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from the Festival Director - Sidmouth Folk week

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Artists<br />

Donal Maguire is primarily associated<br />

with traditional unaccompanied singing,<br />

though also an interpreter of<br />

contemporary material, and can<br />

accompany himself on a range of<br />

stringed instruments. He is universally<br />

recognised as one of <strong>the</strong> finest players<br />

of Irish dance music on mandolin and<br />

tenor banjo. 369, 454, 491, 590, 648, 686,<br />

786, 843, 863<br />

The Drystones’ lively jigs and reels<br />

won <strong>the</strong>m <strong>the</strong> Somerset Battle Of <strong>the</strong><br />

Bands competition, featuring Ford Collier<br />

on guitar and whistle and Alex Garden<br />

on guitar and fiddle. 363<br />

Duck Soup are a trio of English<br />

eccentrics <strong>from</strong> Brighton area who play<br />

trad songs, country dance tunes and <strong>the</strong><br />

‘perilous waltzes’ of Alfred<br />

Montmarquette with a twist. Dan Quinn’s<br />

melodeon and vocals sit alongside Ian<br />

Kearey’s dobro, mandolin, acoustic bass<br />

guitar and piano and experimental<br />

musician Adam Bushell on African<br />

marimba, phonofiddle and musical saw.<br />

449, 490, 555, 588<br />

Dunlop and Ryan featuring singer Judy<br />

Dunlop joins with Mick Ryan, appear as<br />

a new duo as well as performing in<br />

Ryan’s folk musical The Pauper’s<br />

Path.449, 485<br />

Dyer:Cummings are a young and<br />

exciting Ceilidh Band <strong>from</strong> Somerset.<br />

They play traditional English music with<br />

a funky twist. Hannah Cumming (fiddle,<br />

vocals), Jon Dyer (bass, flute and<br />

vocals), Penny Dyer on (bassoon, vocals)<br />

and Alex Cumming (piano accordion,<br />

bouzouki and caller). C302, C402, C502,<br />

666, C602, C613, C702, C802, C820<br />

Earlsdon Morris Men perform<br />

traditional North West clog dances<br />

wearing <strong>the</strong> traditional costumes of knee<br />

britches, clogs, bright and bowler hats<br />

bedecked with flowers. 203, C217, 336,<br />

352, 359, 403, 448, 463, 527, 541, 570,<br />

677, 848<br />

Ed Rennie runs beginners and<br />

improvers melodeon workshops this<br />

<strong>week</strong>. The former Bismarcks member<br />

sings and plays guitar, melodeon and<br />

cittern on a range of old and new folk<br />

ballads. C301, 450, 462, 474, C401, 549,<br />

561, 574, C501, 649, 662, 674, C601, 749,<br />

761, 773, C701, C801<br />

page 68<br />

Eddie Upton is <strong>the</strong> <strong>Director</strong> of <strong>Folk</strong><br />

South West, is a former Artistic <strong>Director</strong><br />

of <strong>Sidmouth</strong> <strong>Folk</strong>Week. He is a<br />

respected singer of traditional songs and<br />

will be a singer, MC and workshop<br />

leader this year. 253, C319, 417, 485, 586,<br />

684, 738, 784, C817<br />

Edward II splice dance tunes of old<br />

England with <strong>the</strong> sunshine sexy grooves<br />

of reggae and lovers’ rock, forging a<br />

truly original syn<strong>the</strong>sis <strong>from</strong> <strong>the</strong>ir farflung<br />

musical roots. Renowned as one of<br />

<strong>the</strong> freshest, funkiest acts on <strong>the</strong> circuit,<br />

<strong>the</strong>y are <strong>the</strong> ultimate festival party band.<br />

478<br />

English String Band features a handpicked<br />

selection of pedigree traditional<br />

English String players for dancing or<br />

listening including members of such<br />

seminal dance bands as Old Swan<br />

Band, New Victory Band, Grand Union,<br />

Katie’s Quartet and Old Hat Band. 370,<br />

430, 538, 587, 639, 690, 768, 810, 823<br />

Ewan McLennan picked up last year’s<br />

BBC Radio 2 Horizon Award based on<br />

his skillful performances of traditional<br />

song and insightful self-penned songs. A<br />

consummate guitarist to boot, his latest<br />

CD The Last Bird To Sing has met with<br />

widespread critical acclaim. 455, 475<br />

Exmouth Shanty Men ‘The biggest<br />

buoy band in <strong>the</strong> West’. A more<br />

raggedy-arsed gaggle of rascals you are<br />

never likely to meet! They appear on<br />

stage looking as though <strong>the</strong>y have just<br />

stepped ashore after a 9 month voyage<br />

around Cape Horn, <strong>the</strong>ir garments<br />

threadbare and <strong>the</strong>ir hats battered, but<br />

this crew sings some of <strong>the</strong> finest sea<br />

songs with passion and gusto. 213, 250,<br />

C208<br />

The False Beards feature multiinstrumentalist<br />

Ben Mandelson and a<br />

guitar-toting fRoots editor Ian Anderson<br />

reworking early blues and country songs<br />

and a few traditional English songs with<br />

<strong>the</strong> odd foray into <strong>the</strong> realms of psychfolk.<br />

341, 368<br />

Fay Hield is a noted singer of traditional<br />

song who will deliver song talks this<br />

<strong>week</strong>, appear solo and with Jon Boden<br />

as well as being a guest of Martin<br />

Simpson. 410, 689<br />

Fay Hield & The Hurricane Party sees<br />

this unadorned traditional singer<br />

performing lesser known traditional<br />

songs with a stellar supporting<br />

cast: Andy Cutting (diatonic accordion,<br />

melodeon), Rob Harbron (English<br />

Concertina, fiddle, vocals), Sam<br />

Sweeney (fiddle, viola, cello, nyckel -<br />

harpa, vocals) and Jon Boden (fiddle,<br />

guitar). 557<br />

Fee Lock is a dance caller and MC who<br />

is also secretary of The Morris Federation.<br />

215, 315, 517, 567, 624, 650, 842<br />

Fiddler’s Elbow is a traditional dance<br />

band based in <strong>the</strong> North East of<br />

England. Based around <strong>the</strong> core of<br />

experienced caller/fiddler Robin Dunn<br />

and pianist Sue Morgan, with o<strong>the</strong>r<br />

musicians completing <strong>the</strong> line up, <strong>the</strong>ir<br />

music is generally a fiddle heavy mix of<br />

Northumbrian, Scottish and New<br />

England traditional styles. 447, 480, 532,<br />

580, 632, 682, 780, 801, 837, 855<br />

Finest Kind are Canada‘s foremost<br />

vocal harmony group, with an<br />

exhilarating mix of songs <strong>from</strong> <strong>the</strong><br />

English tradition, Country gems,<br />

Appalachian classics, and self-penned<br />

numbers in <strong>the</strong>ir set. 436, 489, 554, 584<br />

Frances Oates is a social dance caller<br />

who likes to dance and call a mixture of<br />

English, Playford and American dance<br />

styles. She calls regularly at clubs in<br />

Cornwall and Devon and is <strong>the</strong> resident<br />

caller for <strong>the</strong> Illogan <strong>Folk</strong> Dance Club.<br />

111, 201, 326, 347, 401, 502, 582, 714,<br />

813<br />

Frances Watt plays and sings and is a<br />

member of JigJaw. 102, 245, 437, 465,<br />

535, 564, 636, 664, 739, 765, 829, 849,<br />

858<br />

Frank Yamma is an indigenous singersongwriter<br />

<strong>from</strong> Central Australian<br />

desert .An exceptional guitarist with a<br />

rich, resonant voice who brings life to<br />

<strong>the</strong> stories and songs of <strong>the</strong> struggles of<br />

<strong>the</strong> aboriginal people of Australia. 232,<br />

257<br />

Gadarene blends obscure traditional<br />

English tunes, carefully researched <strong>from</strong><br />

Eighteenth and Nineteenth century<br />

manuscripts, with virtuosic acoustic

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