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from the Festival Director - Sidmouth Folk week

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Artists<br />

Naomi Bedford has been dubbed as<br />

‘An English Emmylou...’ by Del Amitri’s<br />

Justin Currie and is championed by <strong>the</strong><br />

likes of Shirley Collins. Hers is a unique<br />

voice, reflecting her eclectic musical life,<br />

including a chart-topping hit with Orbital.<br />

She sings <strong>from</strong> a repertoire of dark<br />

songs, laments & murder. 756, 787<br />

Newcastle Kingsmen, <strong>the</strong> reigning<br />

DERT Rapperlympics champions, were<br />

founded in 1949 for <strong>the</strong> King’s College<br />

rag <strong>week</strong> in Newcastle upon Tyne.<br />

Widely acclaimed masters of <strong>the</strong><br />

traditional Northumbrian Rapper sword<br />

dance, <strong>the</strong>y are also expert practitioners<br />

of <strong>the</strong> Grenoside longsword dance and<br />

Royton northwest dance. 340, 406, 446,<br />

493, 754, 822, 851<br />

Nick and Mary Barber have been<br />

running workshops and music sessions<br />

for many years and <strong>the</strong> Big Band is once<br />

again in <strong>the</strong>ir capable hands this <strong>week</strong>.<br />

320, 426, 526, 626, 726, 777, 821<br />

Nick Walden is one of <strong>the</strong> country’s<br />

most popular ceilidh callers with a long<br />

history of involvement at <strong>Sidmouth</strong><br />

<strong>Folk</strong>Week. 109, 430, 679, 868<br />

Nigel Close calls for Playford balls, club<br />

nights and ceilidhs and has taught a<br />

range of workshops including Welsh,<br />

Manx and dance technique. He has<br />

danced for most of his adult life and was<br />

dance director of <strong>the</strong> display team<br />

Woodfidley for many years. 414, 447,<br />

482, 515, 581, 601, 661, 733, 782, 802<br />

Norma Waterson & Eliza Carthy<br />

with The Gift Band Norma makes a<br />

welcome return to form after her recent<br />

illness. Simply two of <strong>the</strong> country’s best<br />

exponents of traditional song with warm,<br />

distinctive and au<strong>the</strong>ntic voices. 489<br />

Ochre Lane are a South-west based<br />

four-piece acoustic folk-rock band. 792<br />

Old Man Luedecke is one of Canada’s<br />

best-loved and most intriguing roots<br />

singer-songwriters. His contemporary<br />

lyrics coupled with <strong>the</strong> irresistible rhythm<br />

of <strong>the</strong> old time banjo plus his easy<br />

charisma appeal to anyone searching for<br />

new growth <strong>from</strong> old roots. 458, 478,<br />

525, 591, 655, 688<br />

Otis Gibbs is a grass roots American<br />

singer-songwriter whose raw strippeddown<br />

songs speak of real life and<br />

honest experience. A modern day<br />

troubadour. 228, 257<br />

Pat Ryan, long-time festival favourite, is<br />

an internationally-renowned storyteller,<br />

writer and teacher and published author.<br />

251, 319, C320, 417, 471, 590, C522, 621,<br />

676, 690, C624, 722, 770, C812<br />

Paul Hutchinson, accordion player with<br />

Belshazzar’s Feast, will be playing for<br />

social dance workshops and leading <strong>the</strong><br />

Playford Liberation Front ceilidh on<br />

Tuesday. 247, 302, 312, 362, 402, 481,<br />

501, 514, 560<br />

Paul Midgley Paul, of Hampshire based<br />

Drum Runners is an experienced<br />

percussionist and project leader. He<br />

leads <strong>the</strong> Street Band workshops<br />

working towards participation in <strong>the</strong><br />

Torchlight Procession.443, 542, 641, 744,<br />

834<br />

Paul Saunders will be hosting <strong>the</strong><br />

<strong>Sidmouth</strong> Song Slam, fronting Revellion<br />

and playing for <strong>the</strong> torchlight procession<br />

(see Wynndebagge). 671, 819<br />

Peeping Tom are a popular and<br />

powerful folk-rock ceilidh band<br />

celebrating <strong>the</strong>ir 40th anniversary this<br />

year. 479, 593<br />

Peta Webb and Ken Hall’s singing is<br />

rooted in oral tradition, based on Irish<br />

and Brit traditions of unison singing and<br />

harmonising of American bro<strong>the</strong>r duets<br />

and exploring <strong>the</strong> transatlantic musical<br />

links between England, Ireland and<br />

America. 243, 256, 305, 370, 490, 571,<br />

653, 775, 854, 863<br />

Pete Coe has been described as a ‘one<br />

man folk industry’, combining as he<br />

does <strong>the</strong> roles of singer, songwriter,<br />

melodeon, banjo, dulcimer and bouzouki<br />

player, bandleader, arranger, broadcaster,<br />

dance caller, teacher, step dancer,<br />

entrepreneur, folk club organiser, record<br />

label boss and undoubtedly more. 254,<br />

C211, 366, C313, C318, 471, 510, 589, 611,<br />

646, 691, 711, 748, 774<br />

Pete Rees is a caller and experimental<br />

ceilidh DJ with a love of high-energy<br />

ceilidhs. 117, 325, 479<br />

Peter & Barbara Snape are a<br />

vocal/melodeon duo, performing a wide<br />

spectrum of traditional songs <strong>from</strong><br />

around <strong>the</strong> British Isles, Expect wellcrafted<br />

arrangements of traditional<br />

songs, including songs that recapture<br />

<strong>the</strong> atmosphere of <strong>the</strong> Lancashire music<br />

hall. 114, 251, 370, 417, 486, 684, 738,<br />

863<br />

Peter Wilton is a <strong>Sidmouth</strong> resident<br />

and director of music of <strong>the</strong> Gregorian<br />

Association, Peter will be leading<br />

workshops on British Community songs.<br />

223, 466, 565, 665, 766<br />

Phil Callery is an Irish singer who will<br />

be singing at traditional events for most<br />

of <strong>the</strong> <strong>week</strong> and launching his<br />

Landscape Of The Past CD with us this<br />

<strong>week</strong> (see The Voice Squad). 473, 490,<br />

590, 775<br />

Phillip Henry and Hannah Martin<br />

combine influences as diverse as<br />

English folk music, Indian classical and<br />

American blues to create a sound that is<br />

unique and captivating. Using slide<br />

guitars, fiddle, banjo, vocals, and<br />

beatbox harmonica, <strong>the</strong>ir debut album,<br />

Singing The Bones, has garnered warm<br />

praise across <strong>the</strong> music press. 115, 680<br />

Pig Dyke Molly, in <strong>the</strong>ir distinctive<br />

black and white garb, perform dances<br />

loosely based on <strong>the</strong> collected molly<br />

dances <strong>from</strong> <strong>the</strong> Fens – simple,<br />

repetitive and with a wayward ‘make it<br />

up yourself’ approach to tradition. 627,<br />

669, 679, 703, 746, 747, 762, 806, 822,<br />

848, 851<br />

The Playford Liberation Front inject<br />

new life & energy into Playford-style<br />

dancing, proving that Playford can be<br />

just as energetic and fun to dance as<br />

Contra. 579<br />

Polkaworks<br />

brings toge<strong>the</strong>r <strong>the</strong> finest talents <strong>from</strong><br />

<strong>the</strong> world of ceilidh including Gareth<br />

Kiddier (keyboards), Nina Hansell (fiddle),<br />

Fi Fraser (fiddle), Jeannie Harris<br />

(melodeon and shakey egg), Sue Harris<br />

(hammered dulcimer) and Katie Howson<br />

(melodeon and harmonica). 117, C217<br />

page 73

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