- Page 1:
CHRISTIE’S magazine COLLECTION Yv
- Page 4 and 5:
contents 4 a legendary collection F
- Page 7 and 8:
a legendary collection There is no
- Page 9 and 10:
In 1992, Pierre Bergé moved to his
- Page 12 and 13:
10 Edouard Manet The model in the p
- Page 14:
12 Edouard Vuillard A caricaturist
- Page 17 and 18:
Edvard Munch The landscape and shor
- Page 21 and 22:
In contrast to the paintings that s
- Page 23 and 24:
Juan Gris Manifest here are Gris’
- Page 25 and 26:
HENRI MATISSE (1869-1954) Les couco
- Page 28:
26 Fernand Léger La tasse de thé,
- Page 31 and 32:
FERNAND LÉGER (1881-1955) Composit
- Page 33:
32 Piet Mondrian Mondrian could not
- Page 36 and 37:
PIET MONDRIAN (1872-1944) Compositi
- Page 38 and 39:
SALE: LE GRAND PALAIS, PARIS, MONDA
- Page 40 and 41:
Yves Saint Laurent and Pierre Berg
- Page 42 and 43:
Photograph by Daniel Bernard There
- Page 45:
44 Jacques Doucet In the late 1920s
- Page 49:
cabinet, and his eventual instructi
- Page 54:
The name Eileen Gray has acquired a
- Page 57:
56 EILEEN GRAY (1878-1976) The Drag
- Page 61:
60 Armand-Albert Rateau A modern li
- Page 65:
A magnificent pair of vases have, s
- Page 69:
68 Jean-Michel Frank The luxury of
- Page 72 and 73:
JEAN-MICHEL FRANK (1895-1941) A tab
- Page 74 and 75:
73 © Pierre Vauthey/CORBIS SYGMA
- Page 77:
Maurice Marinot was an exceptional
- Page 81:
80 ALBERT CHEURET (1884-1966) Conso
- Page 85:
84 Claude and François-Xavier Lala
- Page 89 and 90:
88 CLAUDE LALANNE (B. 1924) The fif
- Page 91 and 92:
© The Estate of Jeanloup Sieff
- Page 93 and 94:
The strength of Yves Saint Laurent
- Page 95:
94 old master paintings & drawings
- Page 99:
98 Portrait of a man holding a book
- Page 102 and 103:
101
- Page 104 and 105:
107
- Page 106 and 107:
104 Thomas Gainsborough The Portrai
- Page 108 and 109:
106 Jacques-Louis David Portrait of
- Page 110 and 111: Although conventionally placed in p
- Page 112 and 113: 111
- Page 114 and 115: 113
- Page 116 and 117: 115
- Page 119 and 120: 118 Théodore Géricault Without me
- Page 121 and 122: 120 THÉODORE GÉRICAULT (1791-1824
- Page 123 and 124: 122 Pre-Raphaelite There seems, at
- Page 125 and 126: The Adoration of the Magi DESIGNED
- Page 127 and 128: 126 Edward Burne-Jones In the early
- Page 129: It might seem surprising that Pierr
- Page 132 and 133: for Bergé, it is also a question o
- Page 134 and 135: © The Estate of Jeanloup Sieff
- Page 137: 136 The Hanover Cups In one room, p
- Page 141: 140 Karl II, Margrave of Baden The
- Page 144 and 145: 143
- Page 148 and 149: A German silver-gilt cup formed as
- Page 150 and 151: A rare Silesian parcel-gilt model o
- Page 152 and 153: A German parcel-gilt Hanseatic tank
- Page 154 and 155: Detail of cover of silver-gilt cup
- Page 156 and 157: 155
- Page 158 and 159: SALE: LE GRAND PALAIS, PARIS, TUESD
- Page 162 and 163: 161
- Page 164 and 165: Weisweiler Table A Louis XVI ormolu
- Page 167 and 168: 166 Les Anciennes Indes Tapestry Th
- Page 169 and 170: Marie- Laure de Noailles, Associati
- Page 171 and 172: oom had been knowingly arranged as
- Page 173: 172 european sculptures and works o
- Page 177 and 178: 176 Venetian Enamels The group of V
- Page 179: 178 The Kunstkammer Princely Reputa
- Page 182 and 183: A parcel-gilt polychrome enamel ewe
- Page 184 and 185: clockwise from top left: A carved o
- Page 187 and 188: 186 Bronzes A bronze head of Janus,
- Page 189 and 190: 188
- Page 191 and 192: 190 Gilt-Bronze Figures Prized for
- Page 193 and 194: 192 A pair of gilt-bronze figures e
- Page 195: 194 asian art The collection of Yve
- Page 198 and 199: Very rare and important heads of Ra
- Page 200 and 201: a European style palace to provide
- Page 202 and 203: SALE: LE GRAND PALAIS, PARIS, WEDNE
- Page 205: 204 The Minotaur The focal point of
- Page 208 and 209: © Bruno Barbey/Magnum Photos
- Page 210:
NORWAY Oslo +47 22 06 56 96 Aase Ba