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Yves Saint Laurent Pierre Bergé - Christie's

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a legendary<br />

collection<br />

There is no doubt that Christie’s sale of the <strong>Yves</strong><br />

<strong>Saint</strong> <strong>Laurent</strong> and <strong>Pierre</strong> <strong>Bergé</strong> collection will be a<br />

milestone in the history of great auctions. It is also<br />

the reflection of a whole era and its lifestyle. A<br />

lifestyle shaped by the creative intuition and talent<br />

of a few personalities such as <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong><br />

and <strong>Pierre</strong> <strong>Bergé</strong>.<br />

When Christian Dior died in 1957, one could read<br />

in the newspapers the name of the great<br />

couturier’s successor: ‘<strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong>, 21’.<br />

From that day, and for almost half a century,<br />

encouraged and faithfully supported by <strong>Pierre</strong><br />

<strong>Bergé</strong>, the brilliant designer’s three initials, YSL,<br />

became the symbol of French elegance throughout<br />

the world. Supremely chic, sober and<br />

revolutionary, giving women a new freedom, his<br />

style has not yet been surpassed. In 1983, at the<br />

height of his career, the designer became part of<br />

the art world when Diana Vreeland, the queen of<br />

fashion, organised a retrospective of his work at<br />

the Metropolitan Museum of Art in New York.<br />

<strong>Pierre</strong> <strong>Bergé</strong>, who created the fashion house with<br />

<strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong> and accompanied him<br />

throughout all his life, is much more than just the<br />

well known tycoon. A refined literary figure (he<br />

was a friend of Jean Giono and Jean Cocteau), a<br />

renowned expert in music, he also discovered the<br />

talent of Bernard Buffet at the very start of his<br />

career. He was, and still is, one of the great<br />

patrons of our time; an active donor to major<br />

By François de Ricqlès<br />

humanitarian causes. The Centre Pompidou, the<br />

Louvre, the National Gallery in London and many<br />

other important institutions owe M. <strong>Bergé</strong> a great<br />

deal, as do Covent Garden and the Paris Opera, of<br />

which he is President.<br />

Highly sought-after and acquainted with all those<br />

who set the ‘tone’ of the social, political and<br />

cultural life of Paris, <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong> and <strong>Pierre</strong><br />

<strong>Bergé</strong> guarded their incredible collection of works<br />

of art, as if it were their secret garden. The<br />

dazzling nature of their collection is shaped by a<br />

single principle: each piece was purchased for the<br />

simple satisfaction of the two collectors looking for<br />

exceptional pieces.<br />

Indifferent to trends, their main reference was the<br />

large mansion in Paris of Vicomte and Vicomtesse<br />

de Noailles, where they were frequent guests in<br />

their youth.<br />

This rich, aristocratic and eccentric couple had<br />

inherited masterpieces and major pieces of furniture<br />

from their ancestors, which they combined with<br />

works bought from their artist friends, Picasso,<br />

Giacometti, Balthus, Tanguy, Dalí and many others.<br />

In a stunning room covered in vellum by Jean-<br />

Michel Frank, antique pieces and modern art were<br />

audaciously and gracefully mixed. <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong><br />

and <strong>Pierre</strong> <strong>Bergé</strong> would never forget this lesson: the<br />

search for perfection, an insatiable curiosity and<br />

freedom of taste. It suited them perfectly.<br />

5

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