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The Complete Online Filmmaking Reference - Film Distribution ...

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ECM-44B ($255list) is a good compromise of sounding good with voice but less bothered by wind and can<br />

be farther from the sound source.<br />

For mixing with popular boom mikes:<br />

Sennheiser MKE-2 ($240)<br />

A/T MT830<br />

Sony ECM-77B<br />

Other highly recommended lavaliers include:<br />

Sony ECM-77B ($465 list)<br />

AT MT830R ($155)<br />

Sennheiser K2 lav<br />

Shure WL50 lav<br />

Radio, or wireless, transmitter/receivers are used, usually in combinations with lavaliers, when it is not<br />

possible to run a wire from the actors to the sound recording device. This can happen when the actors are<br />

walking and talking at the same time and a boom can't be used.<br />

Radio transmitters are very sensitive to electrical interference and dropouts and are the last choice for picking up<br />

sound.<br />

Lectrosonic wireless systems are generally considered to be among the best but most of the top microphone<br />

manufacturers make high quality wireless transmitters/receivers. Often a matching lavalier microphone is bundled<br />

with the wireless transmitter to make a complete solution.<br />

Audio Mixers<br />

Audio mixers balance and control the signal strength of the microphones as the sound is passed on to the<br />

recording device. Some recording devices have some ability to control the sound volume built in but it is always<br />

better to have a separate mixer that a dedicated sound technician can use.<br />

Good mixers include:<br />

Samson Mixpad 4, about $200, battery operated<br />

Mackie 1202VLZ PRO 12 Channel Mixer with 4 Mic Inputs, about $300, requires A/C<br />

Shure FP-33 Stereo Mixer, about $1,300, battery operated<br />

<strong><strong>Film</strong>making</strong> Lights<br />

Companies manufacturing lighting equipment of interest to filmmakers include:<br />

Arri<br />

Lowel<br />

Mole-Richardson<br />

Smith-Victor<br />

Also see the Production page on Lighting for the various techniques involved in film lighting.<br />

Movie expendables and general supplies you might want to have on set<br />

Use this list as a starting point for your list of expendables to have available at all times.<br />

Absorbents, paper towels<br />

Adhesive sprays<br />

Barricade ribbon "caution"<br />

Batteries<br />

Contact cleaner<br />

Dust masks<br />

First Aid<br />

Fluorescent light bulbs<br />

French chalk (talcum powder)<br />

Gloves<br />

Grip bags<br />

Hand tools, hammer, screwdrivers, etc.<br />

Heaters, electrical or gas/propane

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