03.01.2013 Views

SW1000XG DataList/E - Yamaha

SW1000XG DataList/E - Yamaha

SW1000XG DataList/E - Yamaha

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Parameter name Effect types in which the parameter exists Explanation of parameter<br />

LFO Phase Difference<br />

Liveness<br />

Low Adjust<br />

Low/High<br />

LPF Cutoff<br />

LPF Resonance<br />

Mic L-R Angle<br />

Mix Level<br />

Move Speed<br />

Output Gain<br />

Output Level<br />

Output Level 1<br />

Output Level 2<br />

Output Phase<br />

Pan 1<br />

Pan 2<br />

PAN Direction<br />

Phase Shift Offset<br />

Pitch<br />

PM Depth<br />

R->L Delay<br />

Ratio<br />

Rch Delay<br />

Rch Delay1<br />

Rch Delay2<br />

Rch Feedback Level<br />

Rch Init Delay<br />

Release<br />

Resonance<br />

Rev Delay<br />

Reverb Time<br />

Room Size<br />

Rotor Speed<br />

Sampling Freq Control<br />

Sensitive<br />

Stage<br />

Threshold<br />

Type<br />

Vowel<br />

Wah Release<br />

Wall Vary<br />

Width<br />

Word Length<br />

PHASER type,FLANGER type<br />

EARLY REF type<br />

VOICE CANCEL<br />

2WAY ROTARY SPEAKER<br />

All types<br />

LO-FI<br />

2WAY ROTARY SPEAKER<br />

HARMONIC ENHANCER<br />

TALKING MODULATOR<br />

LO-FI<br />

All types<br />

PITCH CHANGE type<br />

PITCH CHANGE type<br />

AMBIENCE<br />

PITCH CHANGE type<br />

PITCH CHANGE type<br />

AUTO PAN<br />

PHASER type<br />

PITCH CHANGE type<br />

TREMOLO<br />

CROSS DELAY<br />

COMPRESSOR type<br />

DELAY type<br />

ECHO<br />

ECHO<br />

ECHO<br />

ENSEMBLE DETUNE<br />

COMPRESSOR type<br />

NOISE GATE<br />

TOUCH WAH2, TOUCH WAH+ODRV<br />

WAH type<br />

REVERB type<br />

REVERB type<br />

EARLY REF type<br />

2WAY ROTARY SPEAKER<br />

LO-FI<br />

WAH type<br />

PHASER type<br />

COMPRESSOR type<br />

NOISE GATE<br />

EARLY REF type<br />

TALKING MODULATOR<br />

WAH+DIST+DELAY,WAH+ODRV+DELAY<br />

REVERB type<br />

REVERB type<br />

LO-FI<br />

L/R phase difference for modulation waveform (0 deg (=64) is no phase difference)<br />

ER decay. Lower values cause faster decay.<br />

Adjust the lower frequency limit of the mid-range that will be attenuated<br />

Volume balance between the high-range and low-range speakers<br />

Frequency at which the low pass filter will cut the high frequency range<br />

Add character to the low pass filter of the input<br />

L/R angle of the mic that picks up the output<br />

Level of the effect sound that is mixed into the dry sound<br />

Time over which the sound specified by Vowel is reached<br />

Output gain<br />

Output level<br />

Output level for first unit<br />

Output level for second unit<br />

Swap phase of the effect sound between L/R<br />

Pan of first unit<br />

Pan of second unit<br />

Autopan type (LR is sine wave, L/R is square wave)<br />

Offset value for phase modulation<br />

Pitch setting in semitones<br />

Depth of delay modulation<br />

Delay time from right (input) to left (output)<br />

Compression ratio of the compressor<br />

Length of right channel delay<br />

Length of first right channel delay<br />

Length of second right channel delay<br />

Amount of right channel feedback<br />

Length of right channel delay<br />

Time until the sound is released from the compressor effect<br />

Time until the gate closes<br />

Time until the center frequency of the wah filter returns to normal<br />

Bandwidth of the wah filter<br />

Delay time between the early reflections and the reverberation<br />

Length of reverb<br />

Size of room. Increasing this value will lengthen ER.<br />

Frequency at which the speaker rotates<br />

Sampling frequency control<br />

Sensitivity with which the wah filter will change in response to changes in the input<br />

Number of steps for the phase shifter<br />

Input level at which compression will begin<br />

Input level at which the gate will begin to open<br />

Type selection<br />

Vowel selection<br />

Time until the center frequency of the wah filter returns to normal<br />

Condition of the walls of the simulated room (higher values produce more random reflections)<br />

Width of the simulated room<br />

Specify the roughness of the sound<br />

Additional note:<br />

In the preceding pages, indication of effect types such as REVERB-type respectively include the following effect types.<br />

CHORUS type<br />

COMPRESSOR type<br />

DELAY type<br />

DISTORTION type<br />

EARLY REF type<br />

FLANGER type<br />

KARAOKE type<br />

PHASER type<br />

PITCH CHANGE type<br />

REVERB type<br />

WAH type<br />

CHORUS1,CHORUS2,CHORUS3,CHORUS4,CELESTE1,CELESTE2,CELESTE3,CELESTE4<br />

COMPRESSOR,COMP+DIST, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY<br />

DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY,<br />

COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY<br />

DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST, TOUCH WAH+ODRV,<br />

COMP+DIST, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY,<br />

WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY<br />

EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE<br />

FLANGER1,FLANGER2, FLANGER3<br />

KARAOKE1, KARAOKE2, KARAOKE3<br />

PHASER1, PHASER2<br />

PITCH CHANGE1, PITCH CHANGE2<br />

HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE,<br />

WHITE ROOM,TUNNEL,CANYON,BASEMENT<br />

AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV,<br />

WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY<br />

64

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!