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Gazette Drouot - C apencheres

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THE MAGAZINE AUCTION RESULTS<br />

Chinese paintings calligraphy and furniture<br />

It is a constant of history: the role each country plays<br />

in the art market is proportionate to its power.<br />

China is no exception. For years, Chinese collectors<br />

at home or abroad eagerly snatched up their heritage<br />

at auctions in Paris, London or New York. Less<br />

is known about China's home market, but one thing is<br />

certain: China Guardian Auctions has become the<br />

world's third-largest auctioneer since starting up in<br />

1993. The group, which until now only had a network<br />

of representation offices here, has just held its first<br />

HK$6.32 M A Huanghuali Kang Table<br />

with Everted Flanges and Foot-Stretcher<br />

Early Qing, 161 x 46 x 44 cm.<br />

94 GAZETTE DROUOT INTERNATIONAL I N° 19<br />

auction outside China – if you put Hong Kong in that<br />

category, at any rate. For a first try, China Guardian<br />

Auctions pulled off quite a masterstroke. The sale's 350<br />

lots totalled HK$455M(approximately US$58.6M),<br />

more than doubling initial estimates; the paintings<br />

and calligraphy tripled them. Over 20 collectors vied<br />

for Qi Baishi's Album of Mountains and Rivers, bidding<br />

the 1922 watercolour's price up to HK$46m. Next<br />

came Xu Beihong's 1936 masterpiece “L’Aigle et le Pin”<br />

(The Eagle and the Pine Tree) (HK$21.27m; another,<br />

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