Gazette Drouot - C apencheres
Gazette Drouot - C apencheres
Gazette Drouot - C apencheres
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DESIGN THE MAGAZINE<br />
Norma, Pascal Cuisiner provides a critical analysis of<br />
each of the models referenced. In his view, the socalled<br />
"kite" G25 wall light is probably one of the<br />
most interesting lighting appliances of the 20th<br />
century: "It is one of the world's very few lights with<br />
three modes of lighting – direct, indirect and<br />
reflected – using a single source, and it also has a<br />
very particular, filtered light, thanks to the microperforated<br />
metal sheeting." The luminous refinements<br />
of Pierre Guariche did not demand a wealth of<br />
means, but were obtained with elegant simplicity.<br />
The same economy is seen in the materials: when a<br />
tube has an important role, requiring a resistance, it<br />
is in steel, but is in brass if it only has to conceal a<br />
cable; lampshades are made of fabric when light<br />
needs to be diffused, and of metal sheeting when it<br />
needs to be more directional. Though widely illustrated<br />
in the press, Guariche's lights did not find a<br />
public: a situation shared by most French designers<br />
in the Fifties and Sixties. Disderot, who also produced<br />
works by Alain Richard, Joseph-André Motte and<br />
René-Jean Caillette, picked up 80% of his orders at<br />
the Ideal Home Exhibition, mainly from architects<br />
and interior designers. So Guariche's lamps were scarcely<br />
distributed, some never exceeding thirty or so<br />
copies, or even fewer. Likewise, special orders were<br />
extremely rare, and variations of the same model<br />
only involved finishes concerning the metal, the<br />
colours of lacquers and patinas. Guariche stopped<br />
working in 1959, not due to a lack of commercial<br />
success, but because he then turned to interior architecture,<br />
enjoying a very full career that included the<br />
Firminy community arts centre and the La Plagne ski<br />
resort. His last light, the G54 floor lamp, could be read<br />
as a manifesto: a simple Plexiglas tube maintained<br />
vertically by a minimalist metal structure. A low lamp,<br />
it diffuses its light at floor level, anticipating a lifestyle<br />
that was to flourish after the uproar of 1968.<br />
A genuine forerunner… Sylvain Alliod<br />
I<br />
To be published at the end of the year by the Editions Norma:<br />
a book on Pierre Guariche's lighting by Pascal Cuisinier,<br />
Delphine Jacob and Bernard Wauthier-Wermser.<br />
www.galeriepascalcuisinier.com<br />
W<br />
N° 19 I GAZETTE DROUOT INTERNATIONAL<br />
121