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Chapter 4 Sexual Content in Soap Operas - Leicester Research ...

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Sex and <strong>Sexual</strong>ity: A <strong>Content</strong> Analysis of <strong>Soap</strong> <strong>Operas</strong><br />

were to ‗further their own careers‘, and 60% of those whose motives were ‗sexual<br />

assault‘ (see Appendix: Table 3.13).<br />

Additionally, the distribution of characters‘ motives <strong>in</strong> terms of gender yielded<br />

some <strong>in</strong>terest<strong>in</strong>g patterns. Of all characters whose motives were to ga<strong>in</strong> ‗personal<br />

satisfaction‘ and ‗establish or enhance relationship‘, males (75% and 54% for the<br />

two motives respectively) were more likely than females (25% and 46%) to engage<br />

<strong>in</strong> sexual behaviours hav<strong>in</strong>g such motives. Conversely, characters whose motives for<br />

engag<strong>in</strong>g <strong>in</strong> sexual behaviours were to ‗further own careers‘ and ‗achieve material<br />

ga<strong>in</strong>‘ were notably more likely to be females (56% and 68% respectively) than<br />

males (44% and 32%). On the other hand, female characters accounted for all<br />

(100%) of three motives, ‗ga<strong>in</strong> peer approval‘, ‗revenge‘ and ‗escape or forget<br />

problems‘, and male characters, similarly, accounted for (100%) of three more<br />

motives, ‗ga<strong>in</strong> prestige and popularity‘, ‗trap a partner‘ and ‗sexual assault‘. The<br />

gender differences across all identified motivations were statistically significant<br />

(X 2 =37.767, df=11, p

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