gitar metodu

78
Chapter 9 - Polyphonic exercises
The top and bottom parts share the melodic motion of the next exercise. Again, pay attention to the
voice containing the half notes. When that voice is sounded clearly, it enhances the moving part by
providing an important harmonic context.
9-6 1
1
3
2
3 3
2 2 3 2 2 3
0
0
1
1
0 2 0 0
3
3 3 2 0 2 3 2 0 2 0
3
2
1 3
2
0
1 3
3 1 3 1
0
3 1 3 1 0
1 3 1 4 4
3
2 3
1 3 1 0
3 0 3 0
0
3 2
3
1 3 1
2 2
2
2
3 2
1 1
4
1
3 1
1
3 3
2 3
3
2
3
1 3 1 0
2
0
3 1
0
2 0
0
1
0
1
0 1
1
1
0 1 0
1 3 3
0 2
3 3
3
1 1 1
3
0 2 0
3
The next exercise in Bm uses the top voice to state the melody and the bottom voice to provide the
roots of the implied chord. It is important to hold the bass notes down for their full duration.
9-7 3 2
3 2 2
3 2
3 2 3
2 3 3
2 3
1
1
3 0 2 0 3 2 0 2
3 0 2 0 3 2 0 3
2 3 0 3 2 0
3 0
2 3 0 3 2 0
3
2 2
2 2
2 2
2 2
1 3 1
1
3 1
1 2 1
2 1 3
3 1
2 3
4 2
4
2
4
2
1
1
0 2 3 2 0
2 0
0
3 3
4 0 2 0 2 3 0 2
0 0
3 2 0 3
0 3 2 0
0 3
2 0
2
3 0
4 2 0
4
0
2