The Complete Online Filmmaking Reference - Film Distribution ...

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Working with backlighting, simulated candlelight, and special lighting effects Shooting day for night Staging safe stunts, chase scenes, and fistfights Makeup techniques for aging, bruises, and serious injuries Shooting at night Working with camera movement Adding special effects such as laser bolts, holograms, and explosions and much more. Packed with full-color, step-by-step instructions, inspirational examples, and authoritative information and advice, this book is the ultimate, no-nonsense cookbook for every aspiring digital filmmaker. The Filmmaker's Basic Library has all the top-rated filmmaking resources.
Film continuity The Necessity of Continuity On the set it is the responsibility of the script supervisor to see that continuity is maintained between takes and between the setups. This means that the actors must be wearing the same clothes, the same jewelry, the same hair style. If a candle or cigarette is half burned down in one take then it must be the same in all takes. Without visual continuity a movie becomes a series of unnatural jarring moments that take the audience out of the illusion that your movie is a depiction of real life. Carefully planned lack of continuity can be an effective technique to create tension and confusion in a scene but shouldn't be overdone. Careful notes need to be maintained. A digital camera can be a big help in maintaining continuity. Take a shot of the actors after each setup or at least at the end of the day and do a quick printout of the picture. The script supervisor should also be marking the script with any changes in dialog that occur during filming. The script supervisor needs to be ready to remind actors of their lines when they forget. Focus All cameras used in filmmaking have a lens that focuses light onto a light sensitive material. One of the most powerful techniques of cinematography involves the carefully planned use of focus. The lens can only bring objects at one distance from the camera into focus at a time as illustrated here: Objects closer or farther from this point will be progressively more out of focus. There are several variables that can be adjusted to control exactly how this looks. Lenses have a focal length that determines how much the image seems to be magnified. Wide angle lenses seem to make objects look smaller and
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The Complete Online Filmmaking Refe
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PreProd Buzz Director's Job Schedul
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Film School Online, Learn Filmmakin
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Overview of Screenwriting A Great S
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Your films will be three to ten min
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Film marketing buzz At every stage
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Ask the movie buzz professionals A
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Screenwriting, Testing Ideas You th
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never get everyone excited about yo
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If your first idea didn't test out
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Write what you know. Your world may
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Film idea development Screenplay st
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Screenwriting, Getting Started Wher
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Screenwriting software Tools of the
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The story needs good characters tha
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having the audience know more than
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Screenwriting Learn screenplay writ
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married lawman Will Kane, who is ab
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dreams for one's successors, the ra
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grieving widower (Tom Hanks) on the
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Online Script Stores Harvest Moon i
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3. A constant rising conflict is ne
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The Filmmaker's Basic Library has a
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all be introduced in the first act,
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The Hero's Journey is different fro
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Screenplay format, part 1 Do it rig
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Screenplay format, part 2 Do it rig
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SAM removes a knife from his pocket
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consider it a basic resource for ev
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16. Keep related words together 17.
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Screenwriting grammar, part 2 The E
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Or the subordinate clauses might be
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know-ledge (not knowl-edge); Shake-
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In treating either of these last tw
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4 They sought rather to write a his
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Make definite assertions. Avoid tam
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second introduced by a conjunction
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Benjamin Harrison, grandson of Will
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of a sentence, to the sentences of
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References. In scholarly work requi
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Edison;" "losses due to preventable
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One of the most. Avoid beginning es
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His books are not worth while. His
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Write to-day, to-night, to-morrow (
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enough that a reader could tell the
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Dove Simens loves to say that "Your
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Filmmaking.com has some interesting
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their names on the screen and a pie
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Production Expenses 700 Editor 0 Ed
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Financing Lab fee for develop/telec
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The talent you hire can get you mon
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BlueHost.Com BlueHost.Com is a new
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Film directing, the director's job
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which changes the logic of another
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Film scheduling The importance of s
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Next create a spreadsheet in Excel
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Film locations Film Preproduction -
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New Year's Day (2000) Two 17-year-o
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permit to shoot in those locations.
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Film crew What does the crew do? Th
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Art Director - The art director, or
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Hairdresser - The hairdresser is li
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Film cameras How Filmmaking Cameras
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onto the same tape as the images, a
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JVC GY-HD100U has many of the featu
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High quality tripods and tripod hea
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Janitorial supplies, broom, dustpan
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need. Many of them let you place ad
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Auditioning actors Preparing for th
Page 141 and 142: Make sure the place has two rooms s
Page 143 and 144: Film rehearsing Film preproduction
Page 145 and 146: intensity of emotion and mental eff
Page 147 and 148: The Complete Film Production Handbo
Page 149 and 150: Always stand so you will be at the
Page 151 and 152: set neat, using leather gloves to h
Page 153 and 154: actors stop acting. 11. Everyone ch
Page 155 and 156: acting. Uta Hagen's Acting Class (2
Page 157 and 158: Lighting films Film Production - Li
Page 159 and 160: Key light only Fill light only The
Page 161 and 162: The lighting contrast ratio can be
Page 163 and 164: Lighting accessories Barndoors use
Page 165 and 166: narrow canyon the audience will exp
Page 167 and 168: The two-shot is probably the most c
Page 169 and 170: Having more space behind the actor
Page 171 and 172: Cinematic Storytelling: The 100 Mos
Page 173 and 174: Hollywood Camera Work review and di
Page 175 and 176: Your discount coupon code is 4FILM.
Page 177 and 178: techniques to create a sense of awe
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Page 181 and 182: The Hollywood Camera Work site has
Page 183 and 184: As a general rule, unless you are t
Page 185 and 186: Cinematography rules The coverage r
Page 187 and 188: Cinematography 180 degree rule What
Page 189 and 190: Cinematography camera moves The cam
Page 191: Product Reviews The Five C's of Cin
Page 195 and 196: Using a telephoto lens and a large
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Page 199 and 200: Good composition is a subject with
Page 201 and 202: Simplicity The first and perhaps th
Page 203 and 204: Compose your photograph so that you
Page 205 and 206: Before you snap the picture, imagin
Page 207 and 208: If you don't, here's what can happe
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Page 211 and 212: One of the most common and graceful
Page 213 and 214: Achieving good balance is another o
Page 215 and 216: Here's an example of nonsymmetrical
Page 217 and 218: Whether or not you use a frame for
Page 219 and 220: This is a fun picture, but when we
Page 221 and 222: Film sound Sound Physics and Termin
Page 223 and 224: Film postproduction Postproduction
Page 225 and 226: watch the first five minutes before
Page 227 and 228: fun to read. The Filmmaker's Basic
Page 229 and 230: Very little can be done to save the
Page 231 and 232: Groovy Loops has a nice selection o
Page 233 and 234: Foley for film Movie sound effects
Page 235 and 236: and include just about every sound
Page 237 and 238: Film marketing buzz Your marketing
Page 239 and 240: to be distributed electronically. C
Page 241 and 242: Film festivals The story on film fe
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arrive in the mail your chances of
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do it. This would include wearing b
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Film markets The film markets are s
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As long as the code isn't broken th
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Selling to a film distributor Many
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ever making any backend money. Adva
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Product Reviews The Complete Indepe
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Film law Learn the Law Disclaimer:
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The Independent Film Producer's Sur
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Why Bother With Film school Caveat
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Every year some young filmmaker, wh
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Film School Secrets Film School Sec
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Film school on your Couch DVD for F
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enlightening as well as the cast an
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actually pretty fast so be prepared
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the influence of various filmmakers
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Georgia Illinois Indiana Kansas Lou
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International film schools Guide to
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Filmmaking resources Books and Reso
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Filmmaking books Filmmaking Books a
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Filmmaking advice Website Feedback
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Software Pre-production ScreenPro (
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Film glossary A-B Glossary of Filmm
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Arc - A lighting unit that generate
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Best Boy - There are actually two s
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Film glossary C-D Glossary of Filmm
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the color of the film to the direct
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Dailies - The first positive prints
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loaded with sprocketed magnetic fil
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close-up. Extreme Long Shot - Camer
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Gaffer - The chief lighting technic
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Jump-Cut - An editorial device wher
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Location Sound - Sound that is reco
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Moviola - A trade name for an uprig
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13 is a sterner warning to parents
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Production Dupe - A duplicate negat
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Reversal film - A film that is manu
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Shiny Boards - A grip reflector use
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in which they occur. Step Printer -
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Travelling Matte Shot - Shot in whi
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Y M C Numbers - The 'timing lights'
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Newsletter signup Get a Free filmma
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Aristotle's Poetics Section: 1. Int
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when tragedy and comedy came to lig
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time. Nor, again, can one of vast s
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families. A well-constructed plot s
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(v) Again, there is a composite kin
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number, whether one or many, as 'ma
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two; while the Cypria supplies mate
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(xii) Again, when a word seems to i
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Filmmaker's Links Film making resou
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Assistant Director Training - Assis
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Streaming Movies & Films - MovieFli
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Independent Film Award - IFP.org Go
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