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Chapter 4 Sexual Content in Soap Operas - Leicester Research ...

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Sex and <strong>Sexual</strong>ity: A <strong>Content</strong> Analysis of <strong>Soap</strong> <strong>Operas</strong><br />

non-erotic films. After the <strong>in</strong>itial exposure-treatment period, participants returned to<br />

the laboratory on three more occasions (at the end of each of the three consecutive<br />

weeks) and were exposed to a variety of pornographic materials assigned to each<br />

week.<br />

The study produced a large number of f<strong>in</strong>d<strong>in</strong>gs, some of which provided clear<br />

evidence correlat<strong>in</strong>g heavy exposure with habituation to sexual stimuli. The study<br />

revealed, among other f<strong>in</strong>d<strong>in</strong>gs, that: (1) massive <strong>in</strong>termediate exposure conditions<br />

resulted <strong>in</strong> <strong>in</strong>creased habituation to erotica over the n<strong>in</strong>e-week period and gender<br />

differences were not a factor, (2) massive exposure to erotica produced significantly<br />

dim<strong>in</strong>ished affective reactions to it over time, (3) participants <strong>in</strong> the massive and<br />

<strong>in</strong>termediate exposure conditions considered pornographic materials as be<strong>in</strong>g less<br />

pornographic, and reported be<strong>in</strong>g less offended by pornographic materials and<br />

portrayals of uncommon sexual behaviour practices, and (4) massive and<br />

<strong>in</strong>termediate exposure conditions produced a trend of reduced aggressiveness,<br />

decreased arousal and repulsion.<br />

Clearly, all those studies have presented an evidence-base to support their own<br />

hypothesis that repeated exposure to certa<strong>in</strong> types of sexual media results <strong>in</strong> the<br />

audience becom<strong>in</strong>g habituated to them and that any strong emotional and<br />

behavioural reactions that those types have caused <strong>in</strong>itially become gradually<br />

weakened by repeated exposure. But can those f<strong>in</strong>d<strong>in</strong>gs be accepted at face value?<br />

Once aga<strong>in</strong>, those f<strong>in</strong>d<strong>in</strong>gs were produced us<strong>in</strong>g experimental and controlled<br />

laboratory techniques, which <strong>in</strong>evitably br<strong>in</strong>gs <strong>in</strong>to question their external validity as<br />

experimental conditions do not produce real-world conditions but, rather, at times,<br />

they significantly distort the experience of media consumption—particularly with<br />

an area such as exposure to sexual media—and therefore make generalizations to the<br />

outside-laboratory sett<strong>in</strong>gs more difficult. As seen <strong>in</strong> the review of those studies<br />

above, the laboratory artificiality conditions which dealt with explicit sexual<br />

materials and the patterns of exposure to them, resulted <strong>in</strong> remov<strong>in</strong>g depictions of<br />

sex from their orig<strong>in</strong>al context, detach<strong>in</strong>g them from certa<strong>in</strong> functions and plac<strong>in</strong>g<br />

artificial constra<strong>in</strong>ts that clearly impacted upon the way human subjects behaved or<br />

responded. Perhaps those closely controlled research procedures provided a range—<br />

38

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