from the Festival Director - Sidmouth Folk week
from the Festival Director - Sidmouth Folk week
from the Festival Director - Sidmouth Folk week
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Artists<br />
Donal Maguire is primarily associated<br />
with traditional unaccompanied singing,<br />
though also an interpreter of<br />
contemporary material, and can<br />
accompany himself on a range of<br />
stringed instruments. He is universally<br />
recognised as one of <strong>the</strong> finest players<br />
of Irish dance music on mandolin and<br />
tenor banjo. 369, 454, 491, 590, 648, 686,<br />
786, 843, 863<br />
The Drystones’ lively jigs and reels<br />
won <strong>the</strong>m <strong>the</strong> Somerset Battle Of <strong>the</strong><br />
Bands competition, featuring Ford Collier<br />
on guitar and whistle and Alex Garden<br />
on guitar and fiddle. 363<br />
Duck Soup are a trio of English<br />
eccentrics <strong>from</strong> Brighton area who play<br />
trad songs, country dance tunes and <strong>the</strong><br />
‘perilous waltzes’ of Alfred<br />
Montmarquette with a twist. Dan Quinn’s<br />
melodeon and vocals sit alongside Ian<br />
Kearey’s dobro, mandolin, acoustic bass<br />
guitar and piano and experimental<br />
musician Adam Bushell on African<br />
marimba, phonofiddle and musical saw.<br />
449, 490, 555, 588<br />
Dunlop and Ryan featuring singer Judy<br />
Dunlop joins with Mick Ryan, appear as<br />
a new duo as well as performing in<br />
Ryan’s folk musical The Pauper’s<br />
Path.449, 485<br />
Dyer:Cummings are a young and<br />
exciting Ceilidh Band <strong>from</strong> Somerset.<br />
They play traditional English music with<br />
a funky twist. Hannah Cumming (fiddle,<br />
vocals), Jon Dyer (bass, flute and<br />
vocals), Penny Dyer on (bassoon, vocals)<br />
and Alex Cumming (piano accordion,<br />
bouzouki and caller). C302, C402, C502,<br />
666, C602, C613, C702, C802, C820<br />
Earlsdon Morris Men perform<br />
traditional North West clog dances<br />
wearing <strong>the</strong> traditional costumes of knee<br />
britches, clogs, bright and bowler hats<br />
bedecked with flowers. 203, C217, 336,<br />
352, 359, 403, 448, 463, 527, 541, 570,<br />
677, 848<br />
Ed Rennie runs beginners and<br />
improvers melodeon workshops this<br />
<strong>week</strong>. The former Bismarcks member<br />
sings and plays guitar, melodeon and<br />
cittern on a range of old and new folk<br />
ballads. C301, 450, 462, 474, C401, 549,<br />
561, 574, C501, 649, 662, 674, C601, 749,<br />
761, 773, C701, C801<br />
page 68<br />
Eddie Upton is <strong>the</strong> <strong>Director</strong> of <strong>Folk</strong><br />
South West, is a former Artistic <strong>Director</strong><br />
of <strong>Sidmouth</strong> <strong>Folk</strong>Week. He is a<br />
respected singer of traditional songs and<br />
will be a singer, MC and workshop<br />
leader this year. 253, C319, 417, 485, 586,<br />
684, 738, 784, C817<br />
Edward II splice dance tunes of old<br />
England with <strong>the</strong> sunshine sexy grooves<br />
of reggae and lovers’ rock, forging a<br />
truly original syn<strong>the</strong>sis <strong>from</strong> <strong>the</strong>ir farflung<br />
musical roots. Renowned as one of<br />
<strong>the</strong> freshest, funkiest acts on <strong>the</strong> circuit,<br />
<strong>the</strong>y are <strong>the</strong> ultimate festival party band.<br />
478<br />
English String Band features a handpicked<br />
selection of pedigree traditional<br />
English String players for dancing or<br />
listening including members of such<br />
seminal dance bands as Old Swan<br />
Band, New Victory Band, Grand Union,<br />
Katie’s Quartet and Old Hat Band. 370,<br />
430, 538, 587, 639, 690, 768, 810, 823<br />
Ewan McLennan picked up last year’s<br />
BBC Radio 2 Horizon Award based on<br />
his skillful performances of traditional<br />
song and insightful self-penned songs. A<br />
consummate guitarist to boot, his latest<br />
CD The Last Bird To Sing has met with<br />
widespread critical acclaim. 455, 475<br />
Exmouth Shanty Men ‘The biggest<br />
buoy band in <strong>the</strong> West’. A more<br />
raggedy-arsed gaggle of rascals you are<br />
never likely to meet! They appear on<br />
stage looking as though <strong>the</strong>y have just<br />
stepped ashore after a 9 month voyage<br />
around Cape Horn, <strong>the</strong>ir garments<br />
threadbare and <strong>the</strong>ir hats battered, but<br />
this crew sings some of <strong>the</strong> finest sea<br />
songs with passion and gusto. 213, 250,<br />
C208<br />
The False Beards feature multiinstrumentalist<br />
Ben Mandelson and a<br />
guitar-toting fRoots editor Ian Anderson<br />
reworking early blues and country songs<br />
and a few traditional English songs with<br />
<strong>the</strong> odd foray into <strong>the</strong> realms of psychfolk.<br />
341, 368<br />
Fay Hield is a noted singer of traditional<br />
song who will deliver song talks this<br />
<strong>week</strong>, appear solo and with Jon Boden<br />
as well as being a guest of Martin<br />
Simpson. 410, 689<br />
Fay Hield & The Hurricane Party sees<br />
this unadorned traditional singer<br />
performing lesser known traditional<br />
songs with a stellar supporting<br />
cast: Andy Cutting (diatonic accordion,<br />
melodeon), Rob Harbron (English<br />
Concertina, fiddle, vocals), Sam<br />
Sweeney (fiddle, viola, cello, nyckel -<br />
harpa, vocals) and Jon Boden (fiddle,<br />
guitar). 557<br />
Fee Lock is a dance caller and MC who<br />
is also secretary of The Morris Federation.<br />
215, 315, 517, 567, 624, 650, 842<br />
Fiddler’s Elbow is a traditional dance<br />
band based in <strong>the</strong> North East of<br />
England. Based around <strong>the</strong> core of<br />
experienced caller/fiddler Robin Dunn<br />
and pianist Sue Morgan, with o<strong>the</strong>r<br />
musicians completing <strong>the</strong> line up, <strong>the</strong>ir<br />
music is generally a fiddle heavy mix of<br />
Northumbrian, Scottish and New<br />
England traditional styles. 447, 480, 532,<br />
580, 632, 682, 780, 801, 837, 855<br />
Finest Kind are Canada‘s foremost<br />
vocal harmony group, with an<br />
exhilarating mix of songs <strong>from</strong> <strong>the</strong><br />
English tradition, Country gems,<br />
Appalachian classics, and self-penned<br />
numbers in <strong>the</strong>ir set. 436, 489, 554, 584<br />
Frances Oates is a social dance caller<br />
who likes to dance and call a mixture of<br />
English, Playford and American dance<br />
styles. She calls regularly at clubs in<br />
Cornwall and Devon and is <strong>the</strong> resident<br />
caller for <strong>the</strong> Illogan <strong>Folk</strong> Dance Club.<br />
111, 201, 326, 347, 401, 502, 582, 714,<br />
813<br />
Frances Watt plays and sings and is a<br />
member of JigJaw. 102, 245, 437, 465,<br />
535, 564, 636, 664, 739, 765, 829, 849,<br />
858<br />
Frank Yamma is an indigenous singersongwriter<br />
<strong>from</strong> Central Australian<br />
desert .An exceptional guitarist with a<br />
rich, resonant voice who brings life to<br />
<strong>the</strong> stories and songs of <strong>the</strong> struggles of<br />
<strong>the</strong> aboriginal people of Australia. 232,<br />
257<br />
Gadarene blends obscure traditional<br />
English tunes, carefully researched <strong>from</strong><br />
Eighteenth and Nineteenth century<br />
manuscripts, with virtuosic acoustic