Magzoid Magazine - Luxury Magazine in the Creative Space | December 2023 |
“They always say time changes things, but you actually have to change them yourself.” Andy Warhol As the vibrant pages of Magzoid Magazine's December 2023 edition unfold, the theme 'Canvas 2023' reveals itself as a rich tapestry of inspiration and creativity—a celebration guided by the wisdom of Andy Warhol: 'They always say time changes things, but you actually have to change them yourself.' Explore the transformative journey of Juhaina Edres, a visionary entrepreneur reshaping Dubai's landscape through her E-commerce skincare venture and the impactful connections forged at House of Sorority. Dive into the art world with Matt Cauchi, a Sydney-based Mixed Media abstract artist, as he shares insights into his unique blend of minimalism, Fauvism, and Abstract Expressionism.
“They always say time changes things, but you actually have to change them yourself.”
Andy Warhol
As the vibrant pages of Magzoid Magazine's December 2023 edition unfold, the theme 'Canvas 2023' reveals itself as a rich tapestry of inspiration and creativity—a celebration guided by the wisdom of Andy Warhol: 'They always say time changes things, but you actually have to change them yourself.'
Explore the transformative journey of Juhaina Edres, a visionary entrepreneur reshaping Dubai's landscape through her E-commerce skincare venture and the impactful connections forged at House of Sorority.
Dive into the art world with Matt Cauchi, a Sydney-based Mixed Media abstract artist, as he shares insights into his unique blend of minimalism, Fauvism, and Abstract Expressionism.
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CONVERSATIONS<br />
Geometry appears to be a common ground for Nabavi and<br />
Seife. How did <strong>the</strong>y navigate <strong>the</strong> challenge of ma<strong>in</strong>ta<strong>in</strong><strong>in</strong>g<br />
<strong>in</strong>dividuality <strong>in</strong> <strong>the</strong>ir works while adher<strong>in</strong>g to shared foundational<br />
proportions? How did geometry <strong>in</strong>fluence <strong>the</strong>ir artistic<br />
dialogue?<br />
To mitigate <strong>the</strong> contrast<strong>in</strong>g methodologies of our <strong>in</strong>dividual<br />
practices, we relied heavily on <strong>the</strong> <strong>in</strong>visible geometric grids that<br />
underp<strong>in</strong>ned both of our approaches. Through many conversations<br />
and a variety of experiments, we were able to f<strong>in</strong>d a means<br />
of establish<strong>in</strong>g anchor<strong>in</strong>g start<strong>in</strong>g po<strong>in</strong>ts, from which we would<br />
both build our f<strong>in</strong>al works. These geometric scaffolds allowed us<br />
a common language that would bridge <strong>the</strong> divide <strong>in</strong> our <strong>in</strong>dividual<br />
techniques. This is how we were able to each work <strong>in</strong> our own<br />
styles while rema<strong>in</strong><strong>in</strong>g creatively te<strong>the</strong>red to <strong>the</strong> same source and<br />
to one ano<strong>the</strong>r.<br />
76 <strong>December</strong> <strong>2023</strong> www.magzoid.com
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