18 - Guitar Calisthenics 17
- Page 187 and 188: Chapter 18 - Guitar Calisthenics 18
- Page 189 and 190: Chapter 18 - Guitar Calisthenics 18
- Page 191 and 192: Repertoire185The following pages co
- Page 193 and 194: 18 73 12342 1 401000100303030212321
- Page 195 and 196: Spring Dance18 92002202 222 0232 3
- Page 197 and 198: 0 120031231211002220002 333454 3100
- Page 199 and 200: 19 3O3132 12 1 3 O 4231 O3010103020
- Page 201 and 202: 19 578067564653 212023 23211213 054
- Page 203 and 204: 0067006001032202Water Muse19 700670
- Page 205 and 206: 40419 90504050404040404050605060506
- Page 207 and 208: 20 155 300 3 2455 3 5 87 580077 85
- Page 209: Matteo CarcassiPrelude203Matteo Car
- Page 213 and 214: MaestosoMauro GiulianiOp. 1 No. 120
- Page 215 and 216: Mauro Giuliani 209PrestissimoOp. 48
- Page 217 and 218: Mauro Giuliani 2111604 0 02 2 30 0
- Page 219 and 220: T3 3 3 3A 4 4 4 40B 2917253 3 3 34
- Page 221 and 222: Fernando Sor 21526432343030 3 03430
- Page 223 and 224: Francisco TarregaPreludio No. 9217F
- Page 225 and 226: Francisco Tarrega 219134565777990 0
- Page 227 and 228: Francisco Tarrega 2212510 10 10 12
- Page 229 and 230: Pavane2231700002 35435 33202 3 0 23
- Page 231 and 232: On the Beautiful Blue Danube225333
- Page 233 and 234: 30Bourree II2271 3 4 3 1 0 1 3 1 02
- Page 235 and 236: Duets 229Lesson for Two Lutes5913
- Page 237 and 238: Duets 23117232732
- Page 239 and 240: Duets 23324293641
- Page 241 and 242: Bach Minuets235J. S. Bach7 313 319
- Page 243 and 244: Bach Minuets 237815322329353
- Page 245 and 246: Bach Inventions 2391113151820
- Page 247 and 248: Bach Inventions 2412631364247
- Page 249 and 250: Bach Inventions 2431417192123
- Page 251 and 252: Duets245Andante7333333 333 3 33333
- Page 253 and 254: AndanteDuets247
- Page 255 and 256: Concerto Grosso Op. 6, no. 12, III2
- Page 257 and 258: Goldberg Variation no. 18251172227
- Page 259 and 260: Beethoven's 7th, 2nd Mvt253303948
- Page 261 and 262:
St. Louis Blues255ad lib fill -----
- Page 263 and 264:
London Trio25718222530
- Page 265 and 266:
London Trio25955606570
- Page 267 and 268:
Menuetto261W.A. Mozart7713131919
- Page 269 and 270:
Menuetto 2634949565663Trio637070
- Page 271 and 272:
Menuetto 265102102108108
- Page 273 and 274:
Prelude267Chopin59
- Page 275 and 276:
Home From France 269172328( )33Fine
- Page 277 and 278:
String Quartet Op. 76, no. 3, 2nd m
- Page 279 and 280:
273AppendixBasic ChordsIt is import
- Page 281 and 282:
Basic Chords 275E E m E m a7 E 7 E
- Page 283 and 284:
277GlossaryAlternation - a right ha
- Page 285:
279Space - part of the staff, used