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RED DOOR 31

Red Door Issue #31 Featuring the art of Jessa Dupuis New titles by Red Press coming this spring 2023 I KNOW WOMEN by Ly de Angeles ............ pg. 15-16 VISUAL POETRY BY Sofia del Carmen Rodriguez Fernandez...... pg.17-18 THAT DAY ARRIVED In memory of Knud Sørensen By Michael Favala Goldman ...........................pg. 20-23 IN THE EYES OF THE BEHOLDER By Martin Andersen.............................................pg. 30-31 POETRY .................................................pg.32-34 IN THIS ISSUE BY Dr.Alex Van Huynh Beatriz Seelaender Rey Fairburn Rose Menyon Heflin ART, FILM & MUSIC by: MEANWHILE, IN AUSTRALIA The Neon Rebel ...................................................pg.24-29 WHY YOU DON’T KNOW A THING ABOUT UKRAINIAN MUSIC By Olene Pohonchenkova ...............................pg.36-39 FEATURED ARTIST Jessa Dupuis .........................................................pg.40-45 The Poetic Phonotheque presents: New poetry films added to the collection: pg.46-52 (from the Nature & Culture - Poetry Film Festival) and more! www.reddoormagazine.com Pre-order your copy at www.reddoormagazine.com/shop

Red Door Issue #31

Featuring the art of Jessa Dupuis

New titles by Red Press coming this spring 2023

I KNOW WOMEN by Ly de Angeles ............ pg. 15-16

VISUAL POETRY BY
Sofia del Carmen Rodriguez Fernandez...... pg.17-18

THAT DAY ARRIVED
In memory of Knud Sørensen
By Michael Favala Goldman ...........................pg. 20-23

IN THE EYES OF THE BEHOLDER
By Martin Andersen.............................................pg. 30-31

POETRY .................................................pg.32-34
IN THIS ISSUE BY
Dr.Alex Van Huynh
Beatriz Seelaender
Rey Fairburn
Rose Menyon Heflin

ART, FILM & MUSIC by:

MEANWHILE, IN AUSTRALIA
The Neon Rebel ...................................................pg.24-29

WHY YOU DON’T KNOW A THING
ABOUT UKRAINIAN MUSIC
By Olene Pohonchenkova ...............................pg.36-39

FEATURED ARTIST
Jessa Dupuis .........................................................pg.40-45

The Poetic Phonotheque presents:
New poetry films added to the collection: pg.46-52
(from the Nature & Culture - Poetry Film Festival)

and more!

www.reddoormagazine.com

Pre-order your copy at www.reddoormagazine.com/shop

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For the past two decades, Knud took daily<br />

walks to the fjord near his home, where<br />

he would sit on a bench and ‘receive’<br />

poems that he felt were waiting for him<br />

there. These walks resulted in collections<br />

of poetry nearly annually for the last<br />

years of his life, many of them conveying<br />

a sense of connection to nature and the<br />

fact of aging and mortality. These poems<br />

I selected from for the 2020 bi-lingual<br />

poetry book, New and Selected Poems of<br />

Knud Sørensen. You can check that out<br />

here: michaelfavalagoldman.com/books/<br />

knud-sorensen-new-and-selected-poems/<br />

Besides these two books, Knud’s<br />

poetry and prose also appeared in such<br />

esteemed pages as The Harvard Review,<br />

The Columbia Review and Rattle.<br />

be King of Sweden. But now I have a book<br />

for sale in the United States.”<br />

It was meaningful for Knud to have a<br />

connection outside of Denmark, and to<br />

have his writing translated. And I think it<br />

has been meaningful for his readers too. I<br />

imagine that other readers, as I have, find in<br />

his writing an awakened sense of valuing<br />

history and of our tenuous and bittersweet<br />

place in nature.<br />

When I learned of Knud’s death, I wrote<br />

the following poem in his honor, and the<br />

poem was read today at his funeral. I hope<br />

you will find in my words a bit of Knud’s<br />

spirit.<br />

Ære være hans minde.<br />

Knud kept careful track of his steps on his<br />

walks, tallying at least 8000 steps each<br />

day into his 90s, with the excess of 8000<br />

steps going towards his ‘bank,’ from which<br />

he carefully withdrew as his walks became<br />

shorter and less frequent. I have often<br />

wondered this past week how there is no<br />

one to receive the poems at the fjord now.<br />

Maybe someday someone new will come<br />

along to take up where Knud left off.<br />

One day I was visiting Knud, and we were<br />

getting ready to go out. It had rained<br />

earlier, and we were on the second floor<br />

of his house. As we were about to leave,<br />

I slipped past Knud to exit first, onto the<br />

little patio, which had quarry tile, as did<br />

the stairs down to the walk. The tile was so<br />

slippery my feet went right out from under<br />

me, and I nonchalantly grabbed the railing<br />

with both hands to keep from sliding down<br />

the stairs. I turned back to Knud without<br />

making a fuss, suggesting that we go<br />

through the door downstairs, since it was a<br />

bit slick. I have often thought back on that<br />

moment as the time I saved Knud’s life.<br />

As Knud’s poems become available in<br />

English, he and I performed together at<br />

his hometown library. It was a lively crowd.<br />

After the readings, an audience member<br />

asked Knud how it felt to be translated.<br />

This was late in his career, when Knud was<br />

88. Knud responded, “My father used to<br />

say, if you keep at it long enough, you can<br />

become King of Sweden. I never wanted to<br />

That Day Arrived<br />

for Knud Sørensen, 1928-2022<br />

We do not come from nowhere.<br />

There was someone here before us<br />

who planted seeds<br />

put down roots<br />

looked at the sky<br />

and tried to predict the future.<br />

It is so easy to forget<br />

or assume<br />

that everything starts now.<br />

We are all that came before,<br />

however shameful and joyful,<br />

which we may never live up to.<br />

The story is indelible,<br />

closer than our fingerprints<br />

we are constantly leaving<br />

on everything,<br />

barely a thought to the future,<br />

so caught up in now,<br />

until redeemed by a story.<br />

Knud was a storyteller.<br />

He knew<br />

when a narrative bears weight.<br />

Knud did not write for himself.<br />

He wrote for the story.<br />

He wrote for the timelessness<br />

in the story<br />

so that we would remember<br />

we are more than just this.<br />

021

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