North Canterbury News: March 14, 2024
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Pottery provides an outlet<br />
By SHELLEY TOPP<br />
Rangiora ceramicist Amy Michaels<br />
is holding Rangiorabased pottery<br />
classes for neuro diverse children<br />
and teens.<br />
She became aware of the need to<br />
provide acreative outlet for them<br />
after her son Jack was diagnosed<br />
with autism and anxiety.<br />
‘‘There are so many kids in<br />
<strong>North</strong> <strong>Canterbury</strong> with ASD<br />
(Autism Spectrum Disorder),<br />
anxiety and other neuro<br />
diversities,’’ she says.<br />
The classes, which are only<br />
available to Waimakariri residents<br />
aged from seven to 18 yearsold,<br />
began on Friday last week.<br />
They are being held at the<br />
Dudley Park pavilion in Rangiora<br />
and will run for six weeks, with a<br />
week off for Easter.<br />
The aim is to provide<br />
participants and their carers timeout<br />
and achance to roll up their<br />
sleeves and immerse their hands<br />
in clay.<br />
‘‘Working with clay provides<br />
sensory stimulation, refines motor<br />
skills and is relaxing and<br />
calming,’’ Amy says.<br />
‘‘Life is exhausting for kids and<br />
their carers.<br />
‘‘Providing acreative outlet has<br />
many physical and mental<br />
benefits.<br />
‘‘I want to give the children and<br />
their carers achance to breathe, to<br />
relax for awhile. Pottery allows<br />
you to escape the worries of life<br />
and shift your focus towards what<br />
you are creating.’’<br />
Classes cost $20 per session, with<br />
amaximum of three sessions per<br />
child, to allow as many<br />
Clay play ... James McAllister, aged eight of Cust, taking part in pottery<br />
classes being run by Rangiora ceramicist Amy Michaels at the Dudley Park<br />
pavilion in Rangiora last Friday.<br />
PHOTOS: SHELLEY TOPP<br />
participants as possible at the<br />
price. The sessions are made<br />
possible by aWaimakariri<br />
Creative Communities scheme<br />
funding grant.<br />
Although the classes are only<br />
running for six weeks, Amy is<br />
hoping to secure more funding to<br />
enable it to continue.<br />
Each session runs for one hour<br />
and 15 minutes, which includes<br />
cleanup time, and is for one neuro<br />
diverse child or teen and their<br />
carer to both have agoatself<br />
expression with sensory play.<br />
Available sessions are Friday<br />
1.30pm to 2.45pm and 3.30pm to<br />
4.45pm, including aFriday in the<br />
first week of the school holidays.<br />
Booking for the classes can be<br />
made at kudoclay.com.<br />
Concentration ... Noah Gillespie,<br />
aged <strong>14</strong> of Rangiora, concentrates on<br />
his pottery creation.<br />
NEWS<br />
The <strong>North</strong> <strong>Canterbury</strong> <strong>News</strong>, <strong>March</strong> <strong>14</strong>, <strong>2024</strong><br />
15<br />
New art exhibition<br />
carries awarning<br />
By SHELLEY TOPP<br />
Anew art exhibition where<br />
‘‘fascination and repulsion<br />
sit uncomfortably<br />
together’’ is being<br />
promoted with acontent<br />
warning.<br />
The warning for<br />
Springfield artist Stephen<br />
Clarke’s Shades of Death<br />
exhibition at the Oxford<br />
Gallery toi oWaimakariri<br />
says: ‘‘The artworks in this<br />
exhibition may upset, awe,<br />
illuminate, confound or<br />
challenge people.<br />
The artist explores tough<br />
themes of refugee<br />
imprisonment, suicide,<br />
death, dread, and fear<br />
alongside opposing<br />
themes.’’<br />
The warning is being<br />
made to guide the public<br />
about the exhibition’s<br />
content so they can make<br />
an informed decision on<br />
whether they want to see it.<br />
It also cautions adults<br />
not to take their children to<br />
the exhibition without first<br />
seeing it themselves, and<br />
provides information on<br />
where people suffering<br />
from depression or anxiety<br />
can get help.<br />
Gallery staff describe<br />
Clarke’s sculptural<br />
explorations in the<br />
exhibition as ‘‘a nightmare,<br />
inside of anightmare,<br />
inside of anightmare’’<br />
His metal fabrications<br />
depict phantom skeletal<br />
boats and figures made<br />
from upcycled objects<br />
‘‘that are both ghastly and<br />
intimately familiar’’, they<br />
say.<br />
Clarke doesn’t pull any<br />
punches through his<br />
creative vision.<br />
Transformed into threedimension,<br />
these exhibits<br />
confront the viewer with<br />
refugee imprisonment and<br />
detention atrocities of<br />
Manus and Christmas<br />
Islands.<br />
‘‘It sounds gruesome but<br />
is quite amazing,’’ gallery<br />
curator Areta Wilkinson<br />
says.<br />
‘‘A boat is constructed<br />
from coat hangers, figures<br />
are made from corrugated<br />
cardboard and wire,’’ she<br />
says.<br />
‘`But the ideas behind it<br />
are seriously<br />
contemplative, and based<br />
on actual events.’’<br />
The decision to hold the<br />
exhibition was made<br />
because at Oxford Gallery<br />
‘‘we don't want to shy away<br />
from tough material, we<br />
want to both share diverse<br />
artist perspectives and<br />
care for our visitors’’, Areta<br />
says. The Shades of Death<br />
exhibition closes at the<br />
gallery on April 7.<br />
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