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Magzoid Magazine - Luxury Magazine in the Creative Space | June 2023

Art has always had the power to touch our souls and transport us on incredible journeys, and it will continue to do so. In this edition of Magzoid Magazine, we shed light on the emerging art scene, delving into its rich diversity and showcasing some of the most inspiring artists who have graced us with their incredible stories. Our cover proudly displays the vibrant and captivating artwork of Tiffany Anna, a talented artist renowned for her expert use of color to breathe life into her masterpieces. The Content Creator in Focus for this month is the enigmatic Rafeez Ahmed. Join us as he shares his valuable opinions and reflects on his personal journey. Discover the secrets to breaking into the mainstream as an emerging artist, and delve into the intriguing topic of how technology is shaping the world of emerging art. Come along on this artistic exploration, where every page invites you to immerse yourself in the captivating world of art and discover the endless possibilities it holds.

Art has always had the power to touch our souls and transport us on incredible journeys, and it will continue to do so. In this edition of Magzoid Magazine, we shed light on the emerging art scene, delving into its rich diversity and showcasing some of the most inspiring artists who have graced us with their incredible stories.

Our cover proudly displays the vibrant and captivating artwork of Tiffany Anna, a talented artist renowned for her expert use of color to breathe life into her masterpieces.
The Content Creator in Focus for this month is the enigmatic Rafeez Ahmed. Join us as he shares his valuable opinions and reflects on his personal journey. Discover the secrets to breaking into the mainstream as an emerging artist, and delve into the intriguing topic of how technology is shaping the world of emerging art.

Come along on this artistic exploration, where every page invites you to immerse yourself in the captivating world of art and discover the endless possibilities it holds.

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Narrative and abstract work depict<strong>in</strong>g<br />

identity, language, materiality and memory<br />

- Exclusive to <strong>Magzoid</strong><br />

Sarah Almehairi, born <strong>in</strong> 1998, is a<br />

practic<strong>in</strong>g artist from Abu Dhabi,<br />

United Arab Emirates, and an Art<br />

and Art History major at New York<br />

University Abu Dhabi, class of 2019. Al Mehairi<br />

expresses herself <strong>in</strong> different mediums,<br />

<strong>in</strong>clud<strong>in</strong>g mixed media, sculpture, pa<strong>in</strong>t<strong>in</strong>g,<br />

book art, and fiber art. Her art explores <strong>the</strong><br />

<strong>the</strong>mes of identity, language, materiality and<br />

memory through narrative work as well as abstraction.<br />

Al Mehairi also authors poetry that<br />

<strong>in</strong>spire and are <strong>in</strong>corporated <strong>in</strong> her artwork.<br />

Her works challenge conventional modes of<br />

artistic production and questions <strong>the</strong> cultural<br />

and social constructs of traditional artistic practices.<br />

She has worked with Shoofi Art Calendar,<br />

<strong>in</strong>terned with Abu Dhabi Art and <strong>the</strong> NYUAD<br />

Art Gallery. Al Mehairi has been a part of <strong>the</strong><br />

2019 Youth Takeover group show at Jameel<br />

Arts Centre, Tashkeel’s 2019 group exhibition<br />

“Play”, exhibited at <strong>the</strong> CultureSummit Abu<br />

Dhabi 2018, <strong>the</strong> 35th Annual Emirates F<strong>in</strong>e Art<br />

Society Exhibition <strong>in</strong> 2018, and exhibited her<br />

f<strong>in</strong>al capstone solo show <strong>in</strong> NYUAD’s Project<br />

<strong>Space</strong> titled “Between”.<br />

“A thread is pulled through to make a mark.<br />

Time and time aga<strong>in</strong> <strong>the</strong> motion cont<strong>in</strong>ues to<br />

complete a whole. With this, with every thread,<br />

a part of a story is be<strong>in</strong>g told. My art practice<br />

occurs at <strong>the</strong> <strong>in</strong>tersection of narrative and abstraction.<br />

I explore ideas of place by look<strong>in</strong>g<br />

at locations directly connected to my identity<br />

but know least about, while also engag<strong>in</strong>g<br />

with geometric shapes, materials and form.<br />

New compositions–maps–are created, fitt<strong>in</strong>g<br />

shapes, mak<strong>in</strong>g a place, “piec<strong>in</strong>g” an identity.<br />

Through <strong>the</strong> process, moments of unfold<strong>in</strong>g<br />

and reposition<strong>in</strong>g take place, order is imposed<br />

and language asserts a structure. As a result,<br />

<strong>the</strong>se elements towards tell<strong>in</strong>g a story is not<br />

so explicit, it is one explor<strong>in</strong>g <strong>the</strong> push and<br />

pull of conceal<strong>in</strong>g and reveal<strong>in</strong>g.” Says Sarah<br />

“Through this, I have ga<strong>in</strong>ed <strong>in</strong>spiration and<br />

access to my <strong>in</strong>herited heritage. I use family<br />

archives of photos, recipes, and letters to ask<br />

questions; to f<strong>in</strong>d a way to position myself<br />

between it all. My artwork is ma<strong>in</strong>ly 2D, us<strong>in</strong>g<br />

fabric and paper, with subtle sculptural elements.<br />

I work with a restricted neutral color<br />

palette, and language, to lend structure to<br />

this <strong>in</strong>vestigation. My work fluctuates between<br />

image and poetry, narrative and abstract. Elements<br />

of l<strong>in</strong>es and layers are used throughout<br />

my pieces to explore clarity and organization.<br />

The threads are used <strong>in</strong> an attempt to tie it all<br />

toge<strong>the</strong>r.” Adds <strong>the</strong> artist<br />

-feature@magzoid.com<br />

www.magzoid.com <strong>June</strong> <strong>2023</strong><br />

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