The Complete Online Filmmaking Reference - Film Distribution ...

Recommendations

Info

More Film glossaries Glossary of Filmmaking Terms Some other interesting glossaries: A Glossary of F/X Terms All Movie Guide Glossary Barnes & Noble Film Glossary Begriffe aus dem Film, Filmbegriffe (terminology of cinema in German) Cougars Star Wars-Lexikon (in German) Electronic Cinematography Terms from Greg's Sandbox Glossary of Photographic and Digital Imaging terms. IMDB's Film Glossary Joel Schlemowitz's A Glossary of Film Terms Nitpicker's Guild Glossary Film Terms in Many Languages Who's Who Credits
Newsletter signup Get a Free filmmaking podcast Subscribe to my Free Filmmaking newsletter. First name: Email: I hate spam too! Your email address will never be given to anyone else or used for anything except to send you news about this site.
Page 1 and 2:
The Complete Online Filmmaking Refe
Page 3 and 4:
PreProd Buzz Director's Job Schedul
Page 5 and 6:
Film School Online, Learn Filmmakin
Page 7 and 8:
Overview of Screenwriting A Great S
Page 9 and 10:
Your films will be three to ten min
Page 11 and 12:
Film marketing buzz At every stage
Page 13 and 14:
Ask the movie buzz professionals A
Page 15 and 16:
Screenwriting, Testing Ideas You th
Page 17 and 18:
never get everyone excited about yo
Page 19 and 20:
If your first idea didn't test out
Page 21 and 22:
Write what you know. Your world may
Page 23 and 24:
Film idea development Screenplay st
Page 25 and 26:
Screenwriting, Getting Started Wher
Page 27 and 28:
Screenwriting software Tools of the
Page 29 and 30:
The story needs good characters tha
Page 31 and 32:
having the audience know more than
Page 33 and 34:
Screenwriting Learn screenplay writ
Page 35 and 36:
married lawman Will Kane, who is ab
Page 37 and 38:
dreams for one's successors, the ra
Page 39 and 40:
grieving widower (Tom Hanks) on the
Page 41 and 42:
Online Script Stores Harvest Moon i
Page 43 and 44:
3. A constant rising conflict is ne
Page 45 and 46:
The Filmmaker's Basic Library has a
Page 47 and 48:
all be introduced in the first act,
Page 49 and 50:
The Hero's Journey is different fro
Page 51 and 52:
Screenplay format, part 1 Do it rig
Page 53 and 54:
Screenplay format, part 2 Do it rig
Page 55 and 56:
SAM removes a knife from his pocket
Page 57 and 58:
consider it a basic resource for ev
Page 59 and 60:
16. Keep related words together 17.
Page 61 and 62:
Screenwriting grammar, part 2 The E
Page 63 and 64:
Or the subordinate clauses might be
Page 65 and 66:
know-ledge (not knowl-edge); Shake-
Page 67 and 68:
In treating either of these last tw
Page 69 and 70:
4 They sought rather to write a his
Page 71 and 72:
Make definite assertions. Avoid tam
Page 73 and 74:
second introduced by a conjunction
Page 75 and 76:
Benjamin Harrison, grandson of Will
Page 77 and 78:
of a sentence, to the sentences of
Page 79 and 80:
References. In scholarly work requi
Page 81 and 82:
Edison;" "losses due to preventable
Page 83 and 84:
One of the most. Avoid beginning es
Page 85 and 86:
His books are not worth while. His
Page 87 and 88:
Write to-day, to-night, to-morrow (
Page 89 and 90:
enough that a reader could tell the
Page 91 and 92:
Dove Simens loves to say that "Your
Page 93 and 94:
Filmmaking.com has some interesting
Page 95 and 96:
their names on the screen and a pie
Page 97 and 98:
Production Expenses 700 Editor 0 Ed
Page 99 and 100:
Financing Lab fee for develop/telec
Page 101 and 102:
The talent you hire can get you mon
Page 103 and 104:
BlueHost.Com BlueHost.Com is a new
Page 105 and 106:
Page 107 and 108:
Film directing, the director's job
Page 109 and 110:
which changes the logic of another
Page 111 and 112:
Film scheduling The importance of s
Page 113 and 114:
Next create a spreadsheet in Excel
Page 115 and 116:
Film locations Film Preproduction -
Page 117 and 118:
New Year's Day (2000) Two 17-year-o
Page 119 and 120:
permit to shoot in those locations.
Page 121 and 122:
Film crew What does the crew do? Th
Page 123 and 124:
Art Director - The art director, or
Page 125 and 126:
Hairdresser - The hairdresser is li
Page 127 and 128:
Film cameras How Filmmaking Cameras
Page 129 and 130:
onto the same tape as the images, a
Page 131 and 132:
JVC GY-HD100U has many of the featu
Page 133 and 134:
High quality tripods and tripod hea
Page 135 and 136:
Janitorial supplies, broom, dustpan
Page 137 and 138:
need. Many of them let you place ad
Page 139 and 140:
Auditioning actors Preparing for th
Page 141 and 142:
Make sure the place has two rooms s
Page 143 and 144:
Film rehearsing Film preproduction
Page 145 and 146:
intensity of emotion and mental eff
Page 147 and 148:
The Complete Film Production Handbo
Page 149 and 150:
Always stand so you will be at the
Page 151 and 152:
set neat, using leather gloves to h
Page 153 and 154:
actors stop acting. 11. Everyone ch
Page 155 and 156:
acting. Uta Hagen's Acting Class (2
Page 157 and 158:
Lighting films Film Production - Li
Page 159 and 160:
Key light only Fill light only The
Page 161 and 162:
The lighting contrast ratio can be
Page 163 and 164:
Lighting accessories Barndoors use
Page 165 and 166:
narrow canyon the audience will exp
Page 167 and 168:
The two-shot is probably the most c
Page 169 and 170:
Having more space behind the actor
Page 171 and 172:
Cinematic Storytelling: The 100 Mos
Page 173 and 174:
Hollywood Camera Work review and di
Page 175 and 176:
Your discount coupon code is 4FILM.
Page 177 and 178:
techniques to create a sense of awe
Page 179 and 180:
You may be about to cause a career
Page 181 and 182:
The Hollywood Camera Work site has
Page 183 and 184:
As a general rule, unless you are t
Page 185 and 186:
Cinematography rules The coverage r
Page 187 and 188:
Cinematography 180 degree rule What
Page 189 and 190:
Cinematography camera moves The cam
Page 191 and 192:
Product Reviews The Five C's of Cin
Page 193 and 194:
Film continuity The Necessity of Co
Page 195 and 196:
Using a telephoto lens and a large
Page 197 and 198:
schemes and preview them on real-wo
Page 199 and 200:
Good composition is a subject with
Page 201 and 202:
Simplicity The first and perhaps th
Page 203 and 204:
Compose your photograph so that you
Page 205 and 206:
Before you snap the picture, imagin
Page 207 and 208:
If you don't, here's what can happe
Page 209 and 210:
scenics, but rarely in the middle.
Page 211 and 212:
One of the most common and graceful
Page 213 and 214:
Achieving good balance is another o
Page 215 and 216:
Here's an example of nonsymmetrical
Page 217 and 218:
Whether or not you use a frame for
Page 219 and 220:
This is a fun picture, but when we
Page 221 and 222:
Film sound Sound Physics and Termin
Page 223 and 224:
Film postproduction Postproduction
Page 225 and 226:
watch the first five minutes before
Page 227 and 228:
fun to read. The Filmmaker's Basic
Page 229 and 230:
Very little can be done to save the
Page 231 and 232:
Groovy Loops has a nice selection o
Page 233 and 234:
Foley for film Movie sound effects
Page 235 and 236:
and include just about every sound
Page 237 and 238:
Film marketing buzz Your marketing
Page 239 and 240:
to be distributed electronically. C
Page 241 and 242:
Film festivals The story on film fe
Page 243 and 244:
arrive in the mail your chances of
Page 245 and 246:
do it. This would include wearing b
Page 247 and 248:
Film markets The film markets are s
Page 249 and 250:
Page 251 and 252:
As long as the code isn't broken th
Page 253 and 254:
Selling to a film distributor Many
Page 255 and 256:
ever making any backend money. Adva
Page 257 and 258:
Product Reviews The Complete Indepe
Page 259 and 260:
Film law Learn the Law Disclaimer:
Page 261 and 262:
The Independent Film Producer's Sur
Page 263 and 264:
Why Bother With Film school Caveat
Page 265 and 266:
Every year some young filmmaker, wh
Page 267 and 268:
Film School Secrets Film School Sec
Page 269 and 270:
Film school on your Couch DVD for F
Page 271 and 272:
enlightening as well as the cast an
Page 273 and 274:
actually pretty fast so be prepared
Page 275 and 276: the influence of various filmmakers
Page 277 and 278: Georgia Illinois Indiana Kansas Lou
Page 279 and 280: International film schools Guide to
Page 281 and 282: Filmmaking resources Books and Reso
Page 283 and 284: Filmmaking books Filmmaking Books a
Page 285 and 286: Filmmaking advice Website Feedback
Page 287 and 288: Software Pre-production ScreenPro (
Page 289 and 290: Film glossary A-B Glossary of Filmm
Page 291 and 292: Arc - A lighting unit that generate
Page 293 and 294: Best Boy - There are actually two s
Page 295 and 296: Film glossary C-D Glossary of Filmm
Page 297 and 298: the color of the film to the direct
Page 299 and 300: Dailies - The first positive prints
Page 301 and 302: loaded with sprocketed magnetic fil
Page 303 and 304: close-up. Extreme Long Shot - Camer
Page 305 and 306: Gaffer - The chief lighting technic
Page 307 and 308: Jump-Cut - An editorial device wher
Page 309 and 310: Location Sound - Sound that is reco
Page 311 and 312: Moviola - A trade name for an uprig
Page 313 and 314: 13 is a sterner warning to parents
Page 315 and 316: Production Dupe - A duplicate negat
Page 317 and 318: Reversal film - A film that is manu
Page 319 and 320: Shiny Boards - A grip reflector use
Page 321 and 322: in which they occur. Step Printer -
Page 323 and 324: Travelling Matte Shot - Shot in whi
Page 325: Y M C Numbers - The 'timing lights'
Page 329 and 330: Aristotle's Poetics Section: 1. Int
Page 331 and 332: when tragedy and comedy came to lig
Page 333 and 334: time. Nor, again, can one of vast s
Page 335 and 336: families. A well-constructed plot s
Page 337 and 338: (v) Again, there is a composite kin
Page 339 and 340: number, whether one or many, as 'ma
Page 341 and 342: two; while the Cypria supplies mate
Page 343 and 344: (xii) Again, when a word seems to i
Page 345 and 346: Filmmaker's Links Film making resou
Page 347 and 348: Assistant Director Training - Assis
Page 349 and 350: Streaming Movies & Films - MovieFli
Page 351: Independent Film Award - IFP.org Go
show all

The Complete Online Filmmaking Reference - Film Distribution ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?