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TRIVIAL OR COMMENDABLE? : WOMEN’S WRITING, POPULAR CULTURE, AND CHICK LIT Mary Ryan PhD Candidate University of Limerick Recommended citation || RYAN, Mary (2010): “Trivial or Commendable? : Women’s Writing, Popular Culture, and Chick Lit” [online article], 452ºF. Electronic journal of theory of literature and comparative literature, 3, 70-84, [Consulted on: dd / mm / yy], < http://www.452f.com/index.php/en/maryryan.html >. Illustration || Xavier Marín Article || Received on: 02/03/2010 | International Advisory Board’s suitability:05/05/2010 | Published on: 07/2010 License || Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 License. 70
452ºF Abstract || There are a number of similarities between popular culture and women’s writing: both have been dismissed as trivial and worthless, have traditionally received little respect from critics, and have been scorned because of their apparently «low-brow» appeal. Additionally, both were long excluded from the literary Canon. In contemporary culture, the intersection of popular culture and women’s writing takes the form of chick lit, the contemporary genre of fiction starring female characters in their 20s and 30s as they make their way through their lives and tackle all the obstacles in their way. As well as outlining the characteristics and history of chick lit, this paper will discuss the negative reception that popular culture, women’s writing, and chick lit has often been subjected to, and will show how studies are now emerging with the aim of demonstrating how such genres may have more worth and potential than is typically suggested. Keywords || Popular Culture | Chick Lit | Women’s Writing | Feminism | Jane Austen | Cultural Studies. 71
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EDITORIAL en- We are pleased to pre
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EDITORIAL es- Nos complace presenta
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EDITORIAL ca- Ens complau presentar
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EDITORIALA eu- Benetan atsegin dugu
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ENRIC SULLÀ Sobre la formació del
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SOBRE LA FORMACIÓ DEL CÀNON DEL C
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A l’hora de parlar del cànon se
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els propis de Hollywood. És una ma
Page 19 and 20: En dos casos el nombre de pel·líc
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Page 27 and 28: Bibliografia AA. VV. (1980): Women
Page 29 and 30: LITERATURA COMPARADA Y ESTUDIOS CUL
Page 31 and 32: 0. Introducción «La disciplina es
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Page 35 and 36: Por otro lado, es posible rescatar,
Page 37 and 38: Academic «Cultural Studies», as a
Page 39 and 40: Even-Zohar habla de una suerte de
Page 41 and 42: Sólo el reconocimiento de la inerc
Page 43 and 44: Said ha expuesto: Según ha dicho a
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Page 49 and 50: El estudio de las literaturas del m
Page 51 and 52: Bibliografía BAL, M. (1999): «Int
Page 53 and 54: APORTACIONES TEÓRICAS DE LOS ESTUD
Page 55 and 56: Tras el amplio camino recorrido en
Page 57 and 58: Años después, en 1982, Rama ampli
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Page 61 and 62: en la imagen de Mariátegui, que re
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Page 73 and 74: This paper will discuss the negativ
Page 75 and 76: (ii) Most chick lit heroines work i
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Page 81 and 82: Women have, of course, traditionall
Page 83 and 84: Works Cited «Chick Lit», Wikipedi
Page 85 and 86: «JE SUIS UN COWBOY DU FAR WEST»:
Page 87 and 88: 0. Introduction In this paper I wan
Page 89 and 90: (Fanon, 1959). After years of negot
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Page 93 and 94: Je reste adossée à l’arbre sans
Page 95 and 96: (Genette, 1982: 451). In this way,
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Page 101 and 102: Works Cited ACHOUR-CHAULET, C. (198
Page 103 and 104: 452ºF Resumen || El presente artí
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Page 115 and 116: THE SIMPSONS, GENDER ROLES, AND WIT
Page 117 and 118: 0. Introduction A young girl, of ap
Page 119 and 120: «The Crazy Cat Lady» as a charact
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Agnes Skinner, the town principal
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the construction of the witch in Th
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figures here: the Early Modern witc
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her conscience gets to her, and the
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Therefore, when the viewer witnesse
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Gabriel Germán Barbabianca mis
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452ºF Resumen || La literatura ar
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El hecho de que la concepción impe
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(falsamente) que uno es el autor de
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y de la Romania en general. Por est
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No tengo noticia de que nadie más
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Lo que se encontraba en juego en es
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(romanización, romanceo), éstas
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Bibliografía ASÍN PALACIOS, M. (1
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452ºF Resumen || En este trabajo p
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«manual» que escribió sobre el t
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de la novela, Highsmith es una perf
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En primer lugar, y siguiendo la pro
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funcionamiento su particular maquin
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dan lugar a una serie de duplicidad
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El siguiente cuadro es un intento d
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Novela Film Guy Bruno Guy Bruno Mad
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de treinta páginas) hacer que Brun
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Bárbara, a tu padre. Como lo sabes
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¿Puede hablarse, entonces, de una
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LIVING IN A SIMULACRUM: HOW TV AND
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If a work of art can picture the sc
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in the dialogues of the Gladneys, b
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form for «simulated evacuation.»
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«So the girls can’t hear. They h
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What was the barn like before it wa
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and names in her sleep. Jack watche
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Works cited BARTHES, R. (1974): S/Z
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452ºF Resumen || Sábado en ciudad
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simbólico y presenta imágenes y e
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2. La imagen La imagen siempre ha s
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La embriaguez del estado dionisiaco
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5. El sujeto en el sujeto Si la tra
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Bibliografía BARTHES, R. (2003):
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