The Complete Online Filmmaking Reference - Film Distribution ...

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EBook version of February 7, 2011 Copyright 2010 © Jerry Anderson All rights reserved. This e-book is copyright Jerry Anderson and you may not modify or extract articles from the e-book. You are allowed, however, to freely distribute the e-book in its entirety to your friends or anyone else interested in filmmaking. Hi! My name is Jerry Anderson and I'm the Professor at 4Filmmaking.com and FreeFilmSchool.org. This e-book is an extensive reference to the art, business and technology of filmmaking. It is a substantial expansion on the materials on my websites. Because I believe that it shouldn't cost a lot to learn filmmaking I want to do my part by making this e-book free. It formerly sold for up to $49. I invite you to pass it on to anyone you feel might benefit. The e-book also includes links to many products and resources that I believe will be of significant usefulness to filmmakers. If you buy many of the products and resources listed in this e-book I will receive a small commission from the providers. The commission is paid out of the providers' profits so it will not cost you more to buy through my links. The commissions I receive will help me pay the expenses to keep my websites online and free. Do you have the latest version of this e-book? You can always download the latest version at http://distribution.4filmmaking.com/free-ebook.html Now go make a movie! Table Of Contents 4Filmmaking - Free Online Film School screenwriting Overview Goals & Plans Development Buzz Testing the Idea Finding Ideas Idea Development Getting Started Tools Storytelling Read Script Structure 1 Script Structure 2 Script Format 1 Script Format 2 Grammar - Grammar Intro Grammar - Part 1 Grammar - Part 2 Grammar - Part 3 Grammar - Part 4 Grammar - Part 5 Grammar - Part 6 Rewriting preproduction Overview Film Financing
PreProd Buzz Director's Job Schedule Locations Film Crew Hardware Casting Actors Auditioning Actors Rehearsing production Overview Production Buzz On the Set Directing Acting Lights Cinematograhy - Coverage Cinematograhy - Hollywood Camera Work Cinematograhy - Hot Moves Cinematograhy - Visual Effects for Directors Cinematograhy - Blocking Cinematograhy - Break Rules Cinematograhy - 180 Degree Cinematograhy - Camera Movement Cinematograhy - Continuity Cinematograhy - Composition Film Sound postproduction Overview Post Buzz Film Editing Sound Design Film Music Dialog / ADR Foley distribution Overview Selling Buzz Film Festivals Film Markets Film Distribution Hollywood Film Law filmschools Overview Why Bother? Film School Secrets On Your Couch US Film Schools International Schools
Page 1: The Complete Online Filmmaking Refe
Page 5 and 6: Film School Online, Learn Filmmakin
Page 7 and 8: Overview of Screenwriting A Great S
Page 9 and 10: Your films will be three to ten min
Page 11 and 12: Film marketing buzz At every stage
Page 13 and 14: Ask the movie buzz professionals A
Page 15 and 16: Screenwriting, Testing Ideas You th
Page 17 and 18: never get everyone excited about yo
Page 19 and 20: If your first idea didn't test out
Page 21 and 22: Write what you know. Your world may
Page 23 and 24: Film idea development Screenplay st
Page 25 and 26: Screenwriting, Getting Started Wher
Page 27 and 28: Screenwriting software Tools of the
Page 29 and 30: The story needs good characters tha
Page 31 and 32: having the audience know more than
Page 33 and 34: Screenwriting Learn screenplay writ
Page 35 and 36: married lawman Will Kane, who is ab
Page 37 and 38: dreams for one's successors, the ra
Page 39 and 40: grieving widower (Tom Hanks) on the
Page 41 and 42: Online Script Stores Harvest Moon i
Page 43 and 44: 3. A constant rising conflict is ne
Page 45 and 46: The Filmmaker's Basic Library has a
Page 47 and 48: all be introduced in the first act,
Page 49 and 50: The Hero's Journey is different fro
Page 51 and 52: Screenplay format, part 1 Do it rig
Page 53 and 54:
Screenplay format, part 2 Do it rig
Page 55 and 56:
SAM removes a knife from his pocket
Page 57 and 58:
consider it a basic resource for ev
Page 59 and 60:
16. Keep related words together 17.
Page 61 and 62:
Screenwriting grammar, part 2 The E
Page 63 and 64:
Or the subordinate clauses might be
Page 65 and 66:
know-ledge (not knowl-edge); Shake-
Page 67 and 68:
In treating either of these last tw
Page 69 and 70:
4 They sought rather to write a his
Page 71 and 72:
Make definite assertions. Avoid tam
Page 73 and 74:
second introduced by a conjunction
Page 75 and 76:
Benjamin Harrison, grandson of Will
Page 77 and 78:
of a sentence, to the sentences of
Page 79 and 80:
References. In scholarly work requi
Page 81 and 82:
Edison;" "losses due to preventable
Page 83 and 84:
One of the most. Avoid beginning es
Page 85 and 86:
His books are not worth while. His
Page 87 and 88:
Write to-day, to-night, to-morrow (
Page 89 and 90:
enough that a reader could tell the
Page 91 and 92:
Dove Simens loves to say that "Your
Page 93 and 94:
Filmmaking.com has some interesting
Page 95 and 96:
their names on the screen and a pie
Page 97 and 98:
Production Expenses 700 Editor 0 Ed
Page 99 and 100:
Financing Lab fee for develop/telec
Page 101 and 102:
The talent you hire can get you mon
Page 103 and 104:
BlueHost.Com BlueHost.Com is a new
Page 105 and 106:
The Filmmaker's Basic Library has a
Page 107 and 108:
Film directing, the director's job
Page 109 and 110:
which changes the logic of another
Page 111 and 112:
Film scheduling The importance of s
Page 113 and 114:
Next create a spreadsheet in Excel
Page 115 and 116:
Film locations Film Preproduction -
Page 117 and 118:
New Year's Day (2000) Two 17-year-o
Page 119 and 120:
permit to shoot in those locations.
Page 121 and 122:
Film crew What does the crew do? Th
Page 123 and 124:
Art Director - The art director, or
Page 125 and 126:
Hairdresser - The hairdresser is li
Page 127 and 128:
Film cameras How Filmmaking Cameras
Page 129 and 130:
onto the same tape as the images, a
Page 131 and 132:
JVC GY-HD100U has many of the featu
Page 133 and 134:
High quality tripods and tripod hea
Page 135 and 136:
Janitorial supplies, broom, dustpan
Page 137 and 138:
need. Many of them let you place ad
Page 139 and 140:
Auditioning actors Preparing for th
Page 141 and 142:
Make sure the place has two rooms s
Page 143 and 144:
Film rehearsing Film preproduction
Page 145 and 146:
intensity of emotion and mental eff
Page 147 and 148:
The Complete Film Production Handbo
Page 149 and 150:
Always stand so you will be at the
Page 151 and 152:
set neat, using leather gloves to h
Page 153 and 154:
actors stop acting. 11. Everyone ch
Page 155 and 156:
acting. Uta Hagen's Acting Class (2
Page 157 and 158:
Lighting films Film Production - Li
Page 159 and 160:
Key light only Fill light only The
Page 161 and 162:
The lighting contrast ratio can be
Page 163 and 164:
Lighting accessories Barndoors use
Page 165 and 166:
narrow canyon the audience will exp
Page 167 and 168:
The two-shot is probably the most c
Page 169 and 170:
Having more space behind the actor
Page 171 and 172:
Cinematic Storytelling: The 100 Mos
Page 173 and 174:
Hollywood Camera Work review and di
Page 175 and 176:
Your discount coupon code is 4FILM.
Page 177 and 178:
techniques to create a sense of awe
Page 179 and 180:
You may be about to cause a career
Page 181 and 182:
The Hollywood Camera Work site has
Page 183 and 184:
As a general rule, unless you are t
Page 185 and 186:
Cinematography rules The coverage r
Page 187 and 188:
Cinematography 180 degree rule What
Page 189 and 190:
Cinematography camera moves The cam
Page 191 and 192:
Product Reviews The Five C's of Cin
Page 193 and 194:
Film continuity The Necessity of Co
Page 195 and 196:
Using a telephoto lens and a large
Page 197 and 198:
schemes and preview them on real-wo
Page 199 and 200:
Good composition is a subject with
Page 201 and 202:
Simplicity The first and perhaps th
Page 203 and 204:
Compose your photograph so that you
Page 205 and 206:
Before you snap the picture, imagin
Page 207 and 208:
If you don't, here's what can happe
Page 209 and 210:
scenics, but rarely in the middle.
Page 211 and 212:
One of the most common and graceful
Page 213 and 214:
Achieving good balance is another o
Page 215 and 216:
Here's an example of nonsymmetrical
Page 217 and 218:
Whether or not you use a frame for
Page 219 and 220:
This is a fun picture, but when we
Page 221 and 222:
Film sound Sound Physics and Termin
Page 223 and 224:
Film postproduction Postproduction
Page 225 and 226:
watch the first five minutes before
Page 227 and 228:
fun to read. The Filmmaker's Basic
Page 229 and 230:
Very little can be done to save the
Page 231 and 232:
Groovy Loops has a nice selection o
Page 233 and 234:
Foley for film Movie sound effects
Page 235 and 236:
and include just about every sound
Page 237 and 238:
Film marketing buzz Your marketing
Page 239 and 240:
to be distributed electronically. C
Page 241 and 242:
Film festivals The story on film fe
Page 243 and 244:
arrive in the mail your chances of
Page 245 and 246:
do it. This would include wearing b
Page 247 and 248:
Film markets The film markets are s
Page 249 and 250:
The Filmmaker's Basic Library has a
Page 251 and 252:
As long as the code isn't broken th
Page 253 and 254:
Selling to a film distributor Many
Page 255 and 256:
ever making any backend money. Adva
Page 257 and 258:
Product Reviews The Complete Indepe
Page 259 and 260:
Film law Learn the Law Disclaimer:
Page 261 and 262:
The Independent Film Producer's Sur
Page 263 and 264:
Why Bother With Film school Caveat
Page 265 and 266:
Every year some young filmmaker, wh
Page 267 and 268:
Film School Secrets Film School Sec
Page 269 and 270:
Film school on your Couch DVD for F
Page 271 and 272:
enlightening as well as the cast an
Page 273 and 274:
actually pretty fast so be prepared
Page 275 and 276:
the influence of various filmmakers
Page 277 and 278:
Georgia Illinois Indiana Kansas Lou
Page 279 and 280:
International film schools Guide to
Page 281 and 282:
Filmmaking resources Books and Reso
Page 283 and 284:
Filmmaking books Filmmaking Books a
Page 285 and 286:
Filmmaking advice Website Feedback
Page 287 and 288:
Software Pre-production ScreenPro (
Page 289 and 290:
Film glossary A-B Glossary of Filmm
Page 291 and 292:
Arc - A lighting unit that generate
Page 293 and 294:
Best Boy - There are actually two s
Page 295 and 296:
Film glossary C-D Glossary of Filmm
Page 297 and 298:
the color of the film to the direct
Page 299 and 300:
Dailies - The first positive prints
Page 301 and 302:
loaded with sprocketed magnetic fil
Page 303 and 304:
close-up. Extreme Long Shot - Camer
Page 305 and 306:
Gaffer - The chief lighting technic
Page 307 and 308:
Jump-Cut - An editorial device wher
Page 309 and 310:
Location Sound - Sound that is reco
Page 311 and 312:
Moviola - A trade name for an uprig
Page 313 and 314:
13 is a sterner warning to parents
Page 315 and 316:
Production Dupe - A duplicate negat
Page 317 and 318:
Reversal film - A film that is manu
Page 319 and 320:
Shiny Boards - A grip reflector use
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in which they occur. Step Printer -
Page 323 and 324:
Travelling Matte Shot - Shot in whi
Page 325 and 326:
Y M C Numbers - The 'timing lights'
Page 327 and 328:
Newsletter signup Get a Free filmma
Page 329 and 330:
Aristotle's Poetics Section: 1. Int
Page 331 and 332:
when tragedy and comedy came to lig
Page 333 and 334:
time. Nor, again, can one of vast s
Page 335 and 336:
families. A well-constructed plot s
Page 337 and 338:
(v) Again, there is a composite kin
Page 339 and 340:
number, whether one or many, as 'ma
Page 341 and 342:
two; while the Cypria supplies mate
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(xii) Again, when a word seems to i
Page 345 and 346:
Filmmaker's Links Film making resou
Page 347 and 348:
Assistant Director Training - Assis
Page 349 and 350:
Streaming Movies & Films - MovieFli
Page 351:
Independent Film Award - IFP.org Go
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