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Yves Saint Laurent Pierre Bergé - Christie's

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A magnificent pair of vases have, since the early<br />

70s, stood in silent yet potent majesty either side<br />

of the long sofa sited against the west wall of the<br />

grand salon of <strong>Saint</strong> <strong>Laurent</strong>’s rue de Babylone<br />

apartment. Ovoid, raised on stepped bases, the<br />

vases are of black lacquered metal with the<br />

distinctive geometric motifs in red and gold that<br />

identify them immediately as the work of Jean<br />

Dunand. These are key elements within a broad<br />

range of works by this artist that feature within the<br />

collection of <strong>Yves</strong> <strong>Saint</strong> <strong>Laurent</strong> and <strong>Pierre</strong> <strong>Bergé</strong><br />

and that lend their particular flavour to the<br />

collection’s evocation of the finest achievements of<br />

the French decorative arts of the 1920s.<br />

Jean Dunand rose to prominence for his work in<br />

lacquer, though his first interest was in sculpture.<br />

The practical aspects of his work as a sculptor<br />

involved him in learning the crafts of casting and<br />

working metals and this became a fascination that<br />

took him in a new direction. He became a master<br />

of dinanderie, the painstaking crafts of decorative<br />

metalwork, and in turn he became interested in<br />

lacquer, having first explored the possibilities of<br />

this natural material to protect and enhance the<br />

surfaces of his metal artifacts.<br />

Sculptor, dinandier and lacquer artist, Dunand<br />

excelled in each field. He exhibited annually at the<br />

Salons from 1905 and achieved considerable<br />

commercial and critical success. By 1925 he was<br />

among the most known and respected artistcraftsmen<br />

of his generation, with a substantial<br />

64<br />

Jean Dunand<br />

Artist in lacquer<br />

atelier and workforce and an order book of<br />

prestigious commissions. By then he had also<br />

effected introductions into the world of fashion<br />

and counted such luminaries as Mme Agnès,<br />

Jeanne Lanvin and Madeleine Vionnet among his<br />

clients. In the context of the 1925 Exposition<br />

Internationale, Dunand was designated Vice-<br />

President for the Metal section. His contribution as<br />

exhibitor included an important commission to<br />

create four monumental vases for the inner<br />

courtyard of the Pavillon des Métiers d’Art. These<br />

superb vases are two of the original four.<br />

Photographic portrait of Jean Dunand<br />

opposite page: JEAN DUNAND (1877–1942)<br />

A pair of armchairs, circa 1925, red lacquered wood, upholstered in black silk,<br />

30 1 ⁄8 in. (76.5 cm.) high, 23 1 ⁄4 in. (59 cm.) wide, 22 7 ⁄8 in. (58 cm.) deep. Estimate: 3400,000–600,000<br />

– Pauline de Smedt

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