march 2011 new releases
march 2011 new releases
march 2011 new releases
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
REVIEW<br />
REVIEW<br />
REVIEW<br />
REVIEW<br />
REVIEW<br />
REVIEW<br />
REVIEW<br />
REVIEW<br />
HAEN 93262 Juliane Banse - Per Amore<br />
“The voice is a full lyric and quite beautiful, with plenty of warmth, security at all dynamic levels and a<br />
clear, even line from top to bottom.”<br />
International Record Review, February <strong>2011</strong> & Gramophone, April <strong>2011</strong> - Editor’s Choice<br />
KTC 1420: Schubert: Schanengesang D597<br />
“Oliemans is, however, an exceptionally fine singer. Some of his performances – “In der Ferne”, “Im<br />
Frühling” and “Am Meer” for example rank with the best. Malcolm Martineau’s contribution is beyond<br />
estimate, so strong and yet sensitive, always a special creation of his own while never losing its true<br />
Schubertian identity.”<br />
Gramophone, March <strong>2011</strong><br />
MDG 901 1643 Rheinberger: Complete Organ concertos<br />
“Here they (Organ Concertos Op.137 & Op.177) are very well played, with alert orchestral playing, lively<br />
phrasing and excellent rapport wit the restored 1888 Walcker organ, which is a fine vehicle for such<br />
music. The elegiac cello pieces are Schumannesque and deserve to be heard more frequently. A most<br />
interesting recording project.”<br />
Choir & Organ, March/April <strong>2011</strong><br />
PTC 5186304 Beethoven: Piano Sonatas Op.78 “For Therese”, Op.79, Op.14 Nos 1 & 2, Op.49<br />
Nos. 1 & 2<br />
“Kodama is widely experienced and her performances of sonatas she calls “lyrical islands” are graceful,<br />
fluent and musically transparent. Everything proceeds in a faultless flow of sound……”<br />
Gramophone, March <strong>2011</strong><br />
ACD2 2554 Chopin: Etudes Op.10 & 25, Piano Sonatas Nos 2 & 3, Fantaisie-Impromptu<br />
“Her subtle phrasing and highlighting of hidden lines (Impromptu No.2 for example) are pure delight.”<br />
Classic FM Magazine, March <strong>2011</strong><br />
HAEN 93267 Brahms: Complete Symphonies<br />
The playing and the recording quality, it should be said, are excellent. The interplay of the divided strings<br />
is very clear. The woodwind players are absolutely top-notch and I specially enjoyed their contributions in<br />
the first movement of No.3, which of all the performances probably comes off best.”<br />
BBC Music Magazine, March <strong>2011</strong> - ***** Recording<br />
KAI 0013052 Sánchez-Verdú: Aura<br />
“….when the filigree dynamics and sparse sonorities erupt into something wilder, the effect can be<br />
electrifying. All those who have participated in this project (not forgetting the sound engineers) have been<br />
involved in something rather special.”<br />
Gramophone, March <strong>2011</strong><br />
SOMM 0103 Chopin: Piano Music; Eccosiases, Mazurkas, Impromptus, Nocturnes et al<br />
“As the Chopin year drew to a close, Leon McCawley added his own personal and distinctive voice in<br />
performances which veer away from the glamour and opulence of the concert hall, almost as if given<br />
before a late-night audience of carefully chosen friends. His inwardness and reserve pay rich<br />
dividends…”<br />
Gramophone, March <strong>2011</strong><br />
21