The Complete Online Filmmaking Reference - Film Distribution ...
The Complete Online Filmmaking Reference - Film Distribution ...
The Complete Online Filmmaking Reference - Film Distribution ...
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<strong>Film</strong> glossary E-K<br />
Glossary of <strong><strong>Film</strong>making</strong> Terms<br />
Ear - To put a flag up on the side of a lighting unit to block light. Better known as a 'sider'. (Grip/Lighting)<br />
EBU - European Broadcast Union. This generally identifies a 25 FPS time code standard.<br />
Echo - A sound wave that has been reflected and returned with sufficient magnitude and delay to be perceived as<br />
a wave distinct from that which was initially transmitted.<br />
Edge Numbers - Numbers printed on the edge of a print to allow easy identification of frames.<br />
Edge track - A standard position for the placement of the audio on a single perforation magnetic film.<br />
Edison Plug - An ordinary household plug with two flat blades and a ground pin. (Lighting)<br />
Edit Decision List (EDL) - <strong>Complete</strong> list of time code numbers for each shot and sound used in the off-line edit<br />
master. <strong>The</strong>se time code numbers are used to create the final on-line edit master.<br />
Edit Master - Video industry term for the tape containing the finished (edited) program.<br />
Edit Points - Also known as "edit in" and "edit out." <strong>The</strong> beginning and end points of an edit when a video<br />
program or soundtrack is being assembled.<br />
Editing - Reconstructing the sequence of events in a movie.<br />
Editor - <strong>The</strong> editor works with the director in editing the film. <strong>The</strong> director has the primary responsibility for<br />
editing decisions, but the editor often has significant input in the creative decisions involved in putting together a<br />
final cut of a movie. <strong>The</strong> editor often starts work while the film is still being shot, by assembling preliminary cuts<br />
from the daily footage. Increasingly, editors work on computerized editing consoles without touching the actual<br />
film.<br />
Effective Output Level - <strong>The</strong> microphone sensitivity rating defined as the ratio in dB of the power available<br />
relative to sound pressure. (Acoustics)<br />
Electrical Department - Section of a production's crew responsible for lighting and other electrical matters<br />
during filming.<br />
Electrician - Grip that specializes in the equipment of the electrical department.<br />
Emulsion Type - Refers to the composition of a film's emulsion and how it was manufactured. (Example:<br />
fast/slow, daylight/tungsten, etc.) <strong>The</strong> emulsion type is represented by a number which varies from one company<br />
to another.<br />
Emulsion - <strong>The</strong> gelatine layer of photo-sensitive material in which the image is formed on film. (<strong>Film</strong>)<br />
Encode - Process of combining analog or digital video signals, e.g., red, green and blue, into a composite signal.<br />
Envelope - <strong>The</strong> shape of the graph as amplitude is plotted against time. A sound's envelope includes its attack,<br />
decay, sustain and release (ADSR). (Sound)<br />
Environmental Sound - General low level sound coming from the action of a film, which can either synchronous<br />
or nonsynchronous.<br />
Epic - <strong>Film</strong> with large dramatic scope or that required an immense production.<br />
Equalization - <strong>The</strong> alteration of sound frequencies for a specific purpose, such as to remove 'noise' frequencies<br />
or to improve speech clarity.<br />
Equivalent Noise - A microphone in a completely silent room still generates some residual noise. This noise can<br />
be measured and can be computed. That computation is the 'Equivalent Noise'. (Acoustics)<br />
Establishing Shot - Usually a long shot at the beginning of a scene which is intended to inform the audience<br />
about a changed locale or time for the scene which follows. (Production)<br />
Exciter Lamp - An incandescent lamp used to supply nonvarying luminous energy to a photoresponsive cell.<br />
Used in film projectors to illuminate the optical sound track.<br />
Executive Producer - A title often abused in the film industry. Ideally the executive producer arranges for the<br />
film's financing and tries to keep the project on budget. Increasingly the executive producer credit is given as a<br />
perk to a powerful actor's agent or spouse, or some other person who made the project possible.<br />
Executive Producer - Producer who is not involved in any technical aspects of the filmmaking process, but who<br />
is still responsible for the overall production usually handling business and legal issues.<br />
Exposure Index (E.I.) - Number which is used to measure a film's speed based upon the film stock's sensitivity<br />
to light. Similar to A.S.A. and I.S.O.<br />
Exterior (EXT.) - Used in a slug line, indicates that the scene occurs outdoors.<br />
Extra - Individual who appears in a movie where a non-specific, non-speaking character is required, usually as<br />
part of a crowd or in the background of a scene.<br />
Extreme Close-up (ECU) - Shot in which the subject is much larger than the frame. Provides more detail than a