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Chapter 4 Sexual Content in Soap Operas - Leicester Research ...

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Sex and <strong>Sexual</strong>ity: A <strong>Content</strong> Analysis of <strong>Soap</strong> <strong>Operas</strong><br />

of literature, primarily experimental studies, has employed the arousal hypothesis <strong>in</strong><br />

order to expla<strong>in</strong> audience reactions, mostly among male viewers, to violent sexual<br />

content, eventually produc<strong>in</strong>g contrast<strong>in</strong>g and discrepant f<strong>in</strong>d<strong>in</strong>gs—those<br />

discrepancies, accord<strong>in</strong>g to Gunter (2002), can be attributed to the choice of stimuli<br />

used <strong>in</strong> the experiments.<br />

The ma<strong>in</strong> focus of such experimental research has not been merely on whether<br />

or not arousal is <strong>in</strong>duced among an audience as a response to sexual materials, but<br />

also on whether viewers become aggressively aroused (Malamuth and Check, 1983b<br />

and 1983a; Malamuth, Check and Briere, 1986; Ramirez, Bryant, and Zillmann,<br />

1982; Zillmann and Bryant,1984; Zillmann and Weaver, 1989). Accord<strong>in</strong>g to the<br />

arousal model, the aggression-<strong>in</strong>duced effect of a violent sexual scene helps further<br />

<strong>in</strong>duce sexual arousal <strong>in</strong> viewers; and once they are aroused <strong>in</strong> this way, the arousal<br />

becomes compounded with their anger to enhance it further. This reaction,<br />

consequently, <strong>in</strong>creases the possibility that a viewer will openly display anger <strong>in</strong> the<br />

form of aggression (Gunter, 2002: p. 215).<br />

Early studies exam<strong>in</strong><strong>in</strong>g the reactions of convicted rapists and normal men to<br />

both rape and consent<strong>in</strong>g sex found that convicted rapists were aroused by both rape<br />

and consent<strong>in</strong>g sex, whereas normal men were aroused only by consent<strong>in</strong>g sex<br />

(Abel, Barlow, Blanchard and Guild, 1977; Qu<strong>in</strong>cy, Chapl<strong>in</strong> and Upfold, 1984).<br />

Other studies showed that even college students, men rather than women, were<br />

aroused by scenes depict<strong>in</strong>g sexual violence and rape, however only when the<br />

victims were portrayed as enjoy<strong>in</strong>g the forced sexual <strong>in</strong>tercourse (Malamuth and<br />

Check, 1983a; Zillmann and Bryant, 1984).<br />

Similarly, Bushman et al. (2003) reported that men who scored high <strong>in</strong><br />

narcissism found film portrayals of rape that were preceded by consensual and<br />

affectionate activity as more enterta<strong>in</strong><strong>in</strong>g and enjoyable than men who scored low <strong>in</strong><br />

narcissism. Meanwhile, hav<strong>in</strong>g assessed a number of personal traits <strong>in</strong> 160<br />

undergraduate students, Bogaert (2001) reported that students with personality traits<br />

of a high self-reported degree of sexual arousal, dom<strong>in</strong>ance psychoticism, hyper-<br />

mascul<strong>in</strong>ity and Machiavellianism were correlated with the likelihood of select<strong>in</strong>g,<br />

30

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