Magzoid Magazine - Luxury Magazine in the Creative Space | December 2023 |

CONVERSATIONS
Your work seamlessly integrates elements of minimalism, Fauvism,
and Abstract Expressionism. Can you share some of the
artists or movements that have influenced your unique artistic
style?
Since my early teens, around 14 or 15, I’ve been captivated
by the works of Jose Parla, a renowned artist from Brooklyn, New
York. His layered, textured art, influenced by street life and calligraphy,
left a lasting impact on me. I’m particularly drawn to his use
of mixed media, tearing posters from sidewalks to create intricate
patterns.
This fascination with urban decay and texture is a consistent
theme in my work. Walking through a city, I see beauty in peeling
paint and weathered surfaces. Inspired by Parla, I’ve engaged in
a bit of ‘guerrilla art,’ tearing down posters from dodgy suburbs to
incorporate their layers into my textured creations.
The abstract era significantly influences my understanding
of art. My work might not carry profound hidden meanings consciously,
but there’s an ongoing exploration, a subconscious journey
where I layer, cut back, and uncover elements. The process is
cathartic and deeply enjoyable.
My art isn’t laden with intricate meanings—at least not consciously.
It’s an expression of what feels right, creating compositions
that are detailed, considered, and beautiful. Replicating
the beauty of the streets on a large canvas for a design-focused
audience is my goal.
In essence, I aim to create art I love and would proudly hang on
my wall. The fact that others find joy in it too is immensely gratifying—a
testament to the power of creating something authentically
beautiful.
Your approach to art-making is described as intuitive and improvisational.
How does spontaneity influence your creative
decisions, and how do you balance this with the deliberate
layering process in your works?
My creative process often starts with a blank canvas, offering
room for both improvisation and intention. In the past six months,
I’ve shifted between working on board and canvas, with larger
pieces finding their home on canvas due to logistical considerations,
especially for international shipping.
Whether beginning with a burst of color or a unique compound
I’ve formulated, the process is a dance between structure and
spontaneity. Layers upon layers follow, with refinement and focus
on specific areas that catch my eye. Unpredictability is key, as materials
with short drying times demand intuition. Mistakes become
part of the process, requiring adaptability.
The true essence of my work emerges in the final 5 to 7 hours,
a delicate balance between chaos and visually arresting beauty.
In a current commission piece, layers and textures unfold, each
stroke contributing to the composition. I selectively refine areas
while preserving sections that resonate. The final layer shapes the
abstract nature, a dance between chaos and deliberate beauty.
My process invites viewers to explore layers, question what lies
beneath, and appreciate the dynamic interplay between chaos
and beauty.
32 December 2023 www.magzoid.com