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REVIEW<br />

REVIEW<br />

REVIEW<br />

REVIEW<br />

REVIEW<br />

REVIEW<br />

REVIEW<br />

REVIEW<br />

HAEN 93262 Juliane Banse - Per Amore<br />

“The voice is a full lyric and quite beautiful, with plenty of warmth, security at all dynamic levels and a<br />

clear, even line from top to bottom.”<br />

International Record Review, February <strong>2011</strong> & Gramophone, April <strong>2011</strong> - Editor’s Choice<br />

KTC 1420: Schubert: Schanengesang D597<br />

“Oliemans is, however, an exceptionally fine singer. Some of his performances – “In der Ferne”, “Im<br />

Frühling” and “Am Meer” for example rank with the best. Malcolm Martineau’s contribution is beyond<br />

estimate, so strong and yet sensitive, always a special creation of his own while never losing its true<br />

Schubertian identity.”<br />

Gramophone, March <strong>2011</strong><br />

MDG 901 1643 Rheinberger: Complete Organ concertos<br />

“Here they (Organ Concertos Op.137 & Op.177) are very well played, with alert orchestral playing, lively<br />

phrasing and excellent rapport wit the restored 1888 Walcker organ, which is a fine vehicle for such<br />

music. The elegiac cello pieces are Schumannesque and deserve to be heard more frequently. A most<br />

interesting recording project.”<br />

Choir & Organ, March/April <strong>2011</strong><br />

PTC 5186304 Beethoven: Piano Sonatas Op.78 “For Therese”, Op.79, Op.14 Nos 1 & 2, Op.49<br />

Nos. 1 & 2<br />

“Kodama is widely experienced and her performances of sonatas she calls “lyrical islands” are graceful,<br />

fluent and musically transparent. Everything proceeds in a faultless flow of sound……”<br />

Gramophone, March <strong>2011</strong><br />

ACD2 2554 Chopin: Etudes Op.10 & 25, Piano Sonatas Nos 2 & 3, Fantaisie-Impromptu<br />

“Her subtle phrasing and highlighting of hidden lines (Impromptu No.2 for example) are pure delight.”<br />

Classic FM Magazine, March <strong>2011</strong><br />

HAEN 93267 Brahms: Complete Symphonies<br />

The playing and the recording quality, it should be said, are excellent. The interplay of the divided strings<br />

is very clear. The woodwind players are absolutely top-notch and I specially enjoyed their contributions in<br />

the first movement of No.3, which of all the performances probably comes off best.”<br />

BBC Music Magazine, March <strong>2011</strong> - ***** Recording<br />

KAI 0013052 Sánchez-Verdú: Aura<br />

“….when the filigree dynamics and sparse sonorities erupt into something wilder, the effect can be<br />

electrifying. All those who have participated in this project (not forgetting the sound engineers) have been<br />

involved in something rather special.”<br />

Gramophone, March <strong>2011</strong><br />

SOMM 0103 Chopin: Piano Music; Eccosiases, Mazurkas, Impromptus, Nocturnes et al<br />

“As the Chopin year drew to a close, Leon McCawley added his own personal and distinctive voice in<br />

performances which veer away from the glamour and opulence of the concert hall, almost as if given<br />

before a late-night audience of carefully chosen friends. His inwardness and reserve pay rich<br />

dividends…”<br />

Gramophone, March <strong>2011</strong><br />

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