Yves Saint Laurent Pierre Bergé - Christie's

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22 Henri Matisse This earliest of Matisse’s cut-outs was very likely a study for the front curtain of Rouge et Noir, a ballet composed by Léonide Massine for which Matisse designed the set and the costumes. Here the forms anticipate some of the artist’s greatest achievements of the 1940s, including the Barnes murals and the Jazz portfolio. Les coucous dates from the remarkable sequence of Matisse’s sumptuous still-lives and interior scenes of 1911–1912. Here the bouquet of flowers, the vase, the wall treatment, even the landscape hanging at the right have all become pattern themselves, renouncing a separate identity to the greater common cause of organic decoration. Matisse used the same blue and pink Algerian fabric in L’Atelier rose in the Sergei Shchukin Collection (Pushkin Museum, Moscow). HENRI MATISSE (1869–1954) Le danseur, gouache, traces of pencil and paper cut-out on paper, 29 1 ⁄2 × 24 1 ⁄2 in. (74.9 × 62.2 cm.) Executed in 1937–38. Estimate: 34,000,000–6,000,000
HENRI MATISSE (1869–1954) Les coucous, tapis bleu et rose, oil on canvas, 31 7 ⁄8 × 25 3 ⁄4 in. (81 × 65.5 cm.). Painted in 1911 Estimate: v12,000,000–18,000,000 23
Page 1: CHRISTIE’S magazine COLLECTION Yv
Page 4 and 5: contents 4 a legendary collection F
Page 7 and 8: a legendary collection There is no
Page 9 and 10: In 1992, Pierre Bergé moved to his
Page 12 and 13: 10 Edouard Manet The model in the p
Page 14: 12 Edouard Vuillard A caricaturist
Page 17 and 18: Edvard Munch The landscape and shor
Page 21 and 22: In contrast to the paintings that s
Page 23: Juan Gris Manifest here are Gris’
Page 28: 26 Fernand Léger La tasse de thé,
Page 31 and 32: FERNAND LÉGER (1881-1955) Composit
Page 33: 32 Piet Mondrian Mondrian could not
Page 36 and 37: PIET MONDRIAN (1872-1944) Compositi
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Page 40 and 41: Yves Saint Laurent and Pierre Berg
Page 42 and 43: Photograph by Daniel Bernard There
Page 45: 44 Jacques Doucet In the late 1920s
Page 49: cabinet, and his eventual instructi
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Page 57: 56 EILEEN GRAY (1878-1976) The Drag
Page 61: 60 Armand-Albert Rateau A modern li
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Page 69: 68 Jean-Michel Frank The luxury of
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73 © Pierre Vauthey/CORBIS SYGMA
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Maurice Marinot was an exceptional
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80 ALBERT CHEURET (1884-1966) Conso
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84 Claude and François-Xavier Lala
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88 CLAUDE LALANNE (B. 1924) The fif
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© The Estate of Jeanloup Sieff
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The strength of Yves Saint Laurent
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94 old master paintings & drawings
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98 Portrait of a man holding a book
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104 Thomas Gainsborough The Portrai
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106 Jacques-Louis David Portrait of
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Although conventionally placed in p
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118 Théodore Géricault Without me
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120 THÉODORE GÉRICAULT (1791-1824
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122 Pre-Raphaelite There seems, at
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The Adoration of the Magi DESIGNED
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126 Edward Burne-Jones In the early
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It might seem surprising that Pierr
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for Bergé, it is also a question o
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© The Estate of Jeanloup Sieff
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136 The Hanover Cups In one room, p
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140 Karl II, Margrave of Baden The
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A German silver-gilt cup formed as
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A rare Silesian parcel-gilt model o
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A German parcel-gilt Hanseatic tank
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Detail of cover of silver-gilt cup
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SALE: LE GRAND PALAIS, PARIS, TUESD
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160 Louis XV Mirror A Louis XV parc
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162 Rococo Chairs This set of eight
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164 A Sèvres Tea Set This 19th-cen
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SALE: LE GRAND PALAIS, PARIS, WEDNE
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Marie-Laure de Noailles Inspiration
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© Man Ray Trust/ADAGP, Paris and D
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It is, however, the collective sump
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A parcel-gilt polychrome circular e
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180 Limoges Enamels The French town
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182 Cameos Among the extensive coll
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184 A Rock Crystal Vase Found almos
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A pair of bronze groups of Hercules
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SALE: LE GRAND PALAIS, PARIS, WEDNE
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Private Collection / The Bridgeman
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202 antiquities The collection of Y
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IMPRESSIONIST AND MODERN PAINTINGS,
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SALEROOMS AND OFFICES WORLDWIDE ARG
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Yves Saint Laurent Pierre Bergé - Christie's

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