Yves Saint Laurent Pierre Bergé - Christie's
Yves Saint Laurent Pierre Bergé - Christie's
Yves Saint Laurent Pierre Bergé - Christie's
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A magnificent pair of vases have, since the early<br />
70s, stood in silent yet potent majesty either side<br />
of the long sofa sited against the west wall of the<br />
grand salon of <strong>Saint</strong> <strong>Laurent</strong>’s rue de Babylone<br />
apartment. Ovoid, raised on stepped bases, the<br />
vases are of black lacquered metal with the<br />
distinctive geometric motifs in red and gold that<br />
identify them immediately as the work of Jean<br />
Dunand. These are key elements within a broad<br />
range of works by this artist that feature within the<br />
collection of <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong> and <strong>Pierre</strong> <strong>Bergé</strong><br />
and that lend their particular flavour to the<br />
collection’s evocation of the finest achievements of<br />
the French decorative arts of the 1920s.<br />
Jean Dunand rose to prominence for his work in<br />
lacquer, though his first interest was in sculpture.<br />
The practical aspects of his work as a sculptor<br />
involved him in learning the crafts of casting and<br />
working metals and this became a fascination that<br />
took him in a new direction. He became a master<br />
of dinanderie, the painstaking crafts of decorative<br />
metalwork, and in turn he became interested in<br />
lacquer, having first explored the possibilities of<br />
this natural material to protect and enhance the<br />
surfaces of his metal artifacts.<br />
Sculptor, dinandier and lacquer artist, Dunand<br />
excelled in each field. He exhibited annually at the<br />
Salons from 1905 and achieved considerable<br />
commercial and critical success. By 1925 he was<br />
among the most known and respected artistcraftsmen<br />
of his generation, with a substantial<br />
64<br />
Jean Dunand<br />
Artist in lacquer<br />
atelier and workforce and an order book of<br />
prestigious commissions. By then he had also<br />
effected introductions into the world of fashion<br />
and counted such luminaries as Mme Agnès,<br />
Jeanne Lanvin and Madeleine Vionnet among his<br />
clients. In the context of the 1925 Exposition<br />
Internationale, Dunand was designated Vice-<br />
President for the Metal section. His contribution as<br />
exhibitor included an important commission to<br />
create four monumental vases for the inner<br />
courtyard of the Pavillon des Métiers d’Art. These<br />
superb vases are two of the original four.<br />
Photographic portrait of Jean Dunand<br />
opposite page: JEAN DUNAND (1877–1942)<br />
A pair of armchairs, circa 1925, red lacquered wood, upholstered in black silk,<br />
30 1 ⁄8 in. (76.5 cm.) high, 23 1 ⁄4 in. (59 cm.) wide, 22 7 ⁄8 in. (58 cm.) deep. Estimate: 3400,000–600,000<br />
– Pauline de Smedt