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Chapter 4 Sexual Content in Soap Operas - Leicester Research ...

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Sex and <strong>Sexual</strong>ity: A <strong>Content</strong> Analysis of <strong>Soap</strong> <strong>Operas</strong><br />

Actual changes <strong>in</strong> sexual behaviour. A woman, for example, might use<br />

techniques for lovemak<strong>in</strong>g described <strong>in</strong> a novel.‘(p.64).<br />

However, most content analysis studies that have relied on the social learn<strong>in</strong>g<br />

theory <strong>in</strong> expla<strong>in</strong><strong>in</strong>g ‗potential media effects‘ (eg. Greenberg, L<strong>in</strong>sangan, Soderman,<br />

Heeter, L<strong>in</strong>, Stanley, and Siemicki 1993; He<strong>in</strong>tz-Knowles, 1996) have been<br />

criticized for their overemphasis on the ‗negative effects‘ and feed<strong>in</strong>g <strong>in</strong>to the<br />

‗effects model‘, their <strong>in</strong>ability to expla<strong>in</strong> how mean<strong>in</strong>gs might arise and how texts<br />

are <strong>in</strong>terpreted by audiences, and their moral overtone and morally driven agenda <strong>in</strong><br />

the sense that much attention is drawn to the prevalence of socially unacceptable<br />

behaviours (e.g. unmarried sex or extramarital affairs) (Buck<strong>in</strong>gham and Bragg,<br />

2002).<br />

Gunter (2002) considered the concept of identification as one of the significant<br />

concepts social learn<strong>in</strong>g theory offers, as the greater the perceived similarity<br />

between the observer and the model character on screen, the greater the likelihood<br />

for the observer to imitate the behaviours and actions of the model character. Thus,<br />

if young people turn to the behaviours (sexual behaviours and portrayals) of their<br />

role-model characters <strong>in</strong> the media <strong>in</strong> general, and on television <strong>in</strong> particular, for<br />

<strong>in</strong>formation and cues for their own sexual development and learn<strong>in</strong>g—as many<br />

studies have suggested, young people are <strong>in</strong>creas<strong>in</strong>gly quot<strong>in</strong>g the media, and<br />

television <strong>in</strong> particular, as one of the ma<strong>in</strong> sources of sexual <strong>in</strong>formation available to<br />

them (Buck<strong>in</strong>gham and Brag, 2003; Kunkel et al., 1996 and 2005; Strasburger and<br />

Wilson, 2002)—then it is imperative, from a social policy perspective, that media<br />

sexual content and portrayals of sexual behaviours <strong>in</strong>corporate sexual messages that<br />

emphasise the need for and importance of safe-sex and responsible sexual<br />

behaviours. Gunter (2002) argues that ‗if teenagers turn to television or film for role<br />

models <strong>in</strong> the context of their sexual development, it is important that these models<br />

set responsible examples (p. 86). Thus, this study attempts to identify whether or not<br />

soap operas portray sexual behaviours <strong>in</strong> general and risks and responsibilities <strong>in</strong><br />

particular <strong>in</strong> ways that confer rewards/punishments.<br />

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