Yves Saint Laurent Pierre Bergé - Christie's
Yves Saint Laurent Pierre Bergé - Christie's
Yves Saint Laurent Pierre Bergé - Christie's
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a legendary<br />
collection<br />
There is no doubt that Christie’s sale of the <strong>Yves</strong><br />
<strong>Saint</strong> <strong>Laurent</strong> and <strong>Pierre</strong> <strong>Bergé</strong> collection will be a<br />
milestone in the history of great auctions. It is also<br />
the reflection of a whole era and its lifestyle. A<br />
lifestyle shaped by the creative intuition and talent<br />
of a few personalities such as <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong><br />
and <strong>Pierre</strong> <strong>Bergé</strong>.<br />
When Christian Dior died in 1957, one could read<br />
in the newspapers the name of the great<br />
couturier’s successor: ‘<strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong>, 21’.<br />
From that day, and for almost half a century,<br />
encouraged and faithfully supported by <strong>Pierre</strong><br />
<strong>Bergé</strong>, the brilliant designer’s three initials, YSL,<br />
became the symbol of French elegance throughout<br />
the world. Supremely chic, sober and<br />
revolutionary, giving women a new freedom, his<br />
style has not yet been surpassed. In 1983, at the<br />
height of his career, the designer became part of<br />
the art world when Diana Vreeland, the queen of<br />
fashion, organised a retrospective of his work at<br />
the Metropolitan Museum of Art in New York.<br />
<strong>Pierre</strong> <strong>Bergé</strong>, who created the fashion house with<br />
<strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong> and accompanied him<br />
throughout all his life, is much more than just the<br />
well known tycoon. A refined literary figure (he<br />
was a friend of Jean Giono and Jean Cocteau), a<br />
renowned expert in music, he also discovered the<br />
talent of Bernard Buffet at the very start of his<br />
career. He was, and still is, one of the great<br />
patrons of our time; an active donor to major<br />
By François de Ricqlès<br />
humanitarian causes. The Centre Pompidou, the<br />
Louvre, the National Gallery in London and many<br />
other important institutions owe M. <strong>Bergé</strong> a great<br />
deal, as do Covent Garden and the Paris Opera, of<br />
which he is President.<br />
Highly sought-after and acquainted with all those<br />
who set the ‘tone’ of the social, political and<br />
cultural life of Paris, <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong> and <strong>Pierre</strong><br />
<strong>Bergé</strong> guarded their incredible collection of works<br />
of art, as if it were their secret garden. The<br />
dazzling nature of their collection is shaped by a<br />
single principle: each piece was purchased for the<br />
simple satisfaction of the two collectors looking for<br />
exceptional pieces.<br />
Indifferent to trends, their main reference was the<br />
large mansion in Paris of Vicomte and Vicomtesse<br />
de Noailles, where they were frequent guests in<br />
their youth.<br />
This rich, aristocratic and eccentric couple had<br />
inherited masterpieces and major pieces of furniture<br />
from their ancestors, which they combined with<br />
works bought from their artist friends, Picasso,<br />
Giacometti, Balthus, Tanguy, Dalí and many others.<br />
In a stunning room covered in vellum by Jean-<br />
Michel Frank, antique pieces and modern art were<br />
audaciously and gracefully mixed. <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong><br />
and <strong>Pierre</strong> <strong>Bergé</strong> would never forget this lesson: the<br />
search for perfection, an insatiable curiosity and<br />
freedom of taste. It suited them perfectly.<br />
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