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2001 VIDEO CATALOG - Clinton Essex Franklin Library System

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In In In a a Jazz Jazz Way: Way: A A A Portrait Portrait Portrait of of Mura Mura Dehn<br />

Dehn<br />

In the 1930's the magic and energy of jazz dancing drew many to Harlem's Savoy Ballroom. Among them<br />

was Mura Dehn, a young Russian dancer. Today at 82, a still vital Mura Dehn tells us about those<br />

halcyon days.<br />

30 min. color<br />

In In In and and Out Out of of Time<br />

Time<br />

The filmmaker's grandmother is losing her memory due to Alzheimer's disease. This film documents the<br />

changes in the grandmother, and offers encouraging education in adapting to the effects of the disease.<br />

Topics for discussion include: family relations, caregiving, mental health and aging.<br />

14 min. color pp<br />

In In Black Black & & & White White #1: #1: Charles Charles Johnson<br />

Johnson<br />

Johnson describes his over-arching literary objective: to explore classical, metaphysical questions from<br />

East and West against the backdrop of African American life and history. His 1990 National Book Award<br />

winner Middle Passage, a sea saga about an educated free slave who signs on board a slave ship,<br />

becomes a search for individual identity among conflicting European and African cultures.<br />

27 min. color pp<br />

In In Black Black & & White White #2: #2: Gloria Gloria Naylor<br />

Naylor<br />

Gloria naylor is one of the most acute observers of contemporary African American life. Readings from<br />

her various works reveal the breadth of her vision - from the rural South to the urban ghetto to the black<br />

middle class. In this video, Naylor discusses the value and difficulty of maintaining an African American<br />

identity in a world dominated by whites.<br />

21 min. color pp<br />

In In Black Black & & White White #3: #3: Toni Toni Toni Morrison<br />

Morrison<br />

Toni Morrison has been called "a literary Moses stripping away the idols of whiteness and blackness that<br />

have prevented blacks from knowing themselves." Readings from her Pulitzer Prize winning novel<br />

Beloved and other works show how Morrison returns to the pain of slavery and segregation to restore<br />

wholeness to the black psyche.<br />

25 min. color pp<br />

In In In Black Black & & & White White #4: #4: Alice Alice Walker<br />

Walker<br />

Alice Walker shares her remarkable spiritual jouney from a sharecropping childhood in rural Georgia to<br />

the peace and creativity of her present retreat in Northern California. She reads from her poetry and<br />

discusses contemporary America with an anger and urgency rooted in an abiding optimism.<br />

30 min. color pp<br />

In In In Black Black & & White White #5: #5: August August Wilson<br />

Wilson<br />

Interviewed on the set of his latest play Two Trains Running this conversation introduces one of<br />

America's most celebrated playwrights, August Wilson. Wilson traces the origins of his plays back to a<br />

troubled childhood in a Pittsburgh ghetto. He explains the influence of black traditions like storytelling<br />

and the blues on his work, and describes his role as passing down the practical and spiritual wisdom of<br />

the African American community.<br />

22 min. color pp<br />

In In In Black Black & & White White #6: #6: John John John Wideman<br />

Wideman<br />

John Wideman's trilogy Sent for You Yesterday, Damballah and Hiding Place has turned Homewood, the<br />

Pittsburgh ghetto where he was raised into a mythic place in the American literary imagination. In books<br />

like Philadelphia Fire, the account of an infamous police action which burned an entire black<br />

neighborhood, or Brothers and Keepers, his memoir of his brother now serving a life term for murder,<br />

Wideman has given voice to people not usually heard in American literature.<br />

26 min. color pp<br />

Page 231 of 533

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