Gazette Drouot - C apencheres
Gazette Drouot - C apencheres
Gazette Drouot - C apencheres
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Archive of Modern Conflict, London<br />
Archive of Modern Conflict (AMC) contains collections<br />
not only of photographs, but also of manuscripts,<br />
posters, police documents, scientific documents and<br />
cameras. AMC is financed by David Thomson, the<br />
richest man in Canada (no. 35 in the Forbes world<br />
ranking), owner of the Thomson Reuters empire<br />
(specialising in information about the media, financial<br />
services, health, law, sciences, research technology,<br />
taxes and accounting), and also a painting collector.<br />
The fund, which has three branches in Toronto,<br />
London and Beijing, and currently possesses over<br />
three million documents, recently spent $15M on the<br />
Matthew R. Isenburg collection, consisting of daguerreotypes<br />
and old cameras. While chiefly interested in<br />
vernacular photography, the AMC also possesses<br />
prints by photographers themselves, including<br />
Gustave Le Gray and Robert Frank. The AMC's singularity<br />
lies not only in its ability to bring together ideas,<br />
projects and approaches, but to do so with the critical<br />
and sometimes amused eye it casts on history through<br />
minor documents and the way it associates them.<br />
As witness the exhibition at Paris Photo.<br />
I<br />
Archive of Modern Conflict,<br />
www.amcbooks.com<br />
Fotomuseum, Winthertur<br />
Lying some twenty kilometres from Zürich, the Fotomuseum<br />
is set up in a residential quarter on an entirely<br />
rehabilitated former industrial site. This space is<br />
shared with another institution devoted to photography:<br />
the Fotostiftung Schweiz. This Swiss foundation<br />
owns around fifty thousand exhibition prints,<br />
two hundred and fifty thousand archive prints and<br />
over a million negatives, transparencies, reviews and<br />
documents of all kinds, together with works by great<br />
masters like Atget, Brandt, Brassaï, Burri, Capa,<br />
Kertész, Koudelka, Moholy-Nagy, Renger-Patzsch,<br />
Rodtschenko, Steinert and Stieglitz. Founded in<br />
1993, the Fotomuseum is devoted to international<br />
photography, particularly after 1960. Its collection, a<br />
large part of which is digitised and accessible on the<br />
EVENT THE MAGAZINE<br />
Arno Rafael Minkkinen, “Foster Pond”, 2000, b/w gelatine silver<br />
print, 50 x 60 cm.<br />
website, consists of four thousand works that have<br />
been purchased, donated or loaned. The Fotomuseum<br />
stages thematic exhibitions mainly based on<br />
its collection, and a number of exhibitions dedicated<br />
to specific photographers, such as Paul Graham,<br />
August Sander, Lisette Model, Gursky and Rineke<br />
Dijkstra. "Cut & Paste", the exhibition presented by<br />
the Fotomuseum at Paris Photo, explores the theme<br />
of photographic appropriation. Currently, the Centre<br />
Culturel Suisse de Paris is also presenting an exhibition<br />
called "Body Language", based on the museum's<br />
collection. Zaha Redman<br />
I<br />
Fotomuseum, Winthertur,<br />
www.fotomuseum.ch<br />
W<br />
N° 19 I GAZETTE DROUOT INTERNATIONAL<br />
101<br />
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