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AHJ, Vol. 2 No. 1, Spring 1969

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deliver the magazine in advance of the announced<br />

times. We are now working with<br />

a printing firm whose plant is much larger<br />

and better equipped, and who has been more<br />

than helpful in making our operation run<br />

as smoothly as possible.<br />

KUDOS<br />

We received a very nice letter from Mrs.<br />

Idell Reams, Program Specialist in Elementary<br />

Music for the San Juan Unified School<br />

District in suburban Sacramento, California<br />

from which I want to quote:<br />

"This letter is to inform you of the generous<br />

cultural contribution to our school<br />

district by one of your members, Mrs. Richard<br />

(Peggy) Brown . . .<br />

"By the end of this year she will have<br />

presented thirteen concerts ... for students<br />

in the fifth and sixth grades at several of<br />

our schools. I might explain that our school<br />

district is the sixth largest in the state, with<br />

over 53,000 students, yet we are an impoverished<br />

district financially. Mrs. Brown makes<br />

no charge for these concerts so you can well<br />

understand our gratitude to her for offering<br />

this rich musical experience to our students.<br />

"Mrs. Brown is a gracious, attractive and<br />

charming person with a deep understanding<br />

of children and a desire to upgrade their<br />

musical experiences.<br />

"I am certain you will be interested in<br />

learning of the generous contribution to<br />

music education that Mrs. Brown is making<br />

in our community."<br />

I would like to say that we are indeed<br />

interested in Mrs. Brown's contribution,<br />

and hope that it will serve as a fine example.<br />

It has been my experience that<br />

unless a young person actually hears the<br />

harp first-hand, and actually makes a sound<br />

on it with his own hands, the likelihood of<br />

his taking it up are very slim. Even though<br />

this may end up with our having to play<br />

on strings that lolly-popped fingers have<br />

left sticky, if only one child becomes interested<br />

in playing, it is more than worth it.<br />

EDITORIAL BOARD<br />

I would like to take this opportunity to<br />

point out a difference in our editorial board,<br />

and tell you something about our new members.<br />

Among these, I'm sure that Miss Julia<br />

Louise Herrmann is well known to most of<br />

you. She is harpist with the Dallas Symphony<br />

Orchestra and has a fine group of<br />

SPRING/<strong>1969</strong><br />

students, both private and at Southern<br />

Methodist University. On top of a very<br />

heavy playing and teaching schedule, she<br />

has always found time to devote to the Society<br />

and to the promotion of the harp in<br />

general.<br />

Mrs. Catherine Gotthoffer is also now a<br />

member of the Editorial Board. That she is<br />

willing to contribute extra time to this, on<br />

top of her already heavy schedule as National<br />

President is very much appreciated.<br />

Leonard Eureka is Music Editor for the<br />

Fort Worth Star Telegram. He is an old<br />

friend of the Journal, having been a great<br />

help in the past when he was living in New<br />

York. All copy, as many of you know, has<br />

to be repeatedly checked for errors, and he<br />

has kindly done this for us, and has also in<br />

the past contributed various short articles<br />

that appear without bylines.<br />

John Ardoin is Music Editor for the Dallas<br />

Morning News. Before coming to Dallas<br />

he was on the staff of the Saturday Review<br />

and was Editor of Musical America, and<br />

still serves as American correspondent for<br />

the London Times.<br />

Both of these gentlemen have long been<br />

connected with publishing in one way or<br />

another, and I think we are very lucky that<br />

both they, Miss Herrmann, and Mrs. Gotthoff<br />

er have consented to serve on our Board.<br />

In closing I would like to express my<br />

appreciation and, I'm sure, the appreciation<br />

of all our readers for the very fine work<br />

contributed to the Journal by Dr. John<br />

Blyth and Mr. Robert Cumming. Dr. Blyth<br />

was a tireless worker who always found<br />

time to devote to the Journal, and without<br />

his help, it is hardly likely that it would<br />

have ever gotten started.<br />

Mr. Cumming, Editor of the Music Journal,<br />

was also valuable in the many suggestions<br />

he offered, and we very much appreciate<br />

his help.<br />

We are all, I'm sure, looking forward to<br />

the Conference this summer in Rochester.<br />

I hope that everyone can be there, and I<br />

hope that you will take that opportunity to<br />

bring me up to date on your activities.<br />

Sincerely yours,<br />

Samuel Milligan, Editor<br />

3

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