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North Canterbury News: March 14, 2024

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Pottery provides an outlet<br />

By SHELLEY TOPP<br />

Rangiora ceramicist Amy Michaels<br />

is holding Rangiora­based pottery<br />

classes for neuro diverse children<br />

and teens.<br />

She became aware of the need to<br />

provide acreative outlet for them<br />

after her son Jack was diagnosed<br />

with autism and anxiety.<br />

‘‘There are so many kids in<br />

<strong>North</strong> <strong>Canterbury</strong> with ASD<br />

(Autism Spectrum Disorder),<br />

anxiety and other neuro<br />

diversities,’’ she says.<br />

The classes, which are only<br />

available to Waimakariri residents<br />

aged from seven to 18 years­old,<br />

began on Friday last week.<br />

They are being held at the<br />

Dudley Park pavilion in Rangiora<br />

and will run for six weeks, with a<br />

week off for Easter.<br />

The aim is to provide<br />

participants and their carers timeout<br />

and achance to roll up their<br />

sleeves and immerse their hands<br />

in clay.<br />

‘‘Working with clay provides<br />

sensory stimulation, refines motor<br />

skills and is relaxing and<br />

calming,’’ Amy says.<br />

‘‘Life is exhausting for kids and<br />

their carers.<br />

‘‘Providing acreative outlet has<br />

many physical and mental<br />

benefits.<br />

‘‘I want to give the children and<br />

their carers achance to breathe, to<br />

relax for awhile. Pottery allows<br />

you to escape the worries of life<br />

and shift your focus towards what<br />

you are creating.’’<br />

Classes cost $20 per session, with<br />

amaximum of three sessions per<br />

child, to allow as many<br />

Clay play ... James McAllister, aged eight of Cust, taking part in pottery<br />

classes being run by Rangiora ceramicist Amy Michaels at the Dudley Park<br />

pavilion in Rangiora last Friday.<br />

PHOTOS: SHELLEY TOPP<br />

participants as possible at the<br />

price. The sessions are made<br />

possible by aWaimakariri<br />

Creative Communities scheme<br />

funding grant.<br />

Although the classes are only<br />

running for six weeks, Amy is<br />

hoping to secure more funding to<br />

enable it to continue.<br />

Each session runs for one hour<br />

and 15 minutes, which includes<br />

clean­up time, and is for one neuro<br />

diverse child or teen and their<br />

carer to both have agoatself<br />

expression with sensory play.<br />

Available sessions are Friday<br />

1.30pm to 2.45pm and 3.30pm to<br />

4.45pm, including aFriday in the<br />

first week of the school holidays.<br />

Booking for the classes can be<br />

made at kudoclay.com.<br />

Concentration ... Noah Gillespie,<br />

aged <strong>14</strong> of Rangiora, concentrates on<br />

his pottery creation.<br />

NEWS<br />

The <strong>North</strong> <strong>Canterbury</strong> <strong>News</strong>, <strong>March</strong> <strong>14</strong>, <strong>2024</strong><br />

15<br />

New art exhibition<br />

carries awarning<br />

By SHELLEY TOPP<br />

Anew art exhibition where<br />

‘‘fascination and repulsion<br />

sit uncomfortably<br />

together’’ is being<br />

promoted with acontent<br />

warning.<br />

The warning for<br />

Springfield artist Stephen<br />

Clarke’s Shades of Death<br />

exhibition at the Oxford<br />

Gallery toi oWaimakariri<br />

says: ‘‘The artworks in this<br />

exhibition may upset, awe,<br />

illuminate, confound or<br />

challenge people.<br />

The artist explores tough<br />

themes of refugee<br />

imprisonment, suicide,<br />

death, dread, and fear<br />

alongside opposing<br />

themes.’’<br />

The warning is being<br />

made to guide the public<br />

about the exhibition’s<br />

content so they can make<br />

an informed decision on<br />

whether they want to see it.<br />

It also cautions adults<br />

not to take their children to<br />

the exhibition without first<br />

seeing it themselves, and<br />

provides information on<br />

where people suffering<br />

from depression or anxiety<br />

can get help.<br />

Gallery staff describe<br />

Clarke’s sculptural<br />

explorations in the<br />

exhibition as ‘‘a nightmare,<br />

inside of anightmare,<br />

inside of anightmare’’<br />

His metal fabrications<br />

depict phantom skeletal<br />

boats and figures made<br />

from upcycled objects<br />

‘‘that are both ghastly and<br />

intimately familiar’’, they<br />

say.<br />

Clarke doesn’t pull any<br />

punches through his<br />

creative vision.<br />

Transformed into threedimension,<br />

these exhibits<br />

confront the viewer with<br />

refugee imprisonment and<br />

detention atrocities of<br />

Manus and Christmas<br />

Islands.<br />

‘‘It sounds gruesome but<br />

is quite amazing,’’ gallery<br />

curator Areta Wilkinson<br />

says.<br />

‘‘A boat is constructed<br />

from coat hangers, figures<br />

are made from corrugated<br />

cardboard and wire,’’ she<br />

says.<br />

‘`But the ideas behind it<br />

are seriously<br />

contemplative, and based<br />

on actual events.’’<br />

The decision to hold the<br />

exhibition was made<br />

because at Oxford Gallery<br />

‘‘we don't want to shy away<br />

from tough material, we<br />

want to both share diverse<br />

artist perspectives and<br />

care for our visitors’’, Areta<br />

says. The Shades of Death<br />

exhibition closes at the<br />

gallery on April 7.<br />

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