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Yves Saint Laurent Pierre Bergé - Christie's

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176<br />

Venetian Enamels<br />

The group of Venetian enamels in the <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong> and <strong>Pierre</strong> <strong>Bergé</strong><br />

collection is one of the most comprehensive in existence in private hands.<br />

While each piece is ultimately European in taste there is no question that they<br />

are heavily influenced by the cultural ties existing between Venice and the East.<br />

As a result of these ties, Islamic decorative motifs became prevalent in every<br />

aspect of Venetian art during the Renaissance as can be clearly seen in the<br />

group offered here. Eastern motifs such as the elaborate gilded foliate-scrolls<br />

were not only inherently beautiful but also more exotic and fantastical than<br />

the standard forms in Venetian art. It has been suggested that the crossfertilisation<br />

of these cultural forms was due to the fact that the Venetians did<br />

not have a significant ‘antique’ heritage. They therefore sought inspiration from<br />

the cultural legacy of the Muslim world to which they were so widely exposed.<br />

A parcel-gilt polychrome circular enamel ewer basin, Venetian, circa 1500,19 1 ⁄2 in. (49 cm.) diam.<br />

Estimate: 3180,000–220,000

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