RED DOOR 31
Red Door Issue #31 Featuring the art of Jessa Dupuis New titles by Red Press coming this spring 2023 I KNOW WOMEN by Ly de Angeles ............ pg. 15-16 VISUAL POETRY BY Sofia del Carmen Rodriguez Fernandez...... pg.17-18 THAT DAY ARRIVED In memory of Knud Sørensen By Michael Favala Goldman ...........................pg. 20-23 IN THE EYES OF THE BEHOLDER By Martin Andersen.............................................pg. 30-31 POETRY .................................................pg.32-34 IN THIS ISSUE BY Dr.Alex Van Huynh Beatriz Seelaender Rey Fairburn Rose Menyon Heflin ART, FILM & MUSIC by: MEANWHILE, IN AUSTRALIA The Neon Rebel ...................................................pg.24-29 WHY YOU DON’T KNOW A THING ABOUT UKRAINIAN MUSIC By Olene Pohonchenkova ...............................pg.36-39 FEATURED ARTIST Jessa Dupuis .........................................................pg.40-45 The Poetic Phonotheque presents: New poetry films added to the collection: pg.46-52 (from the Nature & Culture - Poetry Film Festival) and more! www.reddoormagazine.com Pre-order your copy at www.reddoormagazine.com/shop
Red Door Issue #31
Featuring the art of Jessa Dupuis
New titles by Red Press coming this spring 2023
I KNOW WOMEN by Ly de Angeles ............ pg. 15-16
VISUAL POETRY BY
Sofia del Carmen Rodriguez Fernandez...... pg.17-18
THAT DAY ARRIVED
In memory of Knud Sørensen
By Michael Favala Goldman ...........................pg. 20-23
IN THE EYES OF THE BEHOLDER
By Martin Andersen.............................................pg. 30-31
POETRY .................................................pg.32-34
IN THIS ISSUE BY
Dr.Alex Van Huynh
Beatriz Seelaender
Rey Fairburn
Rose Menyon Heflin
ART, FILM & MUSIC by:
MEANWHILE, IN AUSTRALIA
The Neon Rebel ...................................................pg.24-29
WHY YOU DON’T KNOW A THING
ABOUT UKRAINIAN MUSIC
By Olene Pohonchenkova ...............................pg.36-39
FEATURED ARTIST
Jessa Dupuis .........................................................pg.40-45
The Poetic Phonotheque presents:
New poetry films added to the collection: pg.46-52
(from the Nature & Culture - Poetry Film Festival)
and more!
www.reddoormagazine.com
Pre-order your copy at www.reddoormagazine.com/shop
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
THE NEON REBEL<br />
I asked Nick to describe the band in 10 words or less<br />
…<br />
“ RAWPOWER, REAL, FERRAL, ONAMISSION,<br />
UNSTOPPABLE, THEFUTURE, INYAFACE,<br />
EDUCATIONAL, INSPIRING, RIDICULOUS.”<br />
I also asked Nick what it was like working with the<br />
band + given his very poignant background with post<br />
punk music, how does AM+TS fit in there …?<br />
‘It’s interesting because they weren’t even born when<br />
Punk happened in 1977, yet the essence of what they<br />
do is exactly the same.<br />
They are simply letting out what they feel 100%<br />
inside, and that’s what Punk was about back then.<br />
Amy is extremely real and honest, which is very<br />
refreshing in the era of “AUTOTUNE”...’<br />
(more from Nick Launay below keep reading ...)<br />
This is balls out rocking music that Amyl + The<br />
Sniffers are known for, backed by their intensity you<br />
feel at live shows.<br />
This record has been allowed to simmer through a<br />
pandemic + come out with some thoughtful lyrics +<br />
more sophisticated guitar slinging than simple power<br />
chords.<br />
This feels like Australia to me … Let’s go ...1-2-3-4!<br />
Dark beauty Adalita, has just released her 3rd solo<br />
record, Inland.<br />
The songs are hauntingly beautiful but with ever<br />
catchy hooks + melodies that get stuck in your<br />
head for days, something Adz is reknowned for.<br />
A Darling of Australia’s rock scene in the 90s<br />
fronting band Magic Dirt, she wrote hits like Plastic<br />
Loveless Letter + Dirty Jeans + the incredible<br />
Vulcanella.<br />
Adalita’s songwriting + the voice is stronger than<br />
ever.<br />
The foundation is a stark landscape of an<br />
emotionally troubled guitar with a yearning vocal.<br />
The opener Private Feeling has a movement<br />
musically + lyrically will take you out of the<br />
mundane + transport you somewhere in your heart<br />
for a while … like a truly good song ought to do.<br />
The whole album has this quality + sits out of time,<br />
on its own, lovely + iconic.<br />
I asked Adalita to describe her new baby in 10<br />
words or less …<br />
“ INLAND is a world within, of vast and vibrating<br />
memories, and slow realisations. It is also born from<br />
the external influences of electric connections,<br />
vanished love and the epic wilds of the Australian<br />
landscape.”… Adalita<br />
If I was to put money on any of the songs, it would<br />
be Equations.<br />
I can hear it as the perfect theme track for a show<br />
with it’s anthemic quality.<br />
My fave tho is Savage Heart.<br />
“I wanted you right from the start …<br />
are you beating for me Savage Heart?”<br />
“Is my body too plain?<br />
Am I unaware, too involved or insane<br />
In a moment too hot for your brow<br />
I’m just one of many for now”<br />
The melody stays with you for days, let alone the<br />
raw honesty of a woman bearing herself, tinged<br />
with the possibility of rejection.<br />
I cant.<br />
And Blue Smoke.<br />
Give me a tremolo any day.<br />
ADALITA - INLAND<br />
Go deep … go Inland...<br />
025