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Yves Saint Laurent Pierre Bergé - Christie's

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178<br />

The Kunstkammer<br />

Princely Reputation<br />

and Decoration<br />

Before the idea of displaying objects in a museumlike<br />

context, the only way to view treasures in<br />

courtly society north of the Alps was in the context<br />

of a Kunstkammer, literally translated as an ‘art<br />

cabinet’. In the 16th and 17th centuries wealthy<br />

members of the royal houses of modern day<br />

Austria and Germany feverishly collected, and<br />

commissioned artists to produce virtuoso works of<br />

art in exotic materials for their Kunstkammer. The<br />

purpose of these collections was for the fürstliche<br />

Reputation und Zier (princely reputation and<br />

decoration) as well as the intellectual understanding<br />

of the natural world. Through the carving and<br />

subsequent observation of wondrous natural<br />

elements such as cameos, hardstones, ivories,<br />

corals and minerals, examples of which can be<br />

seen throughout the <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong> and <strong>Pierre</strong><br />

<strong>Bergé</strong> collection, these collectors felt as if nature,<br />

and indeed the universe itself, could be categorised,<br />

shaped and indeed contained by mankind.<br />

Display of cameos, rue de Babylone<br />

At the time, the art of creating and displaying these<br />

items represented the pinnacle of mankind’s<br />

handling of nature, since the physical properties of<br />

many of these highly prized materials often meant<br />

that only the greatest craftsmen could work on them.<br />

This naturally resulted in the fact that only the<br />

greatest patrons could afford to acquire such works<br />

of art and thus used them as symbols of their great<br />

power, wealth and intellect. While many significant<br />

collections of Kunst- and Wunderkammern were<br />

formed from the late 16th century onwards, perhaps<br />

the most important were those of Louis XIV in<br />

Versailles, Augustus the Strong in Dresden and<br />

Rudolph II in Prague. Today, there are very few<br />

historic Kunstkammern still in existence. The diverse<br />

group of mounted cameos, rock crystal cups and<br />

carved ivory vessels in the <strong>Saint</strong> <strong>Laurent</strong> and <strong>Bergé</strong><br />

collection therefore offers not only a rare glimpse<br />

into a modern day Kunstkammer but an even rarer<br />

opportunity to possess one.

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