Yves Saint Laurent Pierre Bergé - Christie's

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JEAN-MICHEL FRANK (1895–1941) A table lamp, circa 1926, block of rock crystal on a bronze base, 10 7 ⁄8 in. (27.5 cm.) high. Estimate: 380,000–120,000 71
In 1929, Alberto Giacometti exhibited works in plaster, including his Tête qui regarde and Figure, at the prestigious gallery of Jeanne Bucher. This exhibition was to prove pivotal in his career as it introduced the artist to the Surrealist movement and to Jean-Michel Frank who had become an early follower through his two childhood friends, the writer René Crevel and leading Surrealist editor Jean-Pierre Quint. Frank is credited with drawing Giacometti’s work to the attention of the celebrated art patrons Charles and Marie-Laure de Noailles who were always eager to discover new talents and eventually bought the panel Tête qui regarde. In 1930, Giacometti’s brother Diego joined him and settled in Paris, becoming his close collaborator. They started to create decorative objects in plaster 72 Alberto Giacometti and in bronze, mainly for Jean-Michel Frank, assuming a leading and prestigious position among the creators showcased in the boutique that Frank opened in 1935 on the rue du Faubourg Saint-Honoré. Alberto Giacometti was surely the artist who best understood Jean-Michel Frank’s particular sensibility and needs, his creations becoming integral to the decorator’s interiors, contributing to his concept of ‘modest luxury’. His plaster objects and lights show his interest in ancient civilisations and his pursuit of their original forms and designs creates timeless, silent and mysterious objects with a strong archeological feeling; the willful irregularity in their making reveals deliberate traces of the human hand. Giacometti generally used white plaster, respecting the Frank dictum of ‘understatement’, and works in tinted plaster, such as the pure and delicate blue tinted coupé of around 1935 presented here are exceedingly rare. Alberto Giacometti also created a number of models in bronze for Jean-Michel Frank, among them the classic floor lamp, Tête de femme, of around 1933–35, in the collection of Yves Saint Laurent and Pierre Bergé. While this iconic light design serves a practical function, it shares with Giacometti’s sculpture his core preoccupation, the challenge as an artist to achieve the expressive representation of the human figure. ALBERTO GIACOMETTI (1901–1966) For Jean-Michel Frank (1895–1941). Coupé Ovale, designed circa 1935, blue patinated plaster, 8 1 ⁄2 in. (21.5 cm.) high, 14 in. (35.5 cm.) long, 11 5 ⁄8 in. (29.5 cm.) wide. Estimate: 340,000–60,000 opposite page: ALBERTO GIACOMETTI (1901–1966) For Jean-Michel Frank (1895–1941). Figure, floor lamp, designed circa 1933–34, dark green patinated bronze, 60 1 ⁄2 in. (153.5 cm.) high. Estimate: 380,000–120,000 S.G.
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CHRISTIE’S magazine COLLECTION Yv
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contents 4 a legendary collection F
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a legendary collection There is no
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In 1992, Pierre Bergé moved to his
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10 Edouard Manet The model in the p
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12 Edouard Vuillard A caricaturist
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Edvard Munch The landscape and shor
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Page 23 and 24: Juan Gris Manifest here are Gris’
Page 25 and 26: HENRI MATISSE (1869-1954) Les couco
Page 28: 26 Fernand Léger La tasse de thé,
Page 31 and 32: FERNAND LÉGER (1881-1955) Composit
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Page 40 and 41: Yves Saint Laurent and Pierre Berg
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Page 45: 44 Jacques Doucet In the late 1920s
Page 49: cabinet, and his eventual instructi
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Page 61: 60 Armand-Albert Rateau A modern li
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Page 69: 68 Jean-Michel Frank The luxury of
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Page 77: Maurice Marinot was an exceptional
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Page 89 and 90: 88 CLAUDE LALANNE (B. 1924) The fif
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Page 99: 98 Portrait of a man holding a book
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Page 106 and 107: 104 Thomas Gainsborough The Portrai
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122 Pre-Raphaelite There seems, at
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The Adoration of the Magi DESIGNED
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126 Edward Burne-Jones In the early
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It might seem surprising that Pierr
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for Bergé, it is also a question o
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© The Estate of Jeanloup Sieff
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136 The Hanover Cups In one room, p
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140 Karl II, Margrave of Baden The
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A German silver-gilt cup formed as
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A rare Silesian parcel-gilt model o
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A German parcel-gilt Hanseatic tank
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Detail of cover of silver-gilt cup
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SALE: LE GRAND PALAIS, PARIS, TUESD
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160 Louis XV Mirror A Louis XV parc
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162 Rococo Chairs This set of eight
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164 A Sèvres Tea Set This 19th-cen
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SALE: LE GRAND PALAIS, PARIS, WEDNE
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Marie-Laure de Noailles Inspiration
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© Man Ray Trust/ADAGP, Paris and D
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It is, however, the collective sump
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A parcel-gilt polychrome circular e
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180 Limoges Enamels The French town
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182 Cameos Among the extensive coll
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184 A Rock Crystal Vase Found almos
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A pair of bronze groups of Hercules
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SALE: LE GRAND PALAIS, PARIS, WEDNE
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Private Collection / The Bridgeman
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202 antiquities The collection of Y
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IMPRESSIONIST AND MODERN PAINTINGS,
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SALEROOMS AND OFFICES WORLDWIDE ARG
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Yves Saint Laurent Pierre Bergé - Christie's

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