SW1000XG DataList/E - Yamaha

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LO-FI (Variation block) When input mode="mono" L When input mode="stereo" L DIST+DELAY (Variation block) OVERDRIVE+DELAY (Variation block) L R No. 1 2 3 4 5 6 7 8 9 10 R R 11 12 13 14 15 16 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter sampling freq control word length output gain LPF Cutoff filter type LPF resonance bit assign emphasis Dry/Wet Input Mode + Lo-Fi Parameter Lch Delay Time Rch Delay Time Delay Feedback Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Dry/Wet Display Value See Table Control 44.1kHz~345Hz 0-127 1~127 1-127 -6~+12dB 0-18 63Hz~thru 10-60 Thru,PowerBass,Radio,Telephone,Clean,Low 0-5 1.0~12.0 10-120 0~6 0-6 off/on 0-1 D63>W ~ D=W ~ DW ~ D=W ~ DW ~ D=W ~ DW ~ D=W ~ D
Explanation of Effect Parameters Parameter name AM Depth AMP Type Attack Bit Assign Cch Delay Cch Level Crossover Frequency Cutoff Frequency Offset Delay Mix Delay Offset Delay Time Delay2 Level Density Depth Detune Diffusion Drive Drive High Drive Low Dry/Wet Edge(Clip Curve) Emphasis EQ High Frequency EQ High Gain EQ Low Frequency EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width Er/Rev Balance F/R Depth Feedback Delay Feedback Delay 1 Feedback Delay 2 Feedback Level Filter Type Fine 1 Fine 2 Height High Adjust High Damp HPF Cutoff Initial Delay Input Mode Input Select L/R Depth L->R Delay Lch Delay Lch Delay1 Lch Delay2 Lch Feedback Level Lch Init Delay LFO Depth LFO Frequency Effect types in which the parameter exists TREMOLO AMP SIMULATOR COMPRESSOR type NOISE GATE LO-FI DELAY L,C,R DELAY L,C,R 2WAY ROTARY SPEAKER WAH type DIST+DELAY,OVERDRIVE+DELAY, COMP+DIST+DELAY,COMP+ODRV+DELAY, WAH+DIST+DELAY,WAH+ODRV+DELAY CHORUS type KARAOKE1,2,3 AMBIENCE ECHO REVERB type, EARLY REF type REVERB type ENSEMBLE DETUNE REVERB type, EARLY REF type, PHASER DISTORTION type HARMONIC ENHANCER TALKING MODULATION 2WAY ROTARY SPEAKER 2WAY ROTARY SPEAKER All types DISTORTION type LO-FI All types All types All types All types All types All types All types REVERB type AUTO PAN DELAY L,C,R DELAY L,R DELAY L,R REVERB type DELAY type,EARLY REF type,PITCH CHANGE type KARAOKE type CHORUS type, FLANGER type PHASER type LO-FI PITCH CHANGE type PITCH CHANGE type REVERB type VOICE CANCEL REVERB type,DELAY type,EARLY REF type REVERB type,EARLY REF type,KARAOKE type,HARMONIC ENHANCER REVERB type EARLY REF type PITCH CHANGE type All types CROSS DELAY AUTO PAN CROSS DELAY DELAY type ECHO ECHO ECHO ENSEMBLE DETUNE CHORUS type,FLANGER type,SYMPHONIC ROTARY SPEAKER PHASER type WAH type CHORUS type,FLANGER type,SYMPHONIC ROTARY SPEAKER TREMOLO AUTO PAN PHASER type WAH type Explanation of parameter Depth of volume modulation Select the type of amp to be simulated Time until the compressor effect begins to apply Time until the gate begins to open Adjust the word length of the audio data Length of the center channel delay Volume of the center channel Crossover frequency between the high-range and low-range speakers Frequency offset value that will control the wah filter Mixing amount of delay sound Offset value of delay modulation Spacing of reflections for karaoke echo Delay length Volume of second delay Density of reflections. Higher values produce closer spacing Depth of the simulated room Amount of pitch shift Control the spaciousness Depth of distortion Depth at which the exciter effect is applied Depth at which the exciter effect is applied Depth of modulation caused by rotation of the low-range speaker Depth of modulation caused by rotation of the high-range speaker Balance between dry sound and effect sound Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually) Modify the character of the high range Frequency at which the EQ will boost/cut the high range Gain amount by which the EQ will boost/cut the high range Frequency at which the EQ will boost/cut the low range Gain amount by which the EQ will boost/cut the low range Frequency at which the EQ will boost/cut the mid range Gain amount by which the EQ will boost/cut the mid range Width of the area boosted/cut by the mid-range EQ Level balance between the early reflections and the reverberation Depth of front/back panning (valid when PAN Direction=Lturn,Rturn) Length of feedback delay Length of feedback delay 1 Length of feedback delay 2 Feedback amount of initial delay Feedback amount Setting for repeated reflections Level at which delay output is again returned to the input (negative values invert the phase) Level at which phaser output is again returned to the input (negative values insert the phase) Select the type of tonal effect Fine adjustment to pitch of first sound Fine adjustment to pitch of second sound Height of simulated room Adjust the upper limit of the mid-frequency range that will be attenuated Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly) Frequency at which the high pass filter will cut the low range Delay time until the early reflections Delay length until ER (GateReverb) sounds Delay length Mono/stereo switch for input Input select Depth of left/right panning Delay time from left (input) to right (output) Length of left channel delay Length of first left channel delay Length of second left channel delay Amount of left channel feedback Length of left channel delay Depth of delay modulation Depth of modulation caused by speaker rotation Depth of phase modulation Depth at which the wah filter will be controlled Frequency of delay modulation Frequency at which the speaker will rotate Modulation frequency Autopan frequency Phase modulation frequency Frequency at which wah filter will be controlled 63
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XG Voice List (Normal voices) Bank
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Page 10 and 11:
Page 12 and 13: XG Voice List (Normal voices) Bank
Page 30 and 31: TG300B Voice List (Normal voices) B
Page 38 and 39: XG Drum Map (Drum voices) Bank Sele
Page 44 and 45: A/D Input Preset List BANKSource A/
Page 46 and 47: VARIATION No. 0 1 2 3 4 5 6 7 8 9 1
Page 48 and 49: Effect MSB/LSB List n “DEC” mea
Page 50 and 51: INSERTION TYPE TYPE MSB TYPE LSB DE
Page 52 and 53: DELAY L, C, R (Variation, Insertion
Page 54 and 55: FLANGER 1, 2, 3 (Chorus, Variation,
Page 56 and 57: PHASER 1 (Chorus, Variation, Insert
Page 58 and 59: AUTO WAH+DIST, AUTO WAH+ODRV (Varia
Page 60 and 61: HARMONIC ENHANCER (Variation, Inser
Page 64 and 65: Parameter name Effect types in whic
Page 66 and 67: 66 EQ Frequency Table#3 0 1 2 3 4 5
Page 68 and 69: MIDI Data Format 1. Channel message
Page 70 and 71: 1.2.20 Data Increment / Decrement (
Page 72 and 73: 1.5 Pitch bend This message conveys
Page 74 and 75: 2.2.1.1 XG System bulk dump This me
Page 76 and 77: 02 01 20 2 00 - 7F CHORUS TYPE MSB
Page 78 and 79: 03 01 00 2 00 - 7F INSERTION EFFECT
Page 80 and 81: 0A nn 20 1 00 - 7F HIGH PASS FILTER
Page 82: [Note] When a part to which a Drum
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SW1000XG DataList/E - Yamaha

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