from the Festival Director - Sidmouth Folk week
from the Festival Director - Sidmouth Folk week
from the Festival Director - Sidmouth Folk week
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Artists<br />
Naomi Bedford has been dubbed as<br />
‘An English Emmylou...’ by Del Amitri’s<br />
Justin Currie and is championed by <strong>the</strong><br />
likes of Shirley Collins. Hers is a unique<br />
voice, reflecting her eclectic musical life,<br />
including a chart-topping hit with Orbital.<br />
She sings <strong>from</strong> a repertoire of dark<br />
songs, laments & murder. 756, 787<br />
Newcastle Kingsmen, <strong>the</strong> reigning<br />
DERT Rapperlympics champions, were<br />
founded in 1949 for <strong>the</strong> King’s College<br />
rag <strong>week</strong> in Newcastle upon Tyne.<br />
Widely acclaimed masters of <strong>the</strong><br />
traditional Northumbrian Rapper sword<br />
dance, <strong>the</strong>y are also expert practitioners<br />
of <strong>the</strong> Grenoside longsword dance and<br />
Royton northwest dance. 340, 406, 446,<br />
493, 754, 822, 851<br />
Nick and Mary Barber have been<br />
running workshops and music sessions<br />
for many years and <strong>the</strong> Big Band is once<br />
again in <strong>the</strong>ir capable hands this <strong>week</strong>.<br />
320, 426, 526, 626, 726, 777, 821<br />
Nick Walden is one of <strong>the</strong> country’s<br />
most popular ceilidh callers with a long<br />
history of involvement at <strong>Sidmouth</strong><br />
<strong>Folk</strong>Week. 109, 430, 679, 868<br />
Nigel Close calls for Playford balls, club<br />
nights and ceilidhs and has taught a<br />
range of workshops including Welsh,<br />
Manx and dance technique. He has<br />
danced for most of his adult life and was<br />
dance director of <strong>the</strong> display team<br />
Woodfidley for many years. 414, 447,<br />
482, 515, 581, 601, 661, 733, 782, 802<br />
Norma Waterson & Eliza Carthy<br />
with The Gift Band Norma makes a<br />
welcome return to form after her recent<br />
illness. Simply two of <strong>the</strong> country’s best<br />
exponents of traditional song with warm,<br />
distinctive and au<strong>the</strong>ntic voices. 489<br />
Ochre Lane are a South-west based<br />
four-piece acoustic folk-rock band. 792<br />
Old Man Luedecke is one of Canada’s<br />
best-loved and most intriguing roots<br />
singer-songwriters. His contemporary<br />
lyrics coupled with <strong>the</strong> irresistible rhythm<br />
of <strong>the</strong> old time banjo plus his easy<br />
charisma appeal to anyone searching for<br />
new growth <strong>from</strong> old roots. 458, 478,<br />
525, 591, 655, 688<br />
Otis Gibbs is a grass roots American<br />
singer-songwriter whose raw strippeddown<br />
songs speak of real life and<br />
honest experience. A modern day<br />
troubadour. 228, 257<br />
Pat Ryan, long-time festival favourite, is<br />
an internationally-renowned storyteller,<br />
writer and teacher and published author.<br />
251, 319, C320, 417, 471, 590, C522, 621,<br />
676, 690, C624, 722, 770, C812<br />
Paul Hutchinson, accordion player with<br />
Belshazzar’s Feast, will be playing for<br />
social dance workshops and leading <strong>the</strong><br />
Playford Liberation Front ceilidh on<br />
Tuesday. 247, 302, 312, 362, 402, 481,<br />
501, 514, 560<br />
Paul Midgley Paul, of Hampshire based<br />
Drum Runners is an experienced<br />
percussionist and project leader. He<br />
leads <strong>the</strong> Street Band workshops<br />
working towards participation in <strong>the</strong><br />
Torchlight Procession.443, 542, 641, 744,<br />
834<br />
Paul Saunders will be hosting <strong>the</strong><br />
<strong>Sidmouth</strong> Song Slam, fronting Revellion<br />
and playing for <strong>the</strong> torchlight procession<br />
(see Wynndebagge). 671, 819<br />
Peeping Tom are a popular and<br />
powerful folk-rock ceilidh band<br />
celebrating <strong>the</strong>ir 40th anniversary this<br />
year. 479, 593<br />
Peta Webb and Ken Hall’s singing is<br />
rooted in oral tradition, based on Irish<br />
and Brit traditions of unison singing and<br />
harmonising of American bro<strong>the</strong>r duets<br />
and exploring <strong>the</strong> transatlantic musical<br />
links between England, Ireland and<br />
America. 243, 256, 305, 370, 490, 571,<br />
653, 775, 854, 863<br />
Pete Coe has been described as a ‘one<br />
man folk industry’, combining as he<br />
does <strong>the</strong> roles of singer, songwriter,<br />
melodeon, banjo, dulcimer and bouzouki<br />
player, bandleader, arranger, broadcaster,<br />
dance caller, teacher, step dancer,<br />
entrepreneur, folk club organiser, record<br />
label boss and undoubtedly more. 254,<br />
C211, 366, C313, C318, 471, 510, 589, 611,<br />
646, 691, 711, 748, 774<br />
Pete Rees is a caller and experimental<br />
ceilidh DJ with a love of high-energy<br />
ceilidhs. 117, 325, 479<br />
Peter & Barbara Snape are a<br />
vocal/melodeon duo, performing a wide<br />
spectrum of traditional songs <strong>from</strong><br />
around <strong>the</strong> British Isles, Expect wellcrafted<br />
arrangements of traditional<br />
songs, including songs that recapture<br />
<strong>the</strong> atmosphere of <strong>the</strong> Lancashire music<br />
hall. 114, 251, 370, 417, 486, 684, 738,<br />
863<br />
Peter Wilton is a <strong>Sidmouth</strong> resident<br />
and director of music of <strong>the</strong> Gregorian<br />
Association, Peter will be leading<br />
workshops on British Community songs.<br />
223, 466, 565, 665, 766<br />
Phil Callery is an Irish singer who will<br />
be singing at traditional events for most<br />
of <strong>the</strong> <strong>week</strong> and launching his<br />
Landscape Of The Past CD with us this<br />
<strong>week</strong> (see The Voice Squad). 473, 490,<br />
590, 775<br />
Phillip Henry and Hannah Martin<br />
combine influences as diverse as<br />
English folk music, Indian classical and<br />
American blues to create a sound that is<br />
unique and captivating. Using slide<br />
guitars, fiddle, banjo, vocals, and<br />
beatbox harmonica, <strong>the</strong>ir debut album,<br />
Singing The Bones, has garnered warm<br />
praise across <strong>the</strong> music press. 115, 680<br />
Pig Dyke Molly, in <strong>the</strong>ir distinctive<br />
black and white garb, perform dances<br />
loosely based on <strong>the</strong> collected molly<br />
dances <strong>from</strong> <strong>the</strong> Fens – simple,<br />
repetitive and with a wayward ‘make it<br />
up yourself’ approach to tradition. 627,<br />
669, 679, 703, 746, 747, 762, 806, 822,<br />
848, 851<br />
The Playford Liberation Front inject<br />
new life & energy into Playford-style<br />
dancing, proving that Playford can be<br />
just as energetic and fun to dance as<br />
Contra. 579<br />
Polkaworks<br />
brings toge<strong>the</strong>r <strong>the</strong> finest talents <strong>from</strong><br />
<strong>the</strong> world of ceilidh including Gareth<br />
Kiddier (keyboards), Nina Hansell (fiddle),<br />
Fi Fraser (fiddle), Jeannie Harris<br />
(melodeon and shakey egg), Sue Harris<br />
(hammered dulcimer) and Katie Howson<br />
(melodeon and harmonica). 117, C217<br />
page 73