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34 Chapter 5 - String Four

The next exercise is a good study in string crossing. Try this alternating "imim" and also "mimi".

Another right hand fingering strategy is to occasionally use the 'a' finger to help with

awkward string crossings.

Ex. 5-3

1 2 3

2

3 1 1

3 1

2

3

3 1 3

1 1

C

F

G

F

C

A m

F G 7

A m

Dm

G

F

C G 7

C G C

1

2 3

2

0 3 1 1

0

3 1 0

2 0

3

0

1

2 3

2

0 3 1 1

0 3 1

3

1 0 1

The next melody uses the note combination e-f-e several times. Be sure to keep the second finger

down (on E) while you play the F with the third finger. Then when you need to return to E,

your finger will already be there and you simply lift your third finger off of F. Note the key

signature of one flat (Bb). Any notes on the middle line (as in measure 3) are Bb on string 3,

not the open B string.

Ex. 5-4

2 3 2

2

3 2

Dm

A 7

Dm

G m

A

0 2 3 2

0

2

2 3 2 0

3 0

0 2 3 2 0

2 0

3 2 0

2

0

3 2 2

3

3 2

1

2

3

Dm

Dm A 7

B

G m A 7

Dm

B

A

Dm

0 2 3 2

0

2

3

2 0

2

3 0

3 2 0

2

2 0

3 0

2

0

0

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