SHILL Issue 125

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WITH SENTIENTSHAPES Hello Readers, now that you’ve had a few light weeks of practicing here. Let’s once again dive into the deep waters of poetic structure and the constraints that help us become better writers and artists each day. Now if you remember the five poetic structures, and if you can’t recall here they are: meter, rhyme, scheme, verse, and stanza. These five elements are a generalization of the vast number of different types of poetic structure that you can use as an outline for your writing. Today we will be looking at a structure that has 2 uses, as a stanza and a use as its own poem as well. The Tercet. A Tercet is any three lines of poetry, whether as a 3-lined stanza or a stand alone poem. The Tercet can rhyme (or not) and can have a particular meter (or not). A great example we all know commonly as the Haiku is a Tercet. Oh! Now in your mind you’re thinking a Tercet is easy? Three little lines, just scribbled on a page. Well, let’s put it this way, an easy Tercet is like a “bad” Tercet, not thought out, syllables not even noticed, no meter, no subtle foreshadowing or social commentary. Remember, even if you can only use ten words in an entire poem–those ten words must convey the precise intention of the author. If you choose your words all willy-nilly your poem will lose its depth and power. When we use conciseness we must use preciseness as well…using little words doesn’t mean applying lesser meaning. Using more words does not portray more meaning. 1/4
2/4 WITH SENTIENTSHAPES Be exact and precise in your words when writing poetry, study them! Use a thesaurus! Look up schemes and meters that you would otherwise not have thought of to use, and use them! Study syllabic sounds so that you can put your art together in a way that the reader can easily convey your intention. The more you practice the art of words, the easier these poetic structures and cadences will come naturally to you. Everything you do in life is a practice, SO WHAT ARE YOU PRACTICING?
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