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Magzoid Magazine - Luxury Magazine in the Creative Space | November 2023 |

“Keep your love of nature, for that, is the true way to understand art more and more” Vincent van Gogh As we journey through the November 2023 edition of Magzoid Magazine, the tapestry of sustainability weaves a compelling narrative. This month, we delve into the realm of sustainability, emphasizing the intricate connection between human creativity and the environment. From our 'Harmony' event for breast cancer awareness to an exclusive interview with Chef Aisha, a breast cancer survivor and CEO of Golden Ribbons, we explore how sustainable practices can shape a better world. Meet a lineup of remarkable artists, including Fosca Garcia, the artrepreneur; Subodh Kerkar, the art activist; Ana Liz Cordero, the environmental artist; Mona Fares, the multidimensional artist; and Marina Fernandes, whose latest exhibition, "Ethereal Echoes," beautifully combines art, fashion, and technology with a sustainability focus.

“Keep your love of nature, for that, is the true way to understand art more and more”
Vincent van Gogh

As we journey through the November 2023 edition of Magzoid Magazine, the tapestry of sustainability weaves a compelling narrative. This month, we delve into the realm of sustainability, emphasizing the intricate connection between human creativity and the environment.

From our 'Harmony' event for breast cancer awareness to an exclusive interview with Chef Aisha, a breast cancer survivor and CEO of Golden Ribbons, we explore how sustainable practices can shape a better world.

Meet a lineup of remarkable artists, including Fosca Garcia, the artrepreneur; Subodh Kerkar, the art activist; Ana Liz Cordero, the environmental artist; Mona Fares, the multidimensional artist; and Marina Fernandes, whose latest exhibition, "Ethereal Echoes," beautifully combines art, fashion, and technology with a sustainability focus.

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CONVERSATIONS<br />

Subodh<br />

Kerkar<br />

FROM DOCTOR TO CONCEPTUAL ARTIST, ADVO-<br />

CATING FOR CONTEMPORARY ART IN INDIA<br />

Subodh Kerkar, a 64-year-old artist, began his journey from a medical<br />

career runn<strong>in</strong>g a hospital <strong>in</strong> Goa 35 years ago. He transitioned<br />

to art, evolv<strong>in</strong>g from someone with skills <strong>in</strong>to a conceptual artist who<br />

uses history as a cornerstone of his work. His activism, which started<br />

as a student, cont<strong>in</strong>ues to <strong>in</strong>fluence his beliefs, and he advocates<br />

for contemporary art <strong>in</strong> India. Kerkar is <strong>the</strong> founder of one of <strong>the</strong><br />

largest private contemporary art spaces <strong>in</strong> <strong>the</strong> country, a susta<strong>in</strong>able<br />

venture welcom<strong>in</strong>g hundreds of visitors daily. His dream now<br />

<strong>in</strong>cludes sett<strong>in</strong>g up an Indian Ocean museum, celebrat<strong>in</strong>g <strong>the</strong> rich<br />

history and connections that span this vital trade route.<br />

Can you recall a specific project from your career as an artist<br />

that stands out as a turn<strong>in</strong>g po<strong>in</strong>t? A project that brought you<br />

a great sense of accomplishment and perhaps altered your perspective<br />

on your work <strong>in</strong> a significant way?<br />

Throughout your artistic journey, have you discovered a particular<br />

medium that cont<strong>in</strong>ually captivates your <strong>in</strong>terest, compell<strong>in</strong>g<br />

you to revisit and explore it time and aga<strong>in</strong>?<br />

In <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g, I primarily worked with watercolors and acrylics,<br />

but over time, I’ve found that every material can be my medium. I<br />

started us<strong>in</strong>g recycled materials, like old diaries, when I observed<br />

people litter<strong>in</strong>g plastic bottles. I felt compelled to convey a message<br />

aga<strong>in</strong>st litter<strong>in</strong>g, so water bottles became an unexpected medium<br />

for my art. I’ve experimented with various materials - tires, scrap,<br />

you name it. Sometimes <strong>the</strong> medium guides <strong>the</strong> <strong>the</strong>me, and o<strong>the</strong>r<br />

times, <strong>the</strong> <strong>the</strong>me directs me to <strong>the</strong> medium. It’s a two-way street.<br />

Throughout my artistic journey, I’ve come to realize <strong>the</strong> profound<br />

impact of comb<strong>in</strong><strong>in</strong>g art with activism and storytell<strong>in</strong>g. One project<br />

that stands out as pivotal <strong>in</strong> my career is <strong>the</strong> creation of a history<br />

museum unlike any o<strong>the</strong>r. In traditional history museums, you encounter<br />

relics, texts, and costumes from <strong>the</strong> past. However, my museum<br />

is unique <strong>in</strong> that it exclusively features contemporary works<br />

of art, each meticulously selected to narrate historical stories. This<br />

approach has become a major focus <strong>in</strong> my work, and I aim to cont<strong>in</strong>ue<br />

develop<strong>in</strong>g similar museums. In <strong>the</strong> future, I envision projects<br />

like a beer museum and a children’s museum, with a grand dream of<br />

establish<strong>in</strong>g an Indian Ocean Museum, highlight<strong>in</strong>g <strong>the</strong> rich history<br />

and culture of <strong>the</strong> Indian Ocean region.<br />

54 <strong>November</strong> <strong>2023</strong> www.magzoid.com

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