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Gazette Drouot - C apencheres

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Archive of Modern Conflict, London<br />

Archive of Modern Conflict (AMC) contains collections<br />

not only of photographs, but also of manuscripts,<br />

posters, police documents, scientific documents and<br />

cameras. AMC is financed by David Thomson, the<br />

richest man in Canada (no. 35 in the Forbes world<br />

ranking), owner of the Thomson Reuters empire<br />

(specialising in information about the media, financial<br />

services, health, law, sciences, research technology,<br />

taxes and accounting), and also a painting collector.<br />

The fund, which has three branches in Toronto,<br />

London and Beijing, and currently possesses over<br />

three million documents, recently spent $15M on the<br />

Matthew R. Isenburg collection, consisting of daguerreotypes<br />

and old cameras. While chiefly interested in<br />

vernacular photography, the AMC also possesses<br />

prints by photographers themselves, including<br />

Gustave Le Gray and Robert Frank. The AMC's singularity<br />

lies not only in its ability to bring together ideas,<br />

projects and approaches, but to do so with the critical<br />

and sometimes amused eye it casts on history through<br />

minor documents and the way it associates them.<br />

As witness the exhibition at Paris Photo.<br />

I<br />

Archive of Modern Conflict,<br />

www.amcbooks.com<br />

Fotomuseum, Winthertur<br />

Lying some twenty kilometres from Zürich, the Fotomuseum<br />

is set up in a residential quarter on an entirely<br />

rehabilitated former industrial site. This space is<br />

shared with another institution devoted to photography:<br />

the Fotostiftung Schweiz. This Swiss foundation<br />

owns around fifty thousand exhibition prints,<br />

two hundred and fifty thousand archive prints and<br />

over a million negatives, transparencies, reviews and<br />

documents of all kinds, together with works by great<br />

masters like Atget, Brandt, Brassaï, Burri, Capa,<br />

Kertész, Koudelka, Moholy-Nagy, Renger-Patzsch,<br />

Rodtschenko, Steinert and Stieglitz. Founded in<br />

1993, the Fotomuseum is devoted to international<br />

photography, particularly after 1960. Its collection, a<br />

large part of which is digitised and accessible on the<br />

EVENT THE MAGAZINE<br />

Arno Rafael Minkkinen, “Foster Pond”, 2000, b/w gelatine silver<br />

print, 50 x 60 cm.<br />

website, consists of four thousand works that have<br />

been purchased, donated or loaned. The Fotomuseum<br />

stages thematic exhibitions mainly based on<br />

its collection, and a number of exhibitions dedicated<br />

to specific photographers, such as Paul Graham,<br />

August Sander, Lisette Model, Gursky and Rineke<br />

Dijkstra. "Cut & Paste", the exhibition presented by<br />

the Fotomuseum at Paris Photo, explores the theme<br />

of photographic appropriation. Currently, the Centre<br />

Culturel Suisse de Paris is also presenting an exhibition<br />

called "Body Language", based on the museum's<br />

collection. Zaha Redman<br />

I<br />

Fotomuseum, Winthertur,<br />

www.fotomuseum.ch<br />

W<br />

N° 19 I GAZETTE DROUOT INTERNATIONAL<br />

101<br />

© Photo&ContemporaryImage 4 of 100

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